COLE SMITHEY RESPONDS TO “TOY STORY 3” DEFENDERS

by

Cole776After beating Armond White to the punch of upsetting “Toy Story 3’s” perfect 100% RottenTomatoes score I realized how militantly fetishistic RT [RottenTomatoes.com] readers are about such ridiculously inane things as protecting a “perfect score” for a movie. 

You can’t make this kind of stupidity up; it is real. 

What’s more surprising to me is how few “critics” exercise the demands of their job description. 95% of the people who claim to be film critics, aren’t; they are pandering sycophants placating a bunch of publicists so they can see movies for free. 

There isn’t a film I can think of that doesn’t have detractors, so why should “Toy Story 3” be any different? That I had to come along behind 150 “critics” (a.k.a. sheep) to be the first to point out about this film’s weaknesses — and they are many — speaks volumes about the feeble state of film criticism in 2010. Based on this example, you might surmi

se that film criticism barely exists anymore. Well, it doesn’t. 

Colesmithey.com

Personally, I have young nieces and nephews with responsible parents who are sensitive to what their kids see. I could not in good conscience endorse “Toy Story 3” as a G-rated film that meets the criteria of a G-rated movie. Check out “2001: A Space Odyssey” for a more appropriate example of the rating than TS3. The ever-lessening number of G-rated movies is indeed a worrisome trend.

ColeSmithey.com

On top of that, Hollywood is currently changing the game on what audiences should, or can, expect from a “3-D” movie in order to charge higher ticket prices across the board on all theatrical releases. As a critic, I’ve had the luxury of seeing many “3-D” films, and know what that medium should deliver on a consistent basis. Again, I cannot endorse the watered-down version of “3-D” that Disney/Pixar is selling with “Toy Story 3.” See my article on 3D

Breaking the Window: What You’re Not Supposed to Know About 3D.

As for all of the personal attacks — some including death-threats — that readers make in their nasty emails to me, I understand that people need to let off steam, especially in these difficult economic times. It goes with the territory of being a critic who takes his job seriously. Sticks and stones. I’m not going away.

ColeSmithey.com

By definition, being a critic means it is my job to “criticize.” I wrote this review just as I approach writing any piece of criticism — with honesty, patience, sincerity, and a singular mission to express my ideas as clearly and briefly as possible. 

I gave “Toy Story 3” a C+, and I stand by that grade, although it probably deserves a “C-” because it is a “disappointing” movie. A masterpiece like Stanley Kubrick‘s “Full Metal Jacket” only has a “96%” rating on RT, but I don’t think anyone’s losing sleep over the fact that it isn’t a perfect “100%.” It’s still a far better film than “Toy Story 3.” If you doubt me, I challenge you to watch them back-to-back. There is only one right answer. Not only does TS3 not belong in anyone’s list of the top 10,000 films of all time, it is clearly the weakest film of the franchise trilogy — by far.

CRUMB

To feign indignation over such a trivial issue as an aggregate website’s score is a sign of ulterior motives from people pandering to some imaginary form of lowest common denominator. It’s the same kind of intellectual virus that has ruined journalism and the media in America. 

You came to me for my opinion, and I freakin’ gave it you. You’re on your own from there.

Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Patreon
FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up