5 posts categorized "Cannes"

April 28, 2017

Additions to the Cannes 2017 Selection

CANNES UPDATED

Competition

THE SQUARE by Ruben ÖSTLUND

Out of Competition

D'APRÈS UNE HISTOIRE VRAIE by Roman POLANSKI

Un Certain Regard

LA CORDILLERA by Santiago MITRE

WALKING PAST THE FUTURE by LI Ruijun

Special Screenings

LE VÉNÉRABLE W. by Barbet SCHROEDER

CARRÉ 35 by Éric CARAVACA

Children’s Screening

ZOMBILLÉNIUM by Arthur DE PINS and Alexis DUCORD

April 13, 2017

2017 CANNES FILM FESTIVAL LINEUP

CANNES 70

For its 70th festival, Cannes breaks with its well-guarded tradition of opening the festival with a Hollywood movie. Festival regular Arnaud Desplechin takes that significant honor with “Ismael’s Ghosts,” about a filmmaker (played by Mathieu Amalric) whose life is upended when a lover from his past shows up as he’s about to start shooting his latest picture. Marion Cotillard, Charlotte Gainsbourg, and Louis Garrel also star.

Cannes16

Hollywood's absence at Cannes extends across the films in competition for the Palme d'Or, and across the entire festival. Hollywood has clearly lost its place on the premiere stage for Global Cinema. — R.I.P. Hollywood. Superhero Movies Killed The Motion Picture Star.

Cannes3

Conventional wisdom has it that Cannes traditionally skips a year as regards the quality of films shown every year. It is yet to be decided if this year’s selection will pale in comparison to last year’s imperfect lineup. Palme d'Or Competition films by Michael Haneke, Hong Sangsoo, François Ozon, Naomi Kawase, Todd Haynes, and Lynne Ramsay promise to give critics and jury judges some high-quality films to choose between.

French New Wave veteran Agnès Varda’s “Visages, Villages” is sure to be a hot ticket at a determinedly French festival that never forgets its own. Oh Cannes, how we adore you! 

CANNES 70 OFFICIAL SELECTION

OPENER

Ismael's ghosts

“Ismael’s Ghosts” (Arnaud Desplechin)

Canne25

COMPETITION

“120 Beats per Minute” (Robin Campillo)

“The Beguiled” (Sofia Coppola)

“The Day After” (Hong Sangsoo)

“A Gentle Creature” (Sergei Loznitsa)

“Good Time” (Benny Safdie & Josh Safdie) 

“Happy End” (Michael Haneke)

“In the Fade” (Fatih Akin)

“Jupiter’s Moon” (Kornél Mundruczó)

Killing of a Sacred Deer

“The Killing of a Sacred Deer” (Yorgos Lanthimos)

Lamant-double

“L’amant double” (François Ozon)

“Le redoubtable” (Michel Hazanvicius)

“Loveless” (Andrey Zvyagintsev)

“The Meyerowitz Stories” (Noah Baumbach)

“Okja” (Bong Joon-Ho)

“Radiance” (Naomi Kawase)

“Rodin” (Jacques Doillon)

“Wonderstruck” (Todd Haynes)

“You Were Never Really Here” (Lynne Ramsay) 

Cannes5

UN CERTAIN REGARD

“After the War” (Annarita Zambrano)

“April’s Daughter” (Michel Franco)

OPENER — “Barbara” (Mathieu Amalric)

“Beauty and the Dogs” (Kaouther Ben Hania)

“Before We Vanish” (Kiyoshi Kurosawa)

“Closeness” (Kantemir Balagov)

“The Desert Bride” (Cecilia Atan & Valeria Pivato)

“Directions” (Stephan Komandarev)

“Dregs” (Mohammad Rasoulof)

“Jeune femme” (Léonor Serraille)

“L’Atelier” (Laurent Cantet)

“Lucky” (Sergio Castellitto)

“The Nature of Time” (Karim Moussaoui)

“Out” (Gyorgy Kristof)

“Western” (Valeska Grisebach)

“Wind River” (Taylor Sheridan) 

Cannes4

OUT OF COMPETITION

BladeOfTheImmortal

“Blade of the Immortal” (Takashi Miike)

“How to Talk to Girls at Parties” (John Cameron Mitchell)

“Visages, Villages” (Agnès Varda & JR) 

Cannes20

MIDNIGHT SCREEENINGS

“Prayer Before Dawn” (Jean-Stéphane Sauvaire)

“The Merciless” (Byun Sung-Hyun)

“The Villainess” (Jung Byung-Gil)

Cannes10

SPECIAL SCREEENINGS

“12 Jours” (Raymond Depardon)

“An Inconvenient Sequel” (Bonni Cohen & Jon Shenk)

“Claire’s Camera” (Hong Sangsoo)

“Demons in Paradise” (Jude Ratman)

“Napalm” (Claude Lanzmann)

“Promised Land” (Eugene Jarecki)

Sea Sorrow

“Sea Sorrow” (Vanessa Redgrave)

“They” (Anahita Ghazvinizadeh)

70TH ANNIVERSARY EVENTS

“24 Frames” (Abbas Kiarostami)

“Come Swim” (Kristen Stewart)

“Top of the Lake” (Jane Campion)

“Twin Peaks” (David Lynch)

VIRTUAL REALITY

“Carne y arena” (Alejandro G. Iñárritu)

Carne y arena

April 11, 2017

RISK — TRAILER

Laura Poitras's new documentary [about Julian Assange] premiered at Cannes last year where I saw the film in a packed house on the croisette. Global action heroes don't come any smarter or more composed than Julian Assange in the face of massive corporate and political malfeasance. "Risk" arrives this summer. If you only see one documentary this year, make sure it's RISK.

March 29, 2017

CANNES 70 — POSTER

Cannes 70

March 21, 2017

CANNES 2017 — Cristian Mungiu: President of the Cinéfondation & Short Films Jury

Cristian Mungiu © Dan Beleiu

For the 70th Festival de Cannes (17-28 May), Cristian Mungiu will preside the Cinéfondation and Short Films Jury, having been a member of Steven Spielberg’s jury in 2013. The director, screenwriter and producer follows in the footsteps of Naomi Kawase, Abderrahmane Sissako, Abbas Kiarostami and Jane Campion.

As an eminent representative of the Romanian New Wave, Cristian Mungiu enjoys a long and glittering history with the Festival. Having won the Palme with his astounding second feature film, 4 months, 3 weeks and 2 days, he went on to garner the Best Screenplay and Best Actress prizes for Beyond the Hills and the Best Director prize for Graduation.

The filmography of this demanding and socially engaged director has been widely acclaimed by successive juries because it offers such an uncompromisingly sharp and exacting view of Romanian society, but packs a universal message. His ambitious works take a scalpel to human nature and treat it with rare intelligence: a gentle satire on the dreams of young Romanians in the post-communist period (Occident, 2002); a chilling tale of a clandestine small-town abortion (4 months, 3 weeks and 2 days, 2007); surreal and  deadpan urban legends under the Ceauşescu system (Tales from the Golden Age, 2009); exorcism against a background of religious fundamentalism and communist heritage (Beyond the Hills, 2012); and a moral tale of dishonest compromises and corruption in Romanian society (Graduation, 2016).

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