58 posts categorized "Cannes Film Festival"

May 24, 2017

CANNES 2017: THE BEGUILED — PRESS CONFERENCE


Okay, so someone at the festival can't spell. Don't let that stop you from checking out the press conference for Sophia Coppola's latest film, The Beguiled, starring Colin Farrell, Nicole Kidman, Elle Fanning, Kristen Dunst, Angourie Rice, Addison Riecke, and, Youree Henley. The film is a woman's take on Don Siegel's 1971 filmic adaptation of Thomas Cullinan's novel.

May 23, 2017

CANNES 2017: PHOTOCALL

Cannes Photocall2017

Cannes photocall


Cannes 2017 Photocall


Cannes Photocall2

May 20, 2017

WONDERSTRUCK: Press Conference — Cannes 2017

Todd Haynes's WONDERSTRUCK is on my list of Most Promising Films of 2017. The film's warm reception in Cannes is evident in the press conference, which you can watch here without having to get on a plane to France.


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May 19, 2017

CANNES 2017 LIVE BROADCAST

OKJA — Press Conference Cannes — 2017

OKJA is on my Most Promising Films of 2017 list. Great cast working in Bong Joon Ho's magical realist narrative with ecological underpinnings. This is exciting Cinema! Tilda Swinton, Jake Gyllenhaal, Paul Dano, Lily Collins, Seo-Hyun Ahn, Steven Yuen, Devin Bostick, and Giancarlo Esposito star. Wait 'till you see the wonderfully enormous pig creature that shepherds a young girl into adolescence. Is the film political? You better believe it.

OKJA Cannes Conference

OKJA red carpet


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May 03, 2017

Cannes Classics 2017: Program Announced

CANNES CLASSICS

The program of Cannes Classics 2017 will be dedicated for its most part to the history of the Festival.

Almost fifteen years ago, when the relationship between contemporary cinema and its own memory was about to be shaken by the emergent arrival of digital technology, the Festival de Cannes created Cannes Classics, a selection that displays the work of valorisation of heritage cinema carried out by the production companies, the right-holders, the cinematheques or the national archives around the world.

Being now an essential component of the Official Selection and a presence of the history of cinema which inspired several international festivals, Cannes Classics showcases vintage films and masterpieces of the history of cinema in restored prints. Because Cannes is also devoted with the mission of enchanting the audience of today's relationship with the memory of cinema, Cannes Classics puts the prestige of the biggest festival of the world at the service of the cinema rediscovered, accompanying all the new exhibitions: releasing in movie theaters, on VOD or on DVD/Blu-ray editions of the great works of the past.

The program of the 2017 edition of Cannes Classics consists of twenty-four screenings, one short film and five documentaries. The films are screened as wanted by the right-holders, in DCP 2K or DCP 4K, and L'Atalante by Jean Vigo that Gaumont wished to screen in 35mm.

The films selected for this 2017 edition will focus mostly on the history of Cannes. They come from nations that have allowed the Festival de Cannes to become a land of cinematographic discoveries: Hungary, Lebanon, Serbia, United Kingdom, Italy, United States, Israel, Mauritania, Niger, Poland, Switzerland, Japan, Spain, the Netherlands, Canada, Belgium and Australia. Many countries which also consider that safeguarding heritage cinema is essential.

The films will be screened in the Palais des Festivals, Salle Buñuel or Salle du Soixantième, in attendance of those who have restored them and, if they are still among us, of those who have directed them.

On the occasion of the celebration of its 70th edition, a brief history of the Festival of Cannes

From 1946 to 1992, from René Clément to Victor Erice, sixteen history-making films of the Festival de Cannes 

•1946: La Bataille du Rail (Battle of the Rails) by René Clément (1h25, France): Grand Prix International de la mise en scène and Prix du Jury International.
Presented by Ina. Film digitized and restored by Ina with the support of the CNC. 2K restoration made from an acetate interpositive and an answer print. Technical means: Jean-Pierre Peltier. Coordination: Bénilde Da Ponte, Brice Amouroux.

 •1953: Le Salaire de la peur (The Wages of Fear) by Henri-Georges Clouzot (1952, 2h33, France, Italy): Grand Prix.
Presented by TF1 Studio in collaboration with la Cinémathèque française and the support of the CNC, of the Archives audiovisuelles de Monaco, of Kodak and the CGR cinémas. 4K Restoration from nitrate image negative and a sound duplicate made by Hiventy. Please note that this presentation is the preview of a major Clouzot event scheduled in France in the fall of 2017.

•1956: Körhinta (Merry-Go-Round/Un Petit carrousel de fête) by Zoltán Fábri (1955, 1h30, Hungary): in Competition.
Presented by the Hungarian National Film Fund - Hungarian National Film Archive. A 4K Scan and Digital Restoration from the original 35mm image & sound negatives plus additional materials: the original dupe positive and another film positive. Restoration made by the Hungarian National Film Fund – Hungarian Filmlab.

•1957: Ila Ayn? (Vers l'inconnu ?) by Georges Nasser (1h30, Lebanon): in Competition.
Presented by Abbout Productions and Fondation Liban Cinema. With the generous support of Bankmed – Lebanon. The original 35mm Fine Grain Master Positive was scanned in 4k, retouched and color-corrected in a resolution of 2K. All works were carried out by Neyrac Films - France. Sound restoration by db Studios - Lebanon. In collaboration with The Talkies. World Sales: Nadi Lekol Nas. 

•1967: Skupljači Perja (I Even Met Happy Gypsies/J'ai même rencontré des Tziganes heureux) by Aleksandar Petrović (1h22, Serbia): in Competition, Grand Prix Spécial du Jury ex-æquo, Prix de la Critique Internationale - FIPRESCI ex-aequo
Presented by Jugoslovenska Kinoteka/The Yugoslav Film Archive and Malavida.
New 35mm print from the original negative in perfect shape then scanned in 2K and cleaned up.

•1967: Blow-up by Michelangelo Antonioni (1966, 1h51, United Kingdom, Italy, United States of America): Grand Prix International du Festival.
Presented by Criterion, Cineteca di Bologna and Istituto Luce - Cinecittà, in collaboration with Warner Bros and Park Circus. Restoration work carried out at Criterion, New York and L'Immagine Ritrovata, Bologna under the supervision of Director of Photography Luca Bigazzi.

•1969: Matzor (Siege/Siège) by Gilberto Tofano (1h29, Israel): in Competition.
A presentation of the Jerusalem Cinematheque – Israel Film Archive, in partnership with United King Films and the support of the Rabinovich Foundation. The original 35mm black and white negatives were scanned in 4K by Cinelab Romania. It was digitally restored and finalized in 2K by Opus Digital Lab in Tel Aviv. Restoration and color grading lead by Ido Karilla, supervised by DOP David Gurfinkel.

•1970: Soleil O (Oh, Sun) by Med Hondo (1h38, Mauritania-France): Semaine de la critique.
Presented by The Film Foundation. Restored by Cineteca di Bologna at L'Immagine Ritrovata laboratory in collaboration with Med Hondo. Restoration funded by the George Lucas Family Foundation and The Film Foundation's World Cinema Project.

•1976: Babatu, les trois conseils by Jean Rouch (1h33, Nigeria-France): in Competition.
Pressented by the CNC, Inoussa Ousseini, the Comité du film ethnographique and the Fondation Jean Rouch. Digital restoration made from the 2K digitization of the 16mm negatives. Restoration carried out by L21.

1976: Ai no korîda (In the Realm of the Senses/L’Empire des sens) de Nagisa Oshima (1h43, France-Japan): Quinzaine des Réalisateurs.
Presented by Argos Films and TAMASA. Digization and 4K resoration from the original negative by Eclair. Sound restoration from the original magnetic sound by L.E. Diapason. The film will be released in French theaters.   

•1980: All that Jazz (Que le spectacle commence) by Bob Fosse (1979, 2h03, United States of America): Palme d’or ex-æquo.
Presented by Park Circus. 4K restoration by Twentieth Century Fox and the Academy Film Archive in collaboration with The Film Foundation. The restoration was produced from the original camera negative at Sony Colorworks in Culver City California.

•1981: Człowiek z żelaza (Man of Iron/L’Homme de fer) by Andrzej Wajda (2h33, Poland): Palme d’or. 
A presentation of the ZEBRA Film Studio (Studio Filmowe ZEBRA) with the collaboration of the Polish Film Institute. 2K film restoration from original colour 35 mm negative. Restored sound from original magnetic tape. Restoration lead by Daniel Pietrzyk, colour grading lead by Aleksandra Kraus, at Yakumama Film, Warsaw. Sound restoration lead by Tomasz Dukszta.
Artistic supervision by: Andrzej Wajda (director), Jerzy Łukaszewicz (DOP), Piotr Zawadzki (sound).

•1982: Yol – The Full Version (The Way/La Permission) by Yilmaz Güney, directed by Serif Gören (1h53, Switzerland): Palme d'or ex-æquo, Prix de la Critique Internationale - FIPRESCI
Presented by DFK FILMS LTD. Zürich. Restoration from the original 35mm negative, from the interpositive and the positive print. Restoration and new sound mix from the original digitized tapes. International Sales: The Match Factory.

•1983: Narayama Bushikō (Ballad of Narayama/La Ballade de Narayama) by Shôhei Imamura (2h13, Japan): Palme d’or.
Presented by Toei. 4K Scan, image restoration ARRISCAN and sound Golden Eye in 2K from the 35mm original negative, a duplicate and video tapes.

•1992: El sol del membrillo (Le Songe de la lumière) by Victor Erice (2h20, Spain): Prix du Jury ex-æquo, Prix de la Critique Internationale - FIPRESCI
Presented by the Filmoteca de Catalunya and Camm Cinco SL. 6K scan, restoration and color-grading from the 35mm negatives and other original video tapes. Digitazing and sound restoration from 35mm magnetic tapes. Technical support made by the Filmoteca de Catalunya, supervised by Victor Erice. Variations on the initial editing brought by the director.

•1951-1999: A short history of short films presented by the Festival de Cannes. A program curated by Christian Jeune and Jacques Kermabon.
Spiegel van Holland (Miroirs de Hollande) by Bert Haanstra (1951, 10mn, The Netherlands) / La Seine a rencontré Paris by Joris Ivens (1958, 32mn, France) / Pas de deux by Norman McLaren (1968, 13mn, Canada) / Harpya by Raoul Servais (1979, 9mn, Belgium) / Peel by Jane Campion (1986, 9mn, Australia) / L’Interview by Xavier Giannoli (1998, 15mn, France) / When the Day Breaks by Amanda Forbis and Wendy Tilby (1999, 10mn, Canada)

Other events, other restored prints, other guests

Madame de… by Max Ophüls (1953, 1h45, France)
A Gaumont restoration. A show to pay a tribute to Danielle Darrieux for her birthday and presented by Dominique Besnehard, Pierre Murat and Henri-Jean Servat who will screen the latest filmed interview of Danielle Darrieux.

• L’Atalante by Jean Vigo (1934, 1h28, France), restored 35mm print
Presented by Gaumont, la Cinémathèque française and The Film Foundation of Martin Scorsese. First digital restoration in 4k and conversion to a 35mm print. A new discovery of the closest version of the director’s work thanks to Gaumont, Luce Vigo and historian Bernard Eisenschitz. Restoration carried out at L’Image Retrouvée laboratory in Bologna and Paris.

• Native Son (Sang noir) by Pierre Chenal (1951, 1h47, Argentina)
A presentation by Argentina Sono Film. Restoration with the collaboration of the Library of Congress.

• Paparazzi by Jacques Rozier (1963, 18mn, France)
Presented by Jacques Rozier and la Cinémathèque française. 4K Digitization and 2K restoration works made from image and sound negatives at Hiventy laboratory, with the support of the CNC and in collaboration with Les Archives Audiovisuelles de Monaco, la Cinémathèque Suisse and Extérieur nuit.
The film will be introduced by Jacques Rozier.

• Belle de jour (Beauty of the Day) by Luis Buñuel (1967, 1h40, France)
Presented by STUDIOCANAL. Digitization from the original negative and 4K restoration carried out by Hiventy laboratory for STUDIOCANAL with the support of the CNC, of la Cinémathèque française, of the Fonds Culturel Franco-Américain and the Maison YVES SAINT LAURENT. French theater distribution: Carlotta. 

• A River Runs Through it (Et au milieu coule une rivière) by Robert Redford (1992, 2h04, United States of America)
Presented by Pathé. 4K Scan and 4K restoration from original image and sound 35mm negatives. Restoration carried out by Pathé at Technicolor France laboratory for the image in collaboration with Philippe Rousselot, cinematographer of the film, and L.E. Diapason for the sound restoration.

Lucía by Humberto Solas (1968, 2h40, Cuba)
A presentation of the Film Foundation. Restored by Cineteca di Bologna at L’Immagine Ritrovata laboratory in association with Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). Restoration funded by Turner Classic Movies and The Film Foundation’s World Cinema Project.

Documentaries about Cinema

The history of cinema by cinema itself, a presentation of five documentaries

• La belge histoire du festival de Cannes (The Belgian's Road to Cannes) by Henri de Gerlache (2017, 1h02, Belgium)
Presented by Alizé Production. Produced by Alizé Production, co-produced by RTBF (Belgian television) & Proximus.
A joyful road movie to discover the Belgian cinema which has been at Cannes for 70 years. The filmmakers of yesterday are talking with those of today to paint a picture of a free and heterogeneous cinema. A "Belgian story" of the biggest festival in the world.

• David Stratton - A Cinematic Life by Sally Aitken (2017, 1h37, Australia)
Presented by Stranger Than Fiction Films. Produced by Stranger Than Fiction Films, with Screen Australia, ABC TV Arts, Screen NSW and Adelaide Film Festival.
An love adventure of film critic David Stratton with his adopted country, Australia, which led him to understand himself. It is also the glorious history of Australian cinema and its creators told by this Cannes-regular film-lover interested in the world.

• Filmworker by Tony Zierra (2017, 1h29, United States of America)
Presented and produced by True Studio Cinema.
Young actor Leon Vitali abandoned his prosperous career after Barry Lyndon to become the faithful right hand of director Stanley Kubrick. For more than two decades, Leon has played a crucial role behind the scenes by helping Kubrick. A complex and interdependent relationship between Leon and Kubrick based on devotion, sacrifice and the harsh and joyful reality of creative process.

• Becoming Cary Grant (Cary Grant - de l'autre côté du miroir) by Mark Kidel (2017, 1h25, France)
Presented by ARTE France and Showtime Documentary Films. Produced by YUZU Productions, coproduced by ARTE France, in association with ro*co films productions.
Cary Grant is one of the biggest Hollywood actors. In his fifties, he started a cure of  LSD to free himself from his demons. For the first time, with his words, he retraces his journey. The story of a man in search of himself and the love he did not find in his life. The words of Cary Grant are interpreted by Jonathan Pryce.

• Jean Douchet, l'enfant agité by Fabien Hagège, Guillaume Namur, Vincent Haasser (2017, 1h30, France)
Presented and produced by Carlotta and Kidam.
Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of the Cahiers du Cinéma and this Art of loving to which he has devoted his existence.

April 28, 2017

Additions to the Cannes 2017 Selection

CANNES UPDATED

Competition

THE SQUARE by Ruben ÖSTLUND

Out of Competition

D'APRÈS UNE HISTOIRE VRAIE by Roman POLANSKI

Un Certain Regard

LA CORDILLERA by Santiago MITRE

WALKING PAST THE FUTURE by LI Ruijun

Special Screenings

LE VÉNÉRABLE W. by Barbet SCHROEDER

CARRÉ 35 by Éric CARAVACA

Children’s Screening

ZOMBILLÉNIUM by Arthur DE PINS and Alexis DUCORD

April 25, 2017

THE 2017 CANNES JURY IS ANNOUNCED

CANNES70

Under the presidency of the Spanish director, screenwriter and producer Pedro Almodóvar, the Jury for the 70th Festival de Cannes will be made up of eight key figures from the 7th Art, coming from all over the world. Four women and four men will thus help Pedro Almodóvar select from among the films in Competition. The winners will be announced on Sunday 28th May at the Closing Ceremony, following which the Palme d’or will be awarded in the presence of the winning team.

THE  2017 JURY
 
Pedro ALMODÓVAR – President
(Director, Screenwriter, Producer – Spain)

Maren ADE (Director, Screenwriter, Producer - Germany)

Jessica CHASTAIN (Actress, Producer - United States)

Fan BINGBING (Actress, Producer - China)

Agnès JAOUI (Actress, Screenwriter, Director, Singer – France)

Park CHAN-WOOK (Director, Screenwriter, Producer - South Korea)

Will SMITH (Actor, Producer, Musician – United States

Paolo SORRENTINO (Director, Screenwriter - Italy)

Gabriel YARED (Composer – France)

Maren ADE, director, screenwriter, producer - Germany

Maren_ade

In 1998, Maren Ade began studying film production and direction in Munich. During her studies, she co-founded the film production company Komplizen Film. In 2004, Maren Ade first film, The Forest for the Trees, premiered in Toronto and won the Special Jury Award at the Sundance Film Festival. In 2009, her second film Everyone Else received the Silver Bear for Best Film and for Best Actress. Maren Ade third film, Toni Erdmann, debuted in Competition at the 2016 Festival de Cannes and won numerous awards like the European Film Award. As a producer, she worked on productions like Tabu by Miguel Gomes and Sleeping Sickness by Ulrich Köhler.

 

Jessica CHASTAIN, actress, producer - United States

Jessica

Two-time Academy Award nominee Jessica Chastain has emerged as one of Hollywood’s most sought after actresses of her generation. She has received numerous nominations and accolades for her work, in Kathryn Bigelow’s Zero Dark Thirty, A Most Violent Yearby J.C. Chandor, The Disappearance of Eleanor Rigby by Ned Benson and Ridley Scott’s The Martian. Jessica Chastain launched a production company Freckle Films. She is currently in production for Susanna White’s period drama Woman Walks Ahead and will be seen in Xavier Dolan’s The Death and Life of John F. Donovan

 

Fan BINGBING, actress, producer - China

Fan-bingbing

Born in 1981, Fan Bingbing rose to fame in 1998 with the mega-hit TV series My Fair Princess. In 2003, she starred in Cell Phone, which became the highest-grossing Chinese film of the year. Since then, she has starred in many films, most notably Lost in Beijing (2007), Buddha Mountain (2011), and Double Xposure (2012). In 2014, she participated in the Hollywood blockbuster X-Men: Days of Future Past. In 2016, she starred in I Am not Madame Bovary and received the San Sebastian Film Festival Best Actress Award as well as the 11th Asian Film Best Actress Award. Fan is selected for the 2017 TIME 100.

 

Agnès JAOUI, actress, screenwriter, director, singer – France

Agnès JAOUI

Multi-award winning artist Agnès Jaoui joined forces with Jean-Pierre Bacri to develop a theatre and film style of which Kitchen with Apartment and Family Resemblances were first to meet with success. They worked with Alain Resnais on Smoking/No Smoking and Same Old Song. In 2000, Agnès Jaoui directed The Taste of Others which won four César. She wrote and directed Look at Me, which won Best Screenplay Award at the 2004 Festival de Cannes, followed by Let’s Talk about the Rain (2008) and Under the Rainbow(2013). She is a singer, and her Latin “Canta” album won a Victoire de la Musique award in 2007. She can be currently seen in Aurore by Blandine Lenoir.

 

Park CHAN-WOOK, director, screenwriter, producer - South Korea

Park-chan-wook

Ever since his Korean box office record breaking Joint Security Area in the year 2000, Park Chan-wook’s diverse body of work has garnered recognition both at home and abroad. These include his successes at the Festival de Cannes in 2004 with the Grand Prix for Old Boy and the Jury Prize for Thirst in 2009. In 2013, Park Chan-wook expanded his œuvre to include English language films with Stoker and also produced Korean filmmaker Bong Joon-ho’s Snowpiercer. In 2016, Park Chan-wook returned to Cannes in Competition with The Handmaiden and won the Vulcan Prize, once again establishing him as one of the most significant talents working in cinema today.

 

Will SMITH, actor, producer, musician – United States

Will-Smith

Two-time Academy Award nominee Will Smith has a vast filmography including portrayals of true-life icons in Ali, The Pursuit of Happiness and Concussion. His headlining credits include Independence Day, I, Robot, Hitch, I Am Legend, Men in Black I, II, & III, and last summer’s Suicide Squad. The two-time Grammy Award winner began his career as a musician selling millions of records worldwide before crossing over into television with The Fresh Prince of Bel Air. Will Smith is dedicated to working toward the advancement of communities and individuals through the Will and Jada Smith Family Foundation.

 

Paolo SORRENTINO, director, screenwriter - Italy

Paolo+Sorrentino

Paolo Sorrentino, director and screenwriter, was born in Naples in 1970. Seven of his 8 films have been presented in Competition at the Festival de Cannes, where Il Divo won the Prix du Jury in 2008. In 2014, his film La Grande Bellezza (The Great Beauty) won the Oscar and Golden Globe for Best Foreign Language Film, as well as a BAFTA. In 2016, La Giovinezza (Youth) gained an Oscar nomination and won three European Film Awards. In 2016, he made his first TV Series: The Young Pope. He has also published a novel “Hanno tutti ragione” in 2010, and two collections of short stories: “Tony Pagoda e i suoi amici” (2012), and “Gli aspetti irrilevanti” (2016).

 

Gabriel YARED, composer - France

Gabriel-yared

After spending his childhood in Lebanon, Gabriel Yared attended the composition classes of Henri Dutilleux in Paris. He stayed in Brazil and returned to France in 1972, and quickly became an orchestrator and producer sought after by the biggest European singers of the time. Since 1980, he devoted most of his time to film composition. He has written more than a hundred scores to date, of which many have earned him prestigious international awards. He wrote his first score for Jean-Luc Godard, which was followed by successful notable collaborations with Jean-Jacques Beineix, Jean-Jacques Annaud (Cesar for The Lover), Anthony Minghella (Oscar for The English Patient) and Xavier Dolan.


Copyrights
Pedro Almodóvar © El Deseo D.A.S.L.U. Nico Bustos
Park Chan-wook © SEO Ji-hyoung
Maren Ade © Iris Janke
Agnès Jaoui © Laurent Viteur / Getty Images
Will Smith © Matt Doyle / Contour by Getty Images
Paolo Sorrentino © C. Laruffa Splash NewsCorbis
Fan Bingbing © Sun Jun
Jessica Chastain © Matt Doyle Photo
Gabriel Yared © Ammar Abd Rabbo
 

MAY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

 
Includes Adventures in Moviegoing with Guillermo del Toro, Blow Out, Zatoichi and timeless classics (that were booed at Cannes)!
 
Tuesday, May 2
Tuesday's Short + Feature: The Sea Horse* and L'Atalante

Taking to the water, this week's Short + Feature offers two very different - but equally dazzling - visions of the life aquatic. Jean Painlevé's mesmerizing short The Sea Horse (1933), a fourteen-minute science film that goes below the surface of the sea to glimpse the strange world of the titular creature, sets the stage for Jean Vigo's timeless masterpiece L'Atalante (1934), an intoxicating love story that takes place aboard a run-down river barge on the Seine.
*Premiering on the Channel this month. 
 
Wednesday, May 3
Blow Out*: Criterion Collection Edition #562

A conspiracy thriller for the ages, Brian De Palma's 1981 masterpiece features dazzling stylistic flourishes and John Travolta in one of his most memorable performances. The movie hits the Channel alongside all of the supplemental features from our release, including an hour-long interview with De Palma conducted by filmmaker Noah Baumbach, and De Palma's 1967 feature Murder à la Mod, which itself makes a cameo appearance in a scene in Blow Out.
*Premiering on the Channel this month. 
 
Thursday, May 4
Zatoichi: The Blind Swordsman: Criterion Collection Edition #679

Japan's longest-running action series centers on the adventures of Zatoichi (Shintaro Katsu), a blind masseur who also happens to be an incomparable swordsman. The inspiration for the blind warrior Chirrut Îmwe (Donnie Yen) in Rogue One, this charismatic action dynamo remains one of cinema's most iconic heroes. Our massive edition of the series features digital restorations of all twenty-five Zatoichi films made between 1962 and 1973, along with supplements that include an interview with Asian-film expert Tony Rayns and a 1978 documentary about Katsu, who portrayed Zatoichi through the entire length of the series and directed the twenty-fourth installment.
 
Friday, May 5
Friday Night Double Feature: The Element of Crime* and Europa*

This week's double bill brings together the bookends of Lars von Trier's Europa trilogy, two bold visions from his early career. The expressionist mystery The Element of Crime (1984), the director's stunning debut feature, takes place in a postapocalyptic future, while the Kafkaesque Europa (1991) immerses the viewer in a strangely futuristic Frankfurt in the aftermath of World War II.
*Premiering on the Channel this month.
 
Monday, May 8
John Bailey and Haskell Wexler on Days of Heaven

Terrence Malick's 1978 sophomore feature is a period drama of extraordinary visual beauty, depicting labor and leisure amid the wheat fields of the Texas panhandle in ravishing magic-hour images. In this piece, cinematographers John Bailey and Haskell Wexler share their memories of working on the film with Malick and Nestor Almendros, who took home an Oscar for the film's photography.
 
Tuesday, May 9
Tuesday's Short + Feature: Borom sarret* and Black Girl

The most renowned figure of twentieth-century African cinema, the Senegalese writer-director Ousmane Sembène crafted stark, stirring dramas that addressed urgent social and political concerns. This week's Short + Feature shows that his mastery of the form came early: his acclaimed short Borom sarret (1963), about a luckless cart driver on the streets of Dakar, bears witness to the personal effects of the postcolonial order, as does his harrowing first feature, Black Girl (1966), about a Senegalese woman mistreated by her white employers in a small town on the French Riviera.
*Premiering on the Channel this month.
 
Wednesday, May 10
The Secret of the Grain*: Criterion Collection Edition #527

Six years before winning the Palme d'Or in 2013 for his controversial coming-of-age romance Blue Is the Warmest Color, Tunisian French filmmaker Abdellatif Kechiche delivered this bustling, multigenerational saga about family and food. Our complete edition of the film arrives this week on the Channel, complete with Sueur, Kechiche's reedit of the film's climactic belly-dancing sequence, as well as interviews with the writer-director and many of his key collaborators.
*Premiering on the Channel this month.
 
Friday, May 12
Friday Night Double Feature: Ingrid Bergman: In Her Own Words and News from Home

In celebration of Mother's Day this weekend, we've paired two moving portraits of maternal love. Stig Björkman's 2015 documentary Ingrid Bergman: In Her Own Words assembles Super 8 and 16 mm home-movie footage, taken by the icon herself, into an intimate view of her complex life as an artist, wife, and mother. Chantal Akerman's melancholy 1976 urban portrait News from Home pairs meditative shots of New York City, where the director relocated in the early seventies, with readings of letters from her mother on the voice-over.
 
Monday, May 15
Booed at Cannes!

From Michelangelo Antonioni to Lars von Trier, some of the world's most lauded auteurs have elicited derisive responses at their Cannes premieres, only to have their polarizing films later hailed as masterpieces. With the seventieth edition of the festival opening this week, we're gathering a selection of these controversial works: Antonioni's L'avventura (1960), Carl Th. Dreyer's Gertrud (1964), Robert Bresson's L'argent (1983), Jane Campion's Sweetie (1989), and von Trier's Antichrist (2009).
 
Tuesday, May 16
Tuesday's Short + Feature: Butter Lamp* and Yi Yi

The complex role of photography in everyday life is explored in Hu Wei's 2013 Oscar-nominated short Butter Lamp and Edward Yang's 2000 masterpiece Yi Yi. Hu's film charts the story of a photographer and his assistant as they take family portraits in a remote Tibetan village, in the process observing the erosion of local culture by the forces of globalization. Yang's intimate epic captures the tensions lying beneath the surface of contemporary middle-class Taipei, highlighting the perspective of a young boy who becomes obsessed with his camera.
*Premiering on the Channel this month.
 
Wednesday, May 17
Fish Tank*: Criterion Collection Edition #553

This week, we're turning the spotlight on British filmmaker Andrea Arnold and her Cannes Jury Prize-winning Fish Tank. This gritty work of social realism follows the coming-of-age of a fifteen-year-old housing project resident (the remarkable Katie Jarvis) struggling with her burgeoning sexual attraction toward her mother's predatory new boyfriend (Michael Fassbender). The supplements from our edition include a conversation with Fassbender and three of the director's short films: Milk (1998), Dog (2001), and the Oscar-winning Wasp (2003).
*Premiering on the Channel this month.
 
Thursday, May 18
Blow Up of Blow Up: A 2016 Documentary

To mark the fiftieth anniversary of Antonioni's countercultural masterpiece last year, Italian journalist Valentina Agostinis created this documentary portrait, which revisits key locations in the film, explores the auteur's meticulous approach to art direction and photography, and features interviews with dialogue assistant Piers Haggard, fashion photographer David Montgomery, former Yardbirds manager Simon Napier-Bell, and others.
 
Friday, May 19
Friday Night Double Feature: A Man Escaped and La Haine

This week, we've paired two films that share a spirit of rebellion and skillfully align our sympathies with the underdogs they portray: Robert Bresson's A Man Escaped (1956) and Mathieu Kassovitz's La haine (1995). Both Bresson's suspenseful yet humane jailbreak masterpiece and Kassovitz's gritty look at cultural volatility in contemporary France received the best director award at Cannes.
 
Monday, May 22
All the Screen's a Stage

This series lifts a curtain on the passions, triumphs, illusions, and foibles of theater people-and shows how such cinematic masters as Ingmar Bergman, Jean Renoir, and Max Ophuls have drawn inspiration from the art of stagecraft. The lineup - which includes Marcel Carné's Children of Paradise, Jean Renoir's The Golden Coach, and Ingmar Bergman's Fanny and Alexander - features a series introduction by Criterion Channel programmer Michael Sragow.
 
Tuesday, May 23
Tuesday's Short + Feature: Next Floor* and Babette's Feast

Treat yourself to a two-course meal: an early short by Denis Villeneuve (Arrival) gives a grotesque new meaning to the phrase "all you can eat," while Gabriel Axel's Oscar-winning adaptation of a story by Isak Dinesen serves up a feast for the spirit.
*Premiering on the Channel this month.
 
Wednesday, May 24
I Knew Her Well: Criterion Collection Edition #801

Antonio Pietrangeli cuts commedia all'italiana with a dose of melancholy in this underappreciated classic, an episodic portrait of a beautiful young woman making her way through the celebrity-obsessed and sexually liberated Rome of the 1960s. This edition's supplements include a recent interview with actor Stefania Sandrelli (The Conformist), as well as archival footage from her audition for the film.
 
Thursday, May 25
Adventures in Moviegoing with Guillermo del Toro

In the latest installment of our Adventures in Moviegoing series, the director of Pan's Labyrinth and Cronos joins MythBusters' Adam Savage to talk about his cinematic passions and influences. To accompany their conversation, del Toro has selected some of the inspirations - including Georges Franju's Eyes Without a Face and Jean Cocteau's Beauty and the Beast - that have helped fuel the nightmares and fantasies that play out in his own visionary films. Past contributors to the series include Jonathan Lethem, Mary Karr, Roger Corman, and Michael Cera.
 
Friday, May 26
Friday Night Double Feature: Rome Open City and Brief Encounter

What does Roberto Rossellini's revolutionary portrait of a city under occupation have in common with David Lean's achingly sad story of a love affair? Both of these heartbreakingly humane films were among the winners of the top prize at the 1946 Cannes Film Festival.
 
Monday, May 29
Observations on Film Art No. 7: Staging in The Rules of the Game

In the latest installment of our Observations on Film Art series, Professor Kristin Thompson maps out the intricate staging of Jean Renoir's The Rules of the Game. Famed for its deep-focus photography, the film nimbly traces the intersecting loves, rivalries, aggressions, and jealousies that play out over the course of a weekend at a country estate. Watch Thompson's analysis to learn how Renoir sets his tragicomic machine in motion, then check out the other entries in the series for more insights from her and her fellow authors of the canonical textbook Film Art: An Introduction, David Bordwell and Jeff Smith. Previous subjects include the music in Alfred Hitchcock's Foreign Correspondent, the editing in Akira Kurosawa's Sanshiro Sugata, and landscapes in the work of Abbas Kiarostami.
 
Tuesday, May 30
Tuesday's Short + Feature: Cailleach* and I Know Where I'm Going!

Michael Powell and Emeric Pressburger set their sprightly romantic comedy I Know Where I'm Going! in the gloom of the remote Scottish Hebrides. That story of a headstrong woman's unexpected romance with a handsome naval officer is paired with Cailleach, a short documentary from 2015 that profiles another independent woman in the same location-one who knows where she's staying above all. Rosie Reed Hillman's tender portrait of Morag, an elderly sheep farmer who has lived her whole life in the rugged area, makes for a poetic complement to the Archers' effervescent fable.
*Premiering on the Channel this month.
 
Complete list of films premiering on the Criterion Channel this month:

May 1
Bitter Victory, Nicholas Ray, 1957

May 2
The Sea Horse, Jean Painlevé, 1933

May 3
Blow Out, Brian De Palma, 1981

May 5
The Element of Crime, Lars von Trier, 1984
Europa, Lars von Trier, 1991
The Marriage of Chiffon, Claude Autant-Lara, 1942
Douce, Claude Autant-Lara, 1943
Sylvia and the Phantom, Claude Autant-Lara, 1946

May 9
Borom sarret, Ousmane Sembène, 1963

May 10
The Secret of the Grain, Abdellatif Kechiche, 2007

May 12
Nacional III, Luis García Berlanga, 1982
Barrios altos, Luis García Berlanga, 1987
La boutique, Luis García Berlanga, 1967

May 16
Butter Lamp, Hu Wei, 2013

May 17
Fish Tank, Andrea Arnold, 2009

May 19
Katzelmacher, Rainer Werner Fassbinder, 1969
Chinese Roulette, Rainer Werner Fassbinder, 1976
Satan's Brew, Rainer Werner Fassbinder, 1976
Querelle, Rainer Werner Fassbinder, 1982

May 23
Next Floor, Denis Villeneuve, 2008

May 30
Cailleach, Rosie Reed Hillman, 2014
 
 
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ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.


ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.


ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.
 

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