603 posts categorized "Current Affairs"

February 10, 2018

Good weather on Mon. Tues. Wed. to see NYC on Cole's "5th & Park" Walking Tour

6a00d8341c2b7953ef01b8d2ba825d970c-550wi

Monday 2/13, Tuesday 2/14, and Wednesday 2/5 promise ideal weather for my film and fiction walking tour of beautiful Carnegie Hill! A visit inside Central Park is on the list. 

There is much great culture to savor in Carnegie Hill, one of the country's oldest, and most architecturally rich neighborhoods. The tour combines Central Park, Museum Mile, lush mansions, celebrity homes, and countless filming locations — not to mention the chance of seeing a celebrity on the tour! Stranger things have happened on the rewarding streets of Carnegie Hill. 

5thAndPark_Horizontal

January 17, 2018

JANUARY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
JANUARY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!
 
Includes No Country for Old Men,
a double bill of Cat People and Curse of the Cat People,
and Orson Welles's Mr. Arkadin!
 
Wednesday, January 17
The Piano Teacher: Edition #894

In this riveting study of the dynamics of control, Academy Award-winning director Michael Haneke takes on Nobel laureate Elfriede Jelinek's controversial 1983 novel about perverse female sexuality and the world of classical music. Haneke finds his match in Isabelle Huppert, who delivers an icy but quietly seething performance as Erika, a piano professor at a Viennese conservatory who lives with her mother in a claustrophobically codepen­dent relation­ship. Severely repressed, she satisfies her mas­ochistic urges only voyeuristically until she meets Walter (Benoît Magimel), a student whose desire for Erika leads to a destructive infatuation that upsets the careful equilibrium of her life. A critical breakthrough for Haneke, The Piano Teacher - which won the Grand Prix as well as dual acting awards for its stars at Cannes - is a formalist masterwork that remains a shocking sensation.SUPPLEMENTAL FEATURES: interviews with Haneke and Huppert, a selected-scene commentary, and more.
 
Thursday, January 18
The Lure*: Edition #896

This genre-defying horror-musical mash-up - the bold debut of Polish director Agnieszka Smoczyńska - follows a pair of carnivorous mermaid sisters drawn ashore to explore life on land in an alternate 1980s Poland. Their tantalizing siren songs and otherworldly auras make them overnight sensations as nightclub singers in the half-glam, half-decrepit world of Smoczyńska's imagining. The director gives fierce teeth to her viscerally sensual, darkly feminist twist on Hans Christian Andersen's "The Little Mermaid," in which the girls' bond is tested and their survival threatened after one sister falls for a human. A coming-of-age fairy tale with a catchy synth-fueled soundtrack, outrageous song-and-dance numbers, and lavishly grimy sets, The Lure explores its themes of emerging female sexuality, exploitation, and the compromises of adulthood with savage energy and originality.SUPPLEMENTAL FEATURES: a program about the making of the film, deleted scenes;Aria Diva (2007) and Viva Maria! (2010), two short films by Smoczyńska; and more.
 
Friday, January 19
Friday Night Double Feature: Cat People and The Curse of the Cat People

During his remarkable run at RKO in the 1940s, producer Val Lewton created a new breed of creature feature, one that was all the more terrifying for what it left to the imagination. With Cat People (1942), director Jacques Tourneur used shadowy noir aesthetics to tell the tale of a woman (Simone Simon) cursed to turn into a fearsome feline every time she finds herself in the heat of passion. The film's sequel, The Curse of the Cat People (1944), which marked Robert Wise's first directing credit and also starred Simon and Kent Smith in the same roles, strays into fairy-tale territory by focusing on a lonely young girl's fantasy life.
 
Tuesday, January 23
Tuesday's Short + Feature: And the Whole Sky Fit in the Dead Cow's Eye* and La Ciénaga

Take a trip into the intoxicating worlds of two female filmmakers from Latin America. In the 2016 short And the Whole Sky Fit in the Dead Cow's Eye, which won the award for best international narrative short at Sundance, Francisca Alegria captures the life of an eighty-five year old woman who believes a ghost has come to take her to the afterlife. With the 2001 film La Ciénaga, Lucrecia Martel became one of contemporary cinema's most exciting new voices. A work of tactile beauty and richly sensuous detail, the film observes how political and societal frustrations arise in the life of a bourgeois extended family.
*Premiering on the Channel this month.
 
Wednesday, January 24
Rififi: Edition #115

After making noir classics in America (Brute Force, The Naked City) and England (Night and the City), the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light. Rififi is the ultimate heist movie, a mélange of suspense, brutality, and dark humor that was an international hit, earned Dassin the best director prize at the Cannes Film Festival, and has proven wildly influential on the decades of heist thrillers that have come in its wake. SUPPLEMENTAL FEATURES: an interview with Dassin, a trailer, and more.
*Premiering on the Channel this month.
 
Friday, January 26
Friday Night Double Feature: I See a Dark Stranger and Black Narcissus

In the late 1940s, Deborah Kerr was on the cusp of international stardom. This double bill features two magnificent breakthrough performances from the decade, for which she won the 1947 best actress award from the New York Film Critics Circle. In Frank Launder's seriocomic wartime thriller I See a Dark Stranger (1946), she plays a young Irish woman whose anti-British sentiment leads her down the path to becoming a Nazi spy. In Michael Powell and Emeric Pressburger's sumptuous Technicolor masterpiece Black Narcissus(1947), she stars as the Sister Superior of a group of Anglican nuns spiraling into madness in the Himalayas.
 
Monday, January 29
Observations on Film Art No. 15: Genre Play in The Player

Throughout his storied career, Robert Altman experimented with genre conventions, always finding new ways to put his idiosyncratic spin on everything from the western (McCabe & Mrs. Miller) to the detective film (The Long Goodbye). His 1992 Hollywood comeback,The Player, was no exception. A bitingly satirical crime drama that is also a film within a film, The Player centers on a Hollywood studio executive (Tim Robbins) who becomes the subject of a murder investigation. In this month's episode of Observations on Film Art, a Channel-exclusive series that takes a look at how great filmmakers use cinematic devices and techniques, scholar Jeff Smith delves into the genre elements at play in Altman's film and what they reveal about the director's complex attitude toward commercial cinema.
 
Tuesday, January 30
Tuesday's Short + Feature: (nostalgia) and Blow-Up

For this pairing, we're zooming in on two films that investigate the unreliable nature of photography and the limits of perception. In Hollis Frampton's 1976 short (nostalgia), artist Michael Snow narrates as a series of black-and-white photographs from early in Frampton's career catch fire on a hot plate. The film's final sequence has been interpreted as a retelling of Michelangelo Antonioni's Blow-Up, a countercultural classic that brings the Italian auteur's signature theme of existential anguish to swinging sixties London, where a photographer inadvertently captures a death on film.
*Premiering on the Channel this month.
 
Wednesday, January 31
His Girl FridayEdition #849

One of the fastest, funniest, and most quotable films ever made, His Girl Friday stars Rosalind Russell as reporter Hildy Johnson, a standout among cinema's powerful women. Hildy is matched in force only by her conniving but charismatic editor and ex-husband, Walter Burns (played by the peerless Cary Grant), who dangles the chance for her to scoop her fellow news writers with the story of an impending execution in order to keep her from hopping the train that's supposed to take her to Albany and a new life as a housewife. When adapting Ben Hecht and Charles MacArthur's smash hit play The Front Page, director Howard Hawks had the inspired idea of turning star reporter Hildy Johnson into a woman, and the result is an immortal mix of hard-boiled newsroom setting with ebullient remarriage comedy. Also presented here is a restoration of the 1931 film The Front Page, Lewis Milestone's famous pre-Code adaptation of the same material. SUPPLEMENTAL FEATURES: an interview with film scholar David Bordwell, archival interviews with Howard Hawks, and more.
 
Complete list of films premiering on the Criterion Channel this month:

January 1
Anatomy of a Murder, Otto Preminger, 1959
No Country for Old Men, Joel and Ethan Coen, 2007
 
January 9
Together, Lukas Moodysson, 2000
 
January 10
The Complete Mr. Arkadin, Orson Welles, 1955
 
January 16
Yours Faithfully Edna Welthorpe (Mrs), Chris Shepherd, 2017
 
January 18
 
January 23
And the Whole Sky Fit in the Dead Cow's Eye, Francisca Alegria, 2016
 
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE


ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.


ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.


ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.

PATREON BUTTON

December 10, 2017

BILL FRISELL: A PORTRAIT — TRAILER

Bill Frisell, A Portrait - Trailer from Emma Franz on Vimeo.

Bill is my favorite guitarist. In you're in NYC, get down to the IFC Center and catch this promising documentary!

PATREON BUTTON

December 06, 2017

Wes Anderson's 'ISLE OF DOGS' OPENS BERLIN FILM FESTIVAL

Wes Anderson’s stop-motion animated film ‘Isle of Dogs’ (featuring the voices of Bryan Cranston and Tilda Swinton) will premiere at the 2018 BERLIN FILM FESTIVAL on February 15. From the trailer, this looks like vintage Wes Anderson — kooky dry humor with an international bent of globalization. Yum. 

Isleofdogs

PATREON BUTTON

December 04, 2017

NEW BROADCAST TIME FOR THE 90TH OSCARS®

The Academy of Motion Picture Arts and Sciences

 THE COUNTDOWN BEGINS: 90 DAYS TO OSCAR® SUNDAY

NEW BROADCAST TIME FOR THE 90TH OSCARS®
LIVE SUNDAY, MARCH 4, AT 8 PM EST/5 PM PST ON ABC

The Oscars Pre-Show Will Kick Off the Night’s Festivities at 6:30 p.m. EST/3:30 p.m. PST

First Look at New 90th Oscars Promo 

ABC and the Academy of Motion Picture Arts and Sciences announced today the 90th Oscars® telecast on Sunday, March 4, 2018, will now begin at 8:00 p.m. EST/5:00 p.m. PST, a half-hour earlier than prior telecasts. As previously announced, late-night talk show favorite Jimmy Kimmel will return to host, and Michael De Luca and Jennifer Todd will return to produce.

Additionally, starting at 6:30 p.m. EST/3:30 p.m. PST, the Oscars Pre-Show returns to give fans exclusive, insider access to all the excitement of the red carpet. The 90-minute special features interviews with nominees, presenters and performers, and brings viewers the best behind-the-scenes moments. ABC and the Academy also released a first look at the 90th Oscars with a promo celebrating the season. To view the promo and download additional assets, click here.

The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.

About the Academy
The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

About ABC Entertainment
ABC Entertainment airs compelling programming across all day parts, with new shows including fall’s No. 1 new drama, “The Good Doctor”; as well as “Kevin (Probably) Saves the World” and “The Mayor”; and current hits such as groundbreaking dramas “Designated Survivor,” “Quantico,” “Scandal” “How to Get Away with Murder,” “Grey’s Anatomy,” “Marvel’s Agents of S.H.I.E.L.D.” and “Once Upon a Time.” The ABC Television Network is also home to the Emmy® Award-winning “Modern Family” and trailblazing comedy favorites “black-ish,” “American Housewife,” “Fresh Off the Boat,” “The Goldbergs,” “The Middle” and “Speechless”; hit game shows “$100,000 Pyramid,” “Celebrity Family Feud,” “Match Game” and “To Tell the Truth”; reality phenomenon “Shark Tank,” iconic “The Bachelor” franchise, long-running hits “Dancing with the Stars” and “America’s Funniest Home Videos,” and the return of “American Idol”; “General Hospital,” which has aired for over 50 years on the network, along with daytime talk show “The Chew”; and late-night talk show “Jimmy Kimmel Live!” The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and “The American Music Awards.”

November 30, 2017

Ask Jim Jarmusch a Question!

 
Ask Jim Jarmusch
 
Criterion's popular Q&A series with director Jim Jarmusch is back!
A special edition of Jarmusch's Dead Man is currently in the works,
will feature a new 4K restoration and is slated to be released in 2018.
 

The Criterion Collection is currently working on the special edition of Jarmusch's Dead Man, which will feature a new 4K restoration and is slated to be released in 2018, and is wondering if fans have any questions that they would like answered about the film.
 
Criterion will be accepting all of your questions from fans from now until December 8 and sending the most thoughtful and creative ones to Jim. Though they cannot guarantee that all will be answered on the release, feel free to ask as many as you like. Personal requests will not be answered.
 
Now ask away! Just make sure to include your full name, city, state, and country of residence with your questions.

November 11, 2017

HAPPY END — Trailer & Poster

Happy_end

You had me at Michael Haneke. And then you add Isabelle Huppert and Jean-Louis Trintignant, and we've got a very promising movie on hand. Really looking forward to seeing the latest effort from Haneke!

 

November 02, 2017

NOVEMBER PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
Includes Adventures in Moviegoing with Barry Jenkins,
four films by Shohei Imamura, and Luis Buñuel's Belle de jour!
 
Wednesday, November 1
The Spy Who Came in from the Cold*: Criterion Collection Edition #452
The best-selling novel by John le Carré, about a Cold War spy on one final dangerous mission in East Germany, is transmuted by director Martin Ritt into a film every bit as precise and ruthless as the book. Richard Burton is superb as Alec Leamas, whose relationship with the beautiful librarian Nan, played by Claire Bloom, puts his assignment in jeopardy. The Spy Who Came in from the Cold is a hard-edged and tragic thriller, suffused with the political and social consciousness that defined Ritt's career.SUPPLEMENTAL FEATURES: an exclusive, wide-ranging interview with le Carré; a selected-scene commentary featuring director of photography Oswald Morris; an audio conversation from 1985 between director Martin Ritt and film historian Patrick McGilligan; and a trailer.
*Premiering on the Channel this month.
 
Thursday, November 2
Masterclass: Alex Ross Perry and Robert Greene on Big Ideas and Small Budgets
Known for his piercingly intelligent, stylistically ambitious explorations of alienation and misanthropy, independent filmmaker Alex Ross Perry has been busy at work on two projects: the soon-to-be-released Golden Exits and a live-action take on Winnie-the-Pooh. For our third Masterclass, his frequent collaborator Robert Greene, the director of the acclaimed narrative-documentary hybrids Kate Plays Christine and Actress, gets him to open up about how he brings his acerbic ideas to the big screen on a shoestring budget. Watch video of the complete event, hosted by the Ragtag Cinema in Columbia, Missouri, and catch up on Perry's first three features: Impolex*, The Color Wheel*, and Listen Up Philip*.
*Premiering on the Channel this month.
 
Friday, November 3
Friday Night Double Feature: That Hamilton Woman and Anna Karenina
The luminous Vivien Leigh takes the lead in these two lavishly mounted period dramas. In Alexander Korda's 1941 That Hamilton Woman - reportedly Winston Churchill's favorite movie - she is transported back to the Napoleonic Wars, injecting glamour and intrigue into the story of an ambassador's wife who has a scandalous affair with a British Royal Navy officer (played by Leigh's real-life husband, Laurence Olivier). And in Julien Duvivier's 1948 adaptation of Tolstoy's Anna Karenina, she embodies the tragic dimensions of the iconic titular heroine, a married woman who falls into a fateful romance with a count.
 
Monday, November 6
Still Walking*: Criterion Collection Edition #554
Contemporary Japanese master Hirokazu Kore-eda pays tribute to his late mother in this deeply personal film, which depicts one day in the life of a family gathered for a commemorative ritual whose nature only gradually becomes clear. Rather than focus on big dramatic moments, Kore-eda relies on simple gestures and domestic routines (especially cooking) to evoke his characters' deep regrets and daily joys. Featuring vivid, heartrending performances and a gentle naturalism that harks back to the director's earlier, documentary work, Still Walking is an extraordinary portrayal of the ties that bind us. SUPPLEMENTAL FEATURES: interviews with Kore-eda and director of photography Yutaka Yamazaki; a documentary on the making of the film, featuring on-set footage; and a trailer.
*Premiering on the Channel this month.
 
Tuesday, November 7
Tuesday's Short + Feature: Washingtonia* and Dogtooth
With Yorgos Lanthimos's The Killing of a Sacred Deer now in theaters, revisit the eccentric, award-winning breakthrough that catapulted him to the forefront of contemporary Greek cinema. In 2009's Dogtooth, the director penetrates the twisted world of three adults who have been held in captivity their entire lives by their manipulative parents. This brilliantly constructed provocation is preceded by another taste of the Greek Weird Wave, Konstantina Kotzamani's Washingtonia, an expressionistic short that evokes the sweltering heat of a summer in Athens.
*Premiering on the Channel this month.
 
Wednesday, November 8
Belle de jour: Criterion Collection Edition #593
Catherine Deneuve's porcelain perfection hides a cracked interior in one of the actress's most iconic roles: Séverine, a Paris housewife who begins secretly spending her afternoon hours working in a bordello. This surreal and erotic late-sixties daydream from provocateur for the ages Luis Buñuel is an examination of desire and fetishistic pleasure (its characters' and its viewers'), as well as a gently absurdist take on social mores and class divisions. SUPPLEMENTAL FEATURES: an audio commentary featuring Michael Wood, author of the BFI Film Classics book Belle de jour; a video piece featuring writer and sexual-politics activist Susie Bright and film scholar Linda Williams; an interview with screenwriter Jean-Claude Carrière; a segment from the French television program Cinéma, featuring interviews with Carrière and Deneuve; and original and rerelease trailers.
 
Friday, November 10
Friday Night Double Feature: Chevalier and Attenberg
One of the most exciting voices to emerge from contemporary Greek cinema's recent renaissance, Athina Rachel Tsangari is a favorite on the Criterion Channel, having been the first subject profiled in our exclusive series Meet the Filmmakers. This program highlights two of her features: Chevalier, a dryly farcical comedy in which a sextet of chest-puffing men decide to submit to an increasingly absurd series of competitions at sea to determine who is "the best in general," and Attenberg, a look at the strangeness of the human species through the eyes of a misanthropic young woman living in a small industrial town.
 
Monday, November 13
Everlasting Moments*: Criterion Collection Edition #520
Swedish master Jan Troell, director of the beloved classics The Emigrants and The New Land, illuminates the heartrending story of a woman liberated by art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, Everlasting Moments - based on a true story - is a miraculous tribute to the power of image making. SUPPLEMENTAL FEATURES: Troell Behind the Camera, a short documentary made during production; The True Story of Maria Larsson, a collection of photographs by Larsson, with narration by writer Agneta Ulfsäter-Troell; Troell's Magic Mirror, an hour-long documentary on the director's career; and a trailer.
*Premiering on the Channel this month.
 
Tuesday, November 14
Tuesday's Short + Feature: Pickle* and Gates of Heaven
Do all dogs go to heaven? Two documentary filmmakers explore mortality and mourning through the experiences of pet owners. In Pickle, Amy Nicholson profiles a couple of extreme animal lovers, interviewing them about the menagerie they've cared for and buried over the years, including paraplegic possums, emaciated cats, and morbidly obese chickens. Errol Morris's debut feature, Gates of Heaven, immerses viewers in the community surrounding two pet cemeteries in Napa Valley, California, blending sincerity and satire to spin its quirky subject into a surprisingly expansive study of human nature.
*Premiering on the Channel this month.
 
Tuesday, November 14
Desert Hearts*: Criterion Collection Edition #902
Donna Deitch's swooning and sensual first narrative feature was groundbreaking upon its release in 1985: a love story about two women, made entirely independently, on a shoestring budget, by a woman. In this 1959-set film, adapted from a beloved novel by Jane Rule, a straitlaced East Coast professor arrives in Reno to file for divorce but winds up catching the eye of a free-spirited young woman, touching off a slow seduction that unfolds against a breathtaking desert landscape. SUPPLEMENTAL FEATURES: an audio commentary from 2007 featuring director Donna Deitch; a conversation between Deitch and actor Jane Lynch; interviews with actors Helen Shaver and Patricia Charbonneau; a new program featuring Deitch, director of photography Elswit, and production designer Jeannine Oppewall; and an excerpt from Fiction and Other Truths: A Film About Jane Rule, a 1994 documentary about the author of Desert of the Heart, the 1964 novel on which the film is based.
*Premiering on the Channel this month.
 
Wednesday, November 15
Stalker: Criterion Collection Edition #888
A religious allegory, a reflection of contemporaneous political anxieties, and a meditation on film itself, Andrei Tarkovsky's final Soviet feature takes a metaphys­ical journey through an enigmatic postapocalyptic landscape, where a hired guide leads a writer and a professor into a restricted disaster site known as the Zone. There the three men eventually zero in on the Room, a place rumored to fulfill one's most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere, enveloping the viewer in a multitude of possible meanings. SUPPLEMENTAL FEATURES: an interview with Geoff Dyer, author of Zona: A Book About a Film About a Journey to a Room, and interviews from 2002 with cinematographer Alexander Knyazhinsky, set designer Rashit Safiullin, and composer Eduard Artemyev.
 
Thursday, November 16
Twin Peaks: Fire Walk with Me*: Criterion Collection Edition #898
In the town of Twin Peaks, everybody has their secrets - but no one more than Laura Palmer. In this prequel to his groundbreaking 1990s series (which returned to television this year to rapturous reviews), David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show, following her through the last week of her life and teasing out the enigmas that surround her murder. Homecoming queen by day and drug-addicted thrill seeker by night, Laura leads a double life that pulls her deeper and deeper into horror as she pieces together the identity of the assailant who has been terrorizing her for years. SUPPLEMENTAL FEATURES: The Missing Pieces, ninety minutes of deleted and alternate takes from the film, assembled by Lynch; an interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie; interviews with Lee and composer Angelo Badalamenti; and trailers.
*Premiering on the Channel this month.
 
Friday, November 17
Friday Night Double Feature: Police, Adjective* and Insomnia
Moral ambiguities abound in these unconventional detective stories from Romania and Norway. In Corneliu Porumboiu's low-key procedural Police, Adjective, a cop has a crisis of conscience as he struggles with an assignment to book a high-school kid for smoking pot. Reluctant to ruin the boy's life with a jail sentence, he starts to question the letter of the law, leading to an unforgettable climax in which a dictionary becomes the ultimate instrument of power. And in Erik Skjoldbjærg's Nordic thriller, a disgraced detective (Stellan Skarsgård, in one of his most magnetic performances) investigating the death of a teenage girl becomes uneasily complicit with her killer as the Arctic midnight sun erodes his sense of reality.
*Premiering on the Channel this month.
 
Monday, November 20
Babette's Feast: Criterion Collection Edition #665
One of the ultimate food films, this adaptation of a lovingly layered tale by Isak Dinesen shows what happens when a mysterious French housekeeper brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers. Set in nineteenth-century Denmark, Gabriel Axel's Oscar-winning film combines earthiness and reverence in an indescribably moving depiction of sensual pleasure that goes to your head like fine champagne. SUPPLEMENTAL FEATURES: interviews with Axel and actor Stéphane Audran; a 1995 documentary about Dinesen; a visual essay by filmmaker Michael Almereyda; an interview with sociologist Priscilla Parkhurst Ferguson about the significance of cuisine in French culture; and a trailer.
 
Tuesday, November 21
Tuesday's Short + Feature: The Vampire* and Nosferatu
The vampire as we know it is unimaginable without F. W. Murnau's groundbreaking horror film, an unauthorized adaptation of Bram Stoker's Dracula that brought the creature to the screen with the wildly expressive powers of German expressionism. Jean Painlevé, France's brilliant scientist of the surreal, spotted the kinship between this iconic monster and the Brazilian vampire bat. His short The Vampire, soundtracked by Duke Ellington, explores this nocturnal creature's feeding rituals, making for an unusually spooky entry in the filmmaker's series of imaginative wildlife portraits.
*Premiering on the Channel this month.
 
Wednesday, November 22
Heart of a Dog*: Criterion Collection Edition #846
Multimedia artist Laurie Anderson meditates on death and other forms of absence in her first feature in thirty years. This haunting essay film seamlessly weaves together thoughts on Tibetan Buddhism, reincarnation, the modern surveillance state, and the artistic lives of dogs, with an elegy for the filmmaker's beloved rat terrier, Lolabelle, at its heart. Narrated by Anderson with her characteristic wry wit, and featuring a plaintive, free-form score by the filmmaker, the tender and provocative Heart of a Dog continues Anderson's four-and-a-half-decade career of imbuing the everyday with a sense of dreamlike wonder. SUPPLEMENTAL FEATURES: a conversation between Anderson and coproducer Jake Perlin; footage of Anderson's 2016 Concert for Dogs; deleted scenes; Lolabelle's video Christmas card; and a trailer.
*Premiering on the Channel this month.
 
Thursday, November 23
Adventures in Moviegoing with Barry Jenkins
The director of Moonlight, the exquisite coming-of-age drama that took home this year's best picture Oscar, recounts some of his own formative experiences as a cinephile in this month's episode of our guest programmer series Adventures in Moviegoing. In conversation with Criterion president Peter Becker, Jenkins talks about how he fell in love with the art of storytelling, his "rude awakening" at film school, and his experience programming at the Telluride Film Festival. To go alongside the interview, Jenkins has also curated a selection of personal favorites, an eclectic group of films that includes Krzysztof Kieślowski's Three Colors trilogy (1993-94), Lucrecia Martel's La Ciénega (2001), and a number of titles by indie trailblazer John Cassavetes.
 
Friday, November 24
Friday Night Double Feature: Permanent Vacation* and Smithereens
These idiosyncratic first features capture a hardscrabble New York at the dawn of the eighties, tagging along with protagonists who are struggling to find a foothold in the city that never sleeps. A drifter confronts his own state of estrangement, and a number of distinctive characters besides, in Jim Jarmusch's characteristically droll Permanent Vacation(1980); a striver tries in vain to make a name for herself in the punk scene in Susan Seidelman's blistering breakout Smithereens (1982).
*Premiering on the Channel this month.
 
Monday, November 27
Observations on Film Art No. 13: Flashbacks in The Phantom Carriage

Illustrating that a story's telling often means as much as the tale itself, this month's episode of Observations on Film Art - a Channel-exclusive series in which film scholars David Bordwell, Kristin Thompson, and Jeff Smith offer in-depth yet concise discussions of cinematic style - goes along for a twisty ride with Victor Sjöström's intricately structured The Phantom Carriage (1921). The touchstone of silent cinema presents a handful of extended flashbacks out of chronological sequence - a narrative design that, in Prof. Thompson's estimation, is key to establishing the dynamics between the film's characters and the strength of its themes of evil and salvation.
 
Tuesday, November 28
Tuesday's Short + Feature: In Paris Parks and Zazie dans le métro

Children take to the parks and streets of Paris in these urban symphonies, transforming the city into a landscape of playful chaos. Shirley Clarke's documentary In Paris Parks short observes the teeming life she finds in the recreational spots where city dwellers bring their children, uncovering the wonders of a seemingly mundane space. And Louis Malle's Zazie dans le métro brings Raymond Queneau's celebrated novel to the screen, spinning a brash ten-year-old's weekend visit to a Parisian relative into an anarchic comedy packed with stream-of-consciousness effects, visual gags, and editing tricks. 
 
Wednesday, November 29
Amarcord: Criterion Collection Edition #4
This Oscar-winning carnivalesque portrait of provincial Italy during the fascist period is among Federico Fellini's most personal films. Now revered as one of cinema's enduring treasures, it satirizes the director's youth and turns daily life into a circus of social rituals, adolescent desires, male fantasies, and political subterfuge, all set to Nino Rota's classic, nostalgia-tinged score. SUPPLEMENTAL FEATURES: an audio commentary by film scholars Peter Brunette and Frank Burke; American release trailer; a deleted scene; Fellini's Homecoming, a forty-five-minute documentary on the complicated relationship between the celebrated director, his hometown, and his past; an interview with star Magali Noël; archival audio interviews of Fellini and his friends and family, by critic Gideon Bachmann; and a restoration demonstration.
 
Complete list of films premiering on the Criterion Channel this month:

November 1
The Spy Who Came in from the Cold, Martin Ritt, 1965
 
November 2
Impolex, Alex Ross Perry, 2009
The Color Wheel, Alex Ross Perry, 2011
Listen Up Philip, Alex Ross Perry, 2014
 
November 3
Utamaro and His Five Women, Kenji Mizoguchi, 1946
The Brothers and Sisters of the Toda Family, Yasujiro Ozu, 1941
Burden of Life, Heinosuke Gosho, 1935
Black Lizard, Umetsugu Inoue, 1962
Ronin-Gai, Masahiro Makino, 1957
 
November 6
Still Walking, Hirokazu Kore-eda, 2008
 
November 7
Washingtonia, Konstantina Kotzamani, 2014
 
November 10
Stolen Desire, Shohei Imamura, 1958
Intentions of Murder, Shohei Imamura, 1964
The Pornographers, Shohei Imamura, 1966
Profound Desire of the Gods, Shohei Imamura, 1968
 
November 13
Everlasting Moments, Jan Troell, 2008
 
November 14
Pickle, Amy Nicholson, 2016
Desert Hearts, Donna Deitch, 1986
 
November 16
Twin Peaks: Fire Walk With Me, David Lynch, 1992
 
November 17
Police, Adjective, Corneliu Porumboiu, 2009
Eva, Gustaf Molander, 1948
Scrubbers, Mai Zetterling, 1982
Girl with Green Eyes, Desmond Davis, 1964
 
November 21
The VampireJean Painlevé, 1945
 
November 22
Heart of a Dog, Laurie Anderson, 2015
 
November 24
Permanent Vacation, Jim Jarmusch, 1980
Bergman Island, Marie Nyreröd, 2006
The Challenge, Milton Rosmer and Luis Trenker, 1938
Fanfan la Tulipe, Christian Jacque, 1952
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE

ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.
 
ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.

ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.

PATREON BUTTON

October 26, 2017

THE HOUSE THAT JACK BUILT — LARS VON TRIER

The-House-That-Jack-Built-

Featured Video

SMART NEW MEDIA® Custom Videos

COLE SMITHEY’S MOVIE WEEK

COLE SMITHEY’S CLASSIC CINEMA

Throwback Thursday


Podcast Series