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POKER MOVIES

The Cincinnati Kid
CincinnatiKidThis cinematic treatment of Richard Jessup’s novel, about an up-and-coming ’30s poker champ, benefited from screenwriting contributions by Ring Lardner Jr. ("M*A*S*H") and Terry Southern ("Easy Rider"). However, it’s the film’s stellar cast, along with a gritty narrative and stylized direction, that makes The Cincinnati Kid the best poker movie ever. Hotshot poker player Eric Stoner, a.k.a. “The Kid” (unforgettably played by Steve McQueen), goes up against old-guard poker master Lancey Howard, a.k.a. “The Man” (Edward G. Robinson), in a marathon game of five-card stud that will decide if The Man will be replaced. Roguish Rip Torn plays Slade, a spiteful local tycoon with a vested interest in seeing Howard beaten after being “gutted” in a poker game by The Man.

The film’s characters are clearly defined by their actions leading up to the final poker scene so that we comprehend Stoner and Howard as serious poker competitors who view money as a tool to poker as “language is to thought.” When the final hand is played, Stoner has cleverly quelled Slade’s attempt to fix the game in his favor with a cheating dealer (Karl Malden), and has worn Howard down in spite of The Man’s various attempts to psyche him out. McQueen and Robinson exhibit perfect poker-faced control in the scene as they each go “all in” with the makings of a full house against a straight flush. Casinos and poker scenes have been widely used in films from around the world, from Bollywood Poker Videos to independent films, to documentaries and Hollywood blockbusters. The big poker lesson here is that “sometimes the cards fuck you.” Neither Hollywood nor poker gets any truer than that.

 

Rounders
RoundersMatt Damon’s career climbs to higher cinematic altitudes than his limited role in "Saving Private Ryan" could allow. It represents as much of a triumph for actors Edward Norton (as "Worm,") and John Malkovich (as Russian underworld kingpin "KGB") as it does for director John Dahl. Dahl’s career enjoyed a thrilling period in 1993 with the success of "Red Rock West" and "The Last Seduction," but since then lost steam and output. His self-penned 1996 film "Unforgettable" went largely overlooked. "Rounders" is a brilliant slice of work ethic grafted over an unconventional and illegal lifestyle. It's primary themes lie in "grinding out" a straight living. John Dahl has shown by example that working through a productive career is work that doesn’t happen overnight, and a couple of successes don’t guarantee future victories. In "Rounders," a winning hand is played by everyone at the table.

Posted by Cole Smithey on March 5, 2012 | Permalink
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