THE GOOD SON: THE LIFE OF RAY BOOM BOOM MANCINI

by

   ColeSmithey.comGroupthink doesn't live here, critical thought does.

Welcome!

This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through .

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

ColeSmithey.comNoted ‘80s era lightweight boxer Ray “Boom Boom” Mancini is the subject of a passionate and stylishly composed documentary that allows the charismatic champion from Youngstown, Ohio to tell his story of tremendous victories and terrible losses. This narrative admirably transcends the 20th century immigrant narrative template, which is all but forgotten now that voyeurism is valued higher than historic relevance.

Let's get the obvious first question out of the way: Ray Mancini adopted his dad’s boxing name “Boom Boom” with a dream of living up to family tradition.

ColeSmithey.com

Anyone who has heard Warren Zevon’s haunting song “Boom Boom Mancini” (from his “Sentimental Hygiene” album) knows that Mancini “was responsible for the death of Du Koo Kim.” But few listeners know about the circumstances of the 1982 fight that changed the rules of boxing forever — fights were reduced from 15 to 12 rounds as a result of the Mancini/Kim bout that left Du Koo Kim with a blood clot in his brain, which eventually killed him.

ColeSmithey.com

Director Jesse James Miller compiles interviews with Mancini's neighbors, friends, priests, family members, cops, and boxing luminaries to explain how a kid from a Sicilian working-class family worked diligently to follow in his father’s footsteps as a pro boxer, struggling in the shadow of his older boxer brother Lenny. Mancini biographer Mark Kriegel adds profound insights with a healthy dose of editorial veracity.

Youngstown, Ohio-born actor Ed O’Neill (“Modern Family”) recounts following his friend Raymond’s career as a hometown boxing phenomenon. O’Neill explicates the mob-ruled cultural landscape of Youngstown, where a steel-mill worker could raise a family and have a secure working-class lifestyle. But if a guy wanted to move up and “swim with the sharks,” then he'd “better be a shark.”

ColeSmithey.com

Such are the social circumstances that put the 21-year-old Boom Boom Mancini in the respectful orbit of such celebrities as Frank Sinatra, Mickey Rourke, and Sylvester Stalone — Mancini’s star burned bright and the future seemed to hold all that fortune favors. Was Stalone’s “Rocky” based on Raymond Mancini? I think you know the answer.

ColeSmithey.com

However undone by a hypocritical media and a corrupt boxing system, Ray “Boom Boom” Mancini is revealed as more than merely a survivor. It would spoil the impact of the documentary’s perfect arc to describe the essential aspect of the Mancini/Kim narrative that brings it all home.

Suffice it to say that “The Good Son” is one of those documentaries that could easily slip under the public radar. With so few “stand-up” guys left in the world, it’s refreshing to meet up with Boom Boom after all these years and discover an admirable man with all of the hard-earned self-respect that anyone could hope to achieve. Don’t miss “The Good Son.”  

Not Rated. 90 mins.

Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Patreon
FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up