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A Clockwork Orange (Classic Film Pick)
There's Stanley
Kubrick's "A Clockwork Orange," and then there's everything else.
Kubrick's 1971 adaptation of Anthony Burgess' complex literary satire
of crime and punishment is an earth-shattering cinematic experience
that elicits an unprecedented visceral response from its audience.
Malcolm McDowell plays British thug and sociopath Alex De Large, who
wanders around a futuristic, economically ravished Britain where trash
fills the streets. Alex lends friendly narration to the audience that
he calls "brothers" as he incites violence with a band of delinquent
misfits (called "droogs") at his command. Alex gets imprisoned after
viciously raping and murdering an upper-class woman in her home with a
large plastic phallus. Rather than go to prison he opts to undergo a
torturous rehabilitation therapy (the "Ludovico technique"), involving
forced viewings of Nazi war films accompanied by Beethoven's Ninth
Symphony. The proven effects of the treatment lead to Alex's release
into a society where he is repeatedly punished for his past
transgressions. "A Clockwork Orange" proved a crucial touchstone for
significant cultural shifts in music and film. '70s era filmmakers like
Coppola and Scorsese were liberated by Kubrick's visionary approach to
style, form, and subject matter, and many aspects of the punk rock
movement are directly attributable to it. The film is intoxicating in
its use of atmosphere, music, and irony to excite the viewer's
imagination at a palpitating tempo. Everything comes as surprise for
the voyeuristic viewer who is implicated in every criminal act of
citizen and state. We are all victim, killer, police, and legislator.
Sleep on that.
Posted by Cole Smithey on
January 17, 2009 in Sci-Fi | Permalink
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