Dracula Has Risen From the Grave
Produced during the heyday of famed British film production company Hammer, "Dracula Has Risen From the Grave" (1968) is a high watermark for the franchise. Directed by Oscar-winning cinematographer and director Freddie Francis (cinematographer on Scorsese's version of "Cape Fear"), "Dracula Has Risen" departs from Hammer's signature campy style. Building on the Transylvanian Count role he first portrayed in the 1958 "Horror of Dracula," Christopher Lee is a vampire of few words. Lee uses his transfixing stare and perfect hair to transfix his subjects, whose numbers inevitably grow after he is revived from death by the blood of a priest which melts through the ice where Dracula is buried. Said unlucky priest proves his fealty as Dracula's first loyal subject when he digs up a recently filled grave to supply a coffin for his new master. The evicted corpse provides a shock of gruesome surprise.
In a local Central European village Maria (Veronica Carlson), the niece of the visiting Monsignor (Rupert Davies), is carrying on a promising affair with the baker's virile young assistant Paul (Barry Andrews). Scriptwriter Anthony Hinds's spatially compact narrative contains the action in and around the bakery; the business also serves as a tavern and rooming house. Maria likes to climb out her bedroom window to inch around the rooftops that lead to Paul's own nearby bedroom.
Most impressive is the film's establishing scene. A local altar boy arrives at church in order to perform his bell-ringing duties. Blood from the bell tower drips down the rope. The source is a recently murdered girl, who hangs upside down within the bell. This traumatic event has an immediate effect on the altar boy: he goes mute. The sequence establishes a dark sense of human tragedy that extends across the film's less suspenseful moments.
"Dracula Has Risen From the Grave" contains many iconic elements. Dracula's red-lined cape disguises his superhuman abilities to perform superhuman feats. It wouldn't be a vampire movie without one stake through the heart, though it's never explained how Dracula survives the assassination attempt. Christopher Lee's death-by-crucifix ending stands as one of the most iconic gothic images ever recorded in cinematic vampire lore.
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