3 posts categorized "International Cinema"

May 31, 2017

JESSICA CHASTAIN WHITELADYSPLAINS THE 2017 CANNES FILM FESTIVAL

OH NO SHE DI'ENT. OH YES SHE DI'ID.

Jessica Chastain Dumps On All The Films In Competition At Cannes

Jump to 04:08 to watch Jessica Chastain whiteladysplain how poorly female characters were represented in the films-in-competition this year at Cannes. Sadly, Ms. Chastain is unable to articulate examples from the undisclosed films that she ham-fistedly calls out. As a result, no one has any idea what she's talking about. When Chastain opines about not seeing female characters she "recognizes," it begs the question of who exactly who the wealthy actress imagines — possibly the neighbors in her apartment building next to Central Park. It's a good thing that her refurbished Manhattan apartment only set her back $5.1 million. Refurbishing the 19th century apartment cost more. 

Chastain's dubious intention seems to draw attention to herself, rather than to the matter at hand. It just doesn't pass the BS detector test as the facial expression of female interpreter sitting behind Chastain evinces. This is clearly not Jessica Chastain's finest hour. 

Chastain at Cannes

That Chastain's buzzkill remarks come during a year when two women filmmakers were recognized with major awards at Cannes — Lynne Ramsey took home the Best Script Award for "You Were Never Really Here," and Sofia Coppola won the Best Director Award for "The Beguiled" — further blunts Chastain's point. Perhaps it would have served the press conference better to celebrate the female filmmakers whose (ostensibly) ethical artistic efforts stood in opposition to depictions of women characters Chastain disapproved of in the unnamed films that she cast aspersions on.

A little preparation for making her point might have served her better. When taken in the context of the daggers being shot by Pedro Almodovar's translator, it seems that such whiteladysplaining isn't everyone's cup of tea. And I'll take Vera Farmiga, as an actress, over Jessica Chastain any day of the week. If you haven't checked out "Bates Motel," I highly recommend it. Farmiga runs circles around Chastain with acting chops that match Naomi Watts, another polished actress who outperforms Jessica Chastain. I could go on. Have you seen what Gina Gershon can do? Whew. I guess it brings us around to Kirsten Dunst, whose performance in "The Beguiled" didn't pass the Bechtel test. 

Agnes Jaoui

Fortunately, Agnes Jaoui took over the baton to reduce the issue to meeting the criteria of the Bechtel Test — wherein in two female characters discuss something other than a male. Admittedly, that's setting the bar pretty low. Wait, Noah Baumbach's movie "The Meyerowitz Stories (New and Selected)" didn't pass the Bechtel Test? — Shocker. Take it up with Noah.

Will Smith pitched in to clean up Chastain's mess by noting that having a couple of black folks (filmmakers in competition) "wouldn't be a bad thing either." Smith may fill the shoes of a boisterous American abroad, but he nevertheless presented a suave and worldly representative of Global Culture. Cheers to Will Smith as a responsible envoy of cinematic culture to put a pin in Chastain's entitled Trumpian version of truth. 

Will Smith

January 10, 2017

FEMINIST THEORIES ARE STREAMING ON FILMSTRUCK

Although condemned by some cultural gatekeepers and critics as indecent (even after And God Created Woman was edited, and dubbed, for its U.S. release), Brigitte Bardot's stunning portrayal of a freethinking woman became the celebrated subject of Simone de Beauvoir's 1959 essay The Lolita Syndrome. In it, de Beauvoir described Brigitte Bardot as a "locomotive of women's history" for good reason. The petite but curvy French actress captured the collective global imaginations of women and men alike. Still, the picture adds up to more than merely Bardot's obvious physical allure and headstrong attitude. It is a timeless social document of the ways that a young woman's allure can fuel, destroy, and build the dreams of men who fall under her spell. If Helen of Troy was "the face that launched a thousand ships," Brigitte Bardot was the girl who incited a sea change of sexual liberation in Western culture.

Fat Girl

Originally entitled A Ma Soeur! (To My Sister), this film's inapt English title Fat Girl (2001) does the picture an injustice. This obvious public relations ploy, to stir controversy with a derogatory term, cheapens writer-director Catherine Breillat'sbold thematic statements regarding budding female sexuality in the modern world, and feminist ideals at large.

Anaïs Reboux plays Anaïs Pingot, the Rubenesque 12-year-old sister to the lithe Elena (Roxane Mesquida) who, at the age of 15, is anxious to lose her virginity. Anaïs's observant, if pokerfaced, vantage points on morality and social conditions enable her to survive a traumatic event through the brutal life lessons she vicariously learns from the world around her. Fat Girl is an understated picture that doesn't shy away from any of the ambitious feminist heights that Breillat fearlessly mounts with surgical precision. Breillat's ear for naturalistic dialogue is especially exact during an extended seduction scene that is a centerpiece of the film. Like Catherine Breillat's watershed debut feature (A Real Young Girl) Fat Girl is a masterpiece awaiting inspection from audiences prepared to grapple with its unveiled meanings and insightful commentary on womanhood.

Story of Women

Claude Chabrol's Story Of Women delves into the difficult conditions of a Nazi-occupied French town that transforms a mother of two into a hardened opportunist. Isabelle Huppertwalks a fine line as an anti-heroine whose broken relationship with her PTSD-suffering husband (François Cluzet) culminates in a betrayal of epic proportions. Marie's motivations shift as she lifts her family out of poverty by providing soap-induced abortions to local prostitutes with whom she carries on friendships. Because abortions were criminalized in France — from 1920 to 1975 — due to a grievous loss of French men during World War I and II, Marie-Louise Giraud became an ideal scapegoat for a French court looking to send a message to the French populace at large.

Zero Motivation

Writer-director Talya Lavie takes inspiration from Jean Vigo's once banned 1933 film Zero For Conduct, about a bourgeoning rebellion in an all boys boarding school, to transpose a narrative drawn from her experiences serving in the Israel Defense Forces. Although Zero Motivation might play as a light comedy to Israeli audiences, the film echoes systemic abuses suffered by female soldiers in the America military where rape is a common occurrence. When our defiant heroine soldier Zohar (Dana Ivgy) attempts to lose her virginity to a fellow soldier, she requests that he "be more gentle." His callous response, "I'm combat, baby" speaks volumes about the sexist effects of his military training. From a feminist perspective Zero Motivation is possibly the most challenging film of the four titles included in this brief survey of feminist themed films currently streaming on FilmStruck.

Turner's subscription movie service FilmStruck is an online streaming service, managed by Turner Classic Movies,  that offers an exhaustive collection of current and classic arthouse films, and is the exclusive streaming site for the Criterion Collection. FilmStruck is currently available on Apple TV, Amazon Fire TV, on the web, as well as on iOS and Android devices. FilmStuck will soon be available for access on Roku and Google Chromecast.

And God Created Woman_10


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October 06, 2016

THE DIRECTORS VIDEO ESSAY SERIES: BY COLE SMITHEY

AKIRA KUROSAWA: PIONEER

TAKESHI KITANO: RENAISSANCE MAN

SOFIA COPPOLA: AUTEUR

 ROBERT ALTMAN: SATIRIST

 JIM JARMUSCH: OUTLIER

 SAM PECKINPAH: LIBERATOR

 KEN LOACH: SOCIAL REALIST

 JOE CARNAHAN: THE BEST-KEPT SECRET

 CATHERINE BREILLAT: TRANSGRESSOR

 WERNER HERZOG: MENSCH

DAVID FINCHER: MODERNIST

WILLIAM FRIEDKIN: THE MUSCLE

JOHN CASSAVETES: INDIE ICON

PAUL VERHOEVEN: REBEL

LARS VON TRIER: PROVOCATEUR

QUENTIN TARANTINO: MAVERICK

 ALFRED HITCHCOCK: MASTER OF SUSPENSE

 LUIS BUNUEL: FETISHIST


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