1738 posts categorized "Film"

December 10, 2017

BILL FRISELL: A PORTRAIT — TRAILER

Bill Frisell, A Portrait - Trailer from Emma Franz on Vimeo.

Bill is my favorite guitarist. In you're in NYC, get down to the IFC Center and catch this promising documentary!

December 06, 2017

Wes Anderson's 'ISLE OF DOGS' OPENS BERLIN FILM FESTIVAL

Wes Anderson’s stop-motion animated film ‘Isle of Dogs’ (featuring the voices of Bryan Cranston and Tilda Swinton) will premiere at the 2018 BERLIN FILM FESTIVAL on February 15. From the trailer, this looks like vintage Wes Anderson — kooky dry humor with an international bent of globalization. Yum. 

Isleofdogs

December 04, 2017

NEW BROADCAST TIME FOR THE 90TH OSCARS®

The Academy of Motion Picture Arts and Sciences

 THE COUNTDOWN BEGINS: 90 DAYS TO OSCAR® SUNDAY

NEW BROADCAST TIME FOR THE 90TH OSCARS®
LIVE SUNDAY, MARCH 4, AT 8 PM EST/5 PM PST ON ABC

The Oscars Pre-Show Will Kick Off the Night’s Festivities at 6:30 p.m. EST/3:30 p.m. PST

First Look at New 90th Oscars Promo 

ABC and the Academy of Motion Picture Arts and Sciences announced today the 90th Oscars® telecast on Sunday, March 4, 2018, will now begin at 8:00 p.m. EST/5:00 p.m. PST, a half-hour earlier than prior telecasts. As previously announced, late-night talk show favorite Jimmy Kimmel will return to host, and Michael De Luca and Jennifer Todd will return to produce.

Additionally, starting at 6:30 p.m. EST/3:30 p.m. PST, the Oscars Pre-Show returns to give fans exclusive, insider access to all the excitement of the red carpet. The 90-minute special features interviews with nominees, presenters and performers, and brings viewers the best behind-the-scenes moments. ABC and the Academy also released a first look at the 90th Oscars with a promo celebrating the season. To view the promo and download additional assets, click here.

The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.

About the Academy
The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

About ABC Entertainment
ABC Entertainment airs compelling programming across all day parts, with new shows including fall’s No. 1 new drama, “The Good Doctor”; as well as “Kevin (Probably) Saves the World” and “The Mayor”; and current hits such as groundbreaking dramas “Designated Survivor,” “Quantico,” “Scandal” “How to Get Away with Murder,” “Grey’s Anatomy,” “Marvel’s Agents of S.H.I.E.L.D.” and “Once Upon a Time.” The ABC Television Network is also home to the Emmy® Award-winning “Modern Family” and trailblazing comedy favorites “black-ish,” “American Housewife,” “Fresh Off the Boat,” “The Goldbergs,” “The Middle” and “Speechless”; hit game shows “$100,000 Pyramid,” “Celebrity Family Feud,” “Match Game” and “To Tell the Truth”; reality phenomenon “Shark Tank,” iconic “The Bachelor” franchise, long-running hits “Dancing with the Stars” and “America’s Funniest Home Videos,” and the return of “American Idol”; “General Hospital,” which has aired for over 50 years on the network, along with daytime talk show “The Chew”; and late-night talk show “Jimmy Kimmel Live!” The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and “The American Music Awards.”

November 30, 2017

Ask Jim Jarmusch a Question!

 
Ask Jim Jarmusch
 
Criterion's popular Q&A series with director Jim Jarmusch is back!
A special edition of Jarmusch's Dead Man is currently in the works,
will feature a new 4K restoration and is slated to be released in 2018.
 

The Criterion Collection is currently working on the special edition of Jarmusch's Dead Man, which will feature a new 4K restoration and is slated to be released in 2018, and is wondering if fans have any questions that they would like answered about the film.
 
Criterion will be accepting all of your questions from fans from now until December 8 and sending the most thoughtful and creative ones to Jim. Though they cannot guarantee that all will be answered on the release, feel free to ask as many as you like. Personal requests will not be answered.
 
Now ask away! Just make sure to include your full name, city, state, and country of residence with your questions.

November 29, 2017

DECEMBER PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
Includes Godzilla and fourteen other kaiju classics,
Aki Kaurismäki's Le Havre, and Nagisa Oshima's Merry Christmas Mr. Lawrence!

Friday, December 1
It's a Mad, Mad, Mad, Mad World*: Criterion Collection Edition #692

Stanley Kramer followed his harrowing Oscar winner Judgment at Nuremberg with the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners about a group of strangers fighting tooth and nail over buried treasure. Performed by a nonpareil cast, including Milton Berle, Sid Caesar, Ethel Merman, Mickey Rooney, Spencer Tracy, Jonathan Winters, and a boatload of other playing-to-the-rafters comedy legends, Kramer's wildly uncharacteristic film is an exhilarating epic of tomfoolery. SUPPLEMENTAL FEATURES: an audio commentary featuring It's a Mad, Mad, Mad, Mad World aficionados Mark Evanier, Michael Schlesinger, and Paul Scrabo; a documentary on the film's visual and sound effects, featuring interviews with visual-effects specialist Craig Barron and sound designer Ben Burtt; an excerpt from a 1974 talk show hosted by director Stanley Kramer and featuring Mad World actors Sid Caesar, Buddy Hackett, and Jonathan Winters; and more.
*Premiering on the Channel this month.
 
Friday, December 1
Friday Night Double Feature: Dodsworth and David Golder

Private woes take their toll on two successful self-made businessmen in this pair of domestic dramas from the 1930s. In William Wyler's Oscar-winning adaptation of Sinclair Lewis's Dodsworth (1936), Walter Huston stars as a Midwestern auto magnate who retires and embarks on a European voyage with his wannabe-chic wife, only to find that the two of them are growing further and further apart. In Julien Duviver's first sound film, the moody melodrama David Golder (1931), Harry Baur plays a ruthless banker grappling with business and family troubles.
 
Monday, December 4
A Night to Remember: Criterion Collection Edition #7

On April 14, 1912, just before midnight, the "unsinkable" Titanic struck an iceberg, plunging to the bottom of the sea and taking with it more than 1,500 of its 2,200 passengers. In his unforgettable render­ing of Walter Lord's book, British director Roy Ward Baker depicts with sensitivity, awe, and a fine sense of tragedy the ship's last hours. Featuring remarkably restrained performances, A Night to Remember (1958) is cinema's subtlest and best dramatization of this monumental twentieth-century catastrophe. SUPPLEMENTAL FEATURES: an audio commentary by Don Lynch and Ken Marschall, author and illustrator of "Titanic": An Illustrated History; The Making of "A Night to Remember"(1993), a sixty-minute documentary featuring producer William MacQuitty's rare behind-the-scenes footage; an archival interview with Titanic survivor Eva Hart; and more.
 
Monday, December 4
Masterclass: Kenneth Turan and Marcel Ophuls on Disagreeable Truths

Marcel Ophuls talks to Los Angeles Times critic Kenneth Turan at UCLA about why and how he moved from making commercial feature films to chronicling occupied Europe and the Holocaust in epic documentaries like The Sorrow and the Pity and The Memory of Justice. Along the way, he also opens up about everything from his interview techniques and his experience as a second-generation auteur (the son of Max) to his thoughts on assessing guilt and responsibility for genocide and war crimes. Previous entries in our Masterclass series include conversations between Kirsten Johnson and Michael Moore and Alex Ross Perry and Robert Greene.
 
Tuesday, December 5
Tuesday's Short + Feature: The Above and Cameraperson

With a keen eye for landscape and character, Kirsten Johnson's work documents political turmoil throughout the globe, calling into question the ethical stakes of nonfiction filmmaking. In The Above (2015), a mysterious surveillance blimp with unknown capabilities hovers above Kabul as the Afghans below go about their daily lives. In her breakthrough feature, Cameraperson (2016), she assembles footage captured throughout her twenty-five-year career, weaving together intimate moments from her private life with haunting images from her journeys abroad as a documentary cinematographer.
 
Wednesday, December 6
Le Havre: Criterion Collection Edition #619

With Finnish master Aki Kaurismäki returning to theaters this winter with his latest, The Other Side of Hope, we're revisiting his acclaimed previous film, which initiated his ongoing exploration of global migration and displacement. In this warmhearted comic yarn, fate throws a young African refugee into the path of a kindly old bohemian who shines shoes for a living in a French harbor city. A political fairy tale that exists somewhere between the reality of contemporary France and the classic French cinema of the past, Le Havre (2011) is a charming, deadpan delight and one of the director's finest films. SUPPLEMENTAL FEATURES: an interview with actor André Wilms; footage from the 2011 Cannes Film Festival, including a press conference and a French television interview with cast and crew; and more.
 
Thursday, December 7
Laughter First!: Harold Lloyd's Glasses Character Turns 100

Celebrate the centennial of Harold Lloyd's "Glasses Character" - the resourceful go-getter who always got the girl - with Kevin Brownlow and David Gill's lucid and entertaining documentary Harold Lloyd: The Third Genius. Crisply narrated by Lindsay Anderson, the film traces the performer's development all the way back to his early dramatic days and through his slapstick experiments, until he puts on horn-rimmed glasses and invents the figure who would go on to define his career. Brownlow and Gill pay exuberant tribute to the great silent clown, who was as wildly innovative as Buster Keaton and as skilled with sentiment as Chaplin, but had a resilience of his own that fit America's roaring twenties better than any other screen personality. The Third Genius streams alongside a selection of Lloyd's films: Safety Last! (1923), Girl Shy (1924), The Freshman (1925), The Kid Brother(1927), and Speedy (1928).
 
Friday, December 8
Friday Night Double Feature: The Stunt Man and 

Film sets become hazy frontiers between illusion and reality in these dizzying movies about movies. Richard Rush's Escher-like vortex The Stunt Man (1980) features Peter O'Toole at his most virtuosic, as a megalomaniacal director who manipulates a veteran on the run from the law into serving as a stuntman. Federico Fellini's kaleidoscopic  (1963) - perhaps the most gloriously expansive vision of itself the cinema has ever produced - weaves together the dreams, memories, and fantasies of a director (Marcello Mastroianni) whose latest project is collapsing around him.
 
Friday, December 8
Godzilla and Beyond*

This month, we're offering you the chance to go on a veritable viewing rampage, with this massive collection of fourteen kaiju classics. Running from Ishiro Honda's original Godzilla(1954) to the director's sci-fi drama Terror of Mechagodzilla (1975), these spectacular Toho productions track the King of the Monsters and a number of his fellow mutants as they evolved over the course of two decades, reflecting all the while many of the anxieties of a postwar world.  
*Premiering on the Channel this month.
 
Saturday, December 9
Split Screen Season Nine

Two decades after it premiered on IFC, the pioneering television series Split Screen has a streaming home on the Channel. In this priceless time capsule, host John Pierson takes viewers on an irreverent trip through filmmaking communities and movie-loving culture at the turn of the millennium. This month, we present the show's penultimate season, which features appearances by Kevin Smith and Ross McElwee, and a hilarious segment in which Christopher Walken heads to the kitchen as the host of his own cooking show.
 
Monday, December 11
The Leopard: Criterion Collection Edition #235

An epic on the grandest possible scale, Luchino Visconti's 1963 masterpiece recreates the tumultuous years of Italy's Risorgimento - when the aristocracy lost its grip and the middle classes rose and formed a unified, democratic Italy. Burt Lancaster stars as the aging prince watching his culture and fortune wane in the face of a new generation, represented by his upstart nephew (Alain Delon) and his beautiful fiancée (Claudia Cardinale). Awarded the Palme d'Or at the Cannes Film Festival, this lavish adaptation of Giuseppe Tomasi di Lampedusa's novel is presented in two distinct incarnations: Visconti's original Italian version and the alternate English-language version. SUPPLEMENTAL FEATURES: an audio commentary by film scholar Peter Cowie; an hour-long documentary featuring interviews with Claudia Cardinale, screenwriter Suso Ceccho D'Amico, Rotunno, filmmaker Sydney Pollack, and many others; and more.
 
Tuesday, December 12
Tuesday's Short + Feature: Return to Glennascaul* and The Third Man

Orson Welles brings his incomparable charisma to two dark gems. In Hilton Edwards's short Return to Glennascaul (1951), the actor stars as himself driving through the Irish countryside, where he picks up a man with car trouble and a chilling ghost story to tell; in Carol Reed's shadow-drenched noir masterpiece The Third Man (1949), he delivers one of his most iconic performances as the enigmatic Harry Lime, whose sudden death draws a childhood chum into a perilous journey through postwar Vienna.
*Premiering on the Channel this month.
 
Wednesday, December 13
Phoenix*: Criterion Collection Edition #809

Christian Petzold's evocative 2014 drama, set in rubble-strewn Berlin in 1945, is like no other film about post-World War II Jewish-German identity. After surviving Auschwitz, a former cabaret singer (Nina Hoss) has her disfigured face reconstructed and returns to her war-ravaged hometown to seek out her gentile husband, who may or may not have betrayed her to the Nazis. Without recognizing her, he enlists her to play his wife in a bizarre hall-of-shattered-mirrors story that is as richly metaphorical as it is preposterously engrossing. SUPPLEMENTAL FEATURES: a new introduction by critic Imogen Sara Smith; a conversation between director Christian Petzold and actor Nina Hoss; The Making of "Phoenix," a 2014 documentary featuring interviews with Petzold, Hoss, actors Nina Kunzendorf and Ronald Zehrfeld, and production designer K. D. Gruber; and more.
*Premiering on the Channel this month.
 
Thursday, December 14
I Am Curious: Criterion Collection Edition #179

Seized by customs upon entry to the United States, subject of a heated court battle, and banned in cities across the United States, Vilgot Sjöman's I Am Curious - Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution tells the story of a searching and rebellious young woman, and her personal quest to understand the social and political conditions in 1960s Sweden, as well as her bold exploration of her own sexual identity. In celebration of its fiftieth anniversary, I Am Curious - Yellow is presented here with its companion piece I Am Curious - Blue, a parallel film featuring the same characters and in which the lines between documentary and fiction are even further blurred. SUPPLEMENTAL FEATURES: excerpts from director Vilgot Sjöman's Self Portrait 92, a documentary made for Swedish television; a video introduction by the director; a selected scene audio commentary by Sjöman; and more.
 
Friday, December 15
Friday Night Double Feature: Fitzcarraldo and Burden of Dreams

The limits of human endurance are put to the test in German iconoclast Werner Herzog's 1982 Fitzcarraldo, an epic portrait of a rubber baron's attempts to build an opera house in the Peruvian jungle. The film was the result of a notoriously nightmarish five-year production, glimpses of which are captured in Les Blank's Burden of Dreams, an unsparing behind-the-scenes look at Herzog's quest to bring his impossible vision to the screen.
 
Monday, December 18
Creative Marriages: Juzo Itami and Nobuko Miyamoto

Juzo Itami became the most talked-about Japanese director of the eighties and nineties when he and his wife, actor Nobuko Miyamoto, created a string of audacious movies centered on independent women who were smart and passionate about their work. In the latest installment of Creative Marriages, we're celebrating their partnership in both life and cinema. Watch their 1985 international breakthrough, Tampopo, a mouth-watering "ramen western" starring Miyamoto as a single mother who becomes a first-class noodle chef with a lot of help from her friends. Also on view is the seriocomic social thriller A Taxing Woman (1987), a box-office smash that staged a frontal attack on the contemporary obsession with making money. You can also check out our previous Creative Marriages programs highlighting Federico Fellini and Giulietta Masina, Roger Vadim and Brigitte Bardot, and Jean Cocteau and Jean Marais.
 
Tuesday, December 19
Tuesday's Short + Feature: Time Piece and Tom Jones

Two masters deliver flights of playful cinematic style with their own witty sensibilities. In the Oscar-winning 1963 Tom Jones, British New Wave pioneer Tony Richardson updates Henry Fielding's picaresque eighteenth-century novel with an ebullient, fourth-wall-breaking irreverence. And in the Oscar-nominated 1965 short Time Piece, which features a parody of one of the most memorable scenes in Tom Jones, legendary puppeteer Jim Henson delivers a fast-paced, rhythmically edited tale of a young man desperately trying to escape the passage of time.
 
Wednesday, December 20
Merry Christmas Mr. Lawrence*: Criterion Collection Edition #535

In this captivating, skewed World War II drama from Nagisa Oshima, David Bowie regally embodies a British officer interned by the Japanese as a POW. Rock star Ryuichi Sakamoto (who also composed this film's hypnotic score) plays the camp commander, obsessed with the mysterious blond major, while Tom Conti is a British lieutenant colonel who tries to bridge the emotional and language divides between captor and prisoner. Also featuring actor-director Takeshi Kitano in his first dramatic role, Merry Christmas Mr. Lawrence(1983) is a multilayered, brutal, at times erotic tale of culture clash, and one of Oshima's greatest successes. SUPPLEMENTAL FEATURES: The Oshima Gang, a 1983 making-of featurette; video interviews with producer Jeremy Thomas, screenwriter Paul Mayersberg, actor Tom Conti, and actor-composer Ryuichi Sakamoto; and more.
*Premiering on the Channel this month.
 
Thursday, December 21
Observations on Film Art No. 14: Girl Shy - Harold Lloyd Meets Classical Hollywood

The silent comedy might be most famous today for its one-off gags and chases, but by the twenties the form had begun to tell increasingly sophisticated feature-length stories, thanks to such pioneering figures as Charlie Chaplin, Buster Keaton, and Harold Lloyd. In this month's episode of Observations on Film Art - a Channel-exclusive series that takes a look at great filmmakers' use of cinematic devices and traditions - scholar David Bordwell unpacks the narrative strategies at play in Lloyd's comedy of embarrassment Girl Shy(1924), illuminating the film's implementation of such classical Hollywood devices as psychological characterization and repeated motifs.
 
Friday, December 22
Friday Night Double Feature: Chéri and Journey to Italy

The work of the French author Colette, celebrated for its evocation of affairs of the heart during the belle epoque, inspired these two tales of precarious romance. Stephen Frears's seductive period piece Chéri (2009), an adaptation of Colette's 1920 novel of the same name, tells the story of the years-long relationship between a courtesan (Michelle Pfeiffer) and her peer's decadent and impressionable son (Rupert Friend). And Robert Rossellini's modernist drama Journey to Italy (1954), loosely based on Colette's Duo (1934), observes the mounting tensions between a married British couple (Ingrid Bergman and George Sanders) during a trip to the Neapolitan countryside.
 
Tuesday, December 26
Tuesday's Short + Feature: Light Is Calling and My Winnipeg

These two films, both beautifully tactile experiments with film form, make brilliant use of found footage. In his eight-minute film Light Is Calling (2004), Bill Morrison cedes the frame to a scene from a 1926 silent film as it appears on a decomposing film reel, in the process crafting a haunting meditation on the ravages of time; in his beguiling "docu-fantasia" My Winnipeg (2007), Guy Maddin mixes archival footage with his own expressionistic black-and-white material to evoke the weird and wonderful world of his hometown.
 
Friday, December 29
Friday Night Double Feature: The Apartment and Brief Encounter

With 2018 just around the corner, take a look back at a Hollywood classic whose climax takes place on New Year's Eve, along with the movie that inspired it. David Lean reached his first great peak with Brief Encounter (1945), starring Celia Johnson and Trevor Howard as refined middle-class lovers who fail to consummate their affair in a borrowed flat when the owner unexpectedly barges in on them. Billy Wilder loved the film, but wondered-who's the guy who owns the apartment? The result: Wilder's five-time Oscar winner The Apartment (1960), which casts Jack Lemmon as the shlemiel who gives his key to his superiors for their trysts, and Shirley MacLaine as the elevator girl and executive's mistress he unexpectedly falls in love with.  
 
Friday, December 29
Weekend: Criterion Collection Edition #635

This scathing satire from Jean-Luc Godard, which celebrates its fiftieth anniversary this week, is one of cinema's great anarchic works. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them. Featuring a justly famous sequence in which the camera tracks along a seemingly endless traffic jam, and rich with historical and literary references, Weekend is a surreally funny and disturbing call for revolution, a depiction of society reverting to savagery, and - according to the credits - the end of cinema itself. SUPPLEMENTAL FEATURES: a video essay by writer and filmmaker Kent Jones; archival interviews with actors Mireille Darc and Jean Yanne, cinematographer Raoul Coutard, and assistant director Claude Miller; and more.
 
Complete list of films premiering on the Criterion Channel this month:

December 1
It's a Mad, Mad, Mad, Mad World, Stanley Kramer, 1963
Happy Together, Wong Kar-wai, 1997
The World of Jacques Demy, Agnes Varda, 1995
 
December 8
Godzilla, Ishiro Honda, 1954
Godzilla: King of the Monsters!, Ishiro Honda and Terry O. Morse, 1956
Godzilla Raids Again, Motoyoshi Oda, 1955
Rodan, Ishiro Honda, 1956
Ghidorah, the Three-Headed Monster, Ishiro Honda, 1964
Mothra vs. Godzilla, Ishiro Honda, 1964
Invasion of Astro-Monster, Ishiro Honda, 1965
The War of the Gargantuas, Ishiro Honda, 1966
Son of Godzilla, Jun Fukuda, 1967
Destroy All Monsters, Ishiro Honda, 1968
All Monsters Attack, Ishiro Honda, 1969
Godzilla vs. Megalon, Jun Fukuda, 1973
Godzilla vs. Mechagodzilla, Jun Fukuda, 1974
Terror of Mechagodzilla, Ishiro Honda, 1975
 
December 12
Return to Glennascaul, Hilton Edwards, 1951
 
December 13
Phoenix, Christian Petzold, 2014

December 15
Woman in Witness Protection, Juzo Itami, 1997
A Quiet Life, Juzo Itami, 1995
Tales of a Golden Geisha, Juzo Itami, 1990
The Gentle Art of Japanese Extortion, Juzo Itami, 1992
The Funeral, Juzo Itami, 1984
Rubber Band Pistol, Juzo Itami, 1962
The Last Dance, Juzo Itami, 1995

December 20
Merry Christmas Mr. Lawrence, Nagisa Oshima, 1983
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE

ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.
 
ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.

ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.
 
For more information on FilmStruck and The Criterion Channel,
 

November 11, 2017

HAPPY END — Trailer & Poster

Happy_end

You had me at Michael Haneke. And then you add Isabelle Huppert and Jean-Louis Trintignant, and we've got a very promising movie on hand. Really looking forward to seeing the latest effort from Haneke!

 

THE POST — TRAILER & POSTER

Post

Steven Spielberg's latest movie has crowd-pleaser written all over it for the 50+ generations to which it is clearly aimed. Streep and Hanks are showing their age. It's a reminder that we won't always have these great artists around with us. So, regardless of how predictably tame the narrative about the Washington Post leaking the Pentagon Papers might seem by today's standards of Wikileaks reporting, get out and see this movie. Even if it flops at the box office, "The Post" will be a success.

November 02, 2017

NOVEMBER PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
Includes Adventures in Moviegoing with Barry Jenkins,
four films by Shohei Imamura, and Luis Buñuel's Belle de jour!
 
Wednesday, November 1
The Spy Who Came in from the Cold*: Criterion Collection Edition #452
The best-selling novel by John le Carré, about a Cold War spy on one final dangerous mission in East Germany, is transmuted by director Martin Ritt into a film every bit as precise and ruthless as the book. Richard Burton is superb as Alec Leamas, whose relationship with the beautiful librarian Nan, played by Claire Bloom, puts his assignment in jeopardy. The Spy Who Came in from the Cold is a hard-edged and tragic thriller, suffused with the political and social consciousness that defined Ritt's career.SUPPLEMENTAL FEATURES: an exclusive, wide-ranging interview with le Carré; a selected-scene commentary featuring director of photography Oswald Morris; an audio conversation from 1985 between director Martin Ritt and film historian Patrick McGilligan; and a trailer.
*Premiering on the Channel this month.
 
Thursday, November 2
Masterclass: Alex Ross Perry and Robert Greene on Big Ideas and Small Budgets
Known for his piercingly intelligent, stylistically ambitious explorations of alienation and misanthropy, independent filmmaker Alex Ross Perry has been busy at work on two projects: the soon-to-be-released Golden Exits and a live-action take on Winnie-the-Pooh. For our third Masterclass, his frequent collaborator Robert Greene, the director of the acclaimed narrative-documentary hybrids Kate Plays Christine and Actress, gets him to open up about how he brings his acerbic ideas to the big screen on a shoestring budget. Watch video of the complete event, hosted by the Ragtag Cinema in Columbia, Missouri, and catch up on Perry's first three features: Impolex*, The Color Wheel*, and Listen Up Philip*.
*Premiering on the Channel this month.
 
Friday, November 3
Friday Night Double Feature: That Hamilton Woman and Anna Karenina
The luminous Vivien Leigh takes the lead in these two lavishly mounted period dramas. In Alexander Korda's 1941 That Hamilton Woman - reportedly Winston Churchill's favorite movie - she is transported back to the Napoleonic Wars, injecting glamour and intrigue into the story of an ambassador's wife who has a scandalous affair with a British Royal Navy officer (played by Leigh's real-life husband, Laurence Olivier). And in Julien Duvivier's 1948 adaptation of Tolstoy's Anna Karenina, she embodies the tragic dimensions of the iconic titular heroine, a married woman who falls into a fateful romance with a count.
 
Monday, November 6
Still Walking*: Criterion Collection Edition #554
Contemporary Japanese master Hirokazu Kore-eda pays tribute to his late mother in this deeply personal film, which depicts one day in the life of a family gathered for a commemorative ritual whose nature only gradually becomes clear. Rather than focus on big dramatic moments, Kore-eda relies on simple gestures and domestic routines (especially cooking) to evoke his characters' deep regrets and daily joys. Featuring vivid, heartrending performances and a gentle naturalism that harks back to the director's earlier, documentary work, Still Walking is an extraordinary portrayal of the ties that bind us. SUPPLEMENTAL FEATURES: interviews with Kore-eda and director of photography Yutaka Yamazaki; a documentary on the making of the film, featuring on-set footage; and a trailer.
*Premiering on the Channel this month.
 
Tuesday, November 7
Tuesday's Short + Feature: Washingtonia* and Dogtooth
With Yorgos Lanthimos's The Killing of a Sacred Deer now in theaters, revisit the eccentric, award-winning breakthrough that catapulted him to the forefront of contemporary Greek cinema. In 2009's Dogtooth, the director penetrates the twisted world of three adults who have been held in captivity their entire lives by their manipulative parents. This brilliantly constructed provocation is preceded by another taste of the Greek Weird Wave, Konstantina Kotzamani's Washingtonia, an expressionistic short that evokes the sweltering heat of a summer in Athens.
*Premiering on the Channel this month.
 
Wednesday, November 8
Belle de jour: Criterion Collection Edition #593
Catherine Deneuve's porcelain perfection hides a cracked interior in one of the actress's most iconic roles: Séverine, a Paris housewife who begins secretly spending her afternoon hours working in a bordello. This surreal and erotic late-sixties daydream from provocateur for the ages Luis Buñuel is an examination of desire and fetishistic pleasure (its characters' and its viewers'), as well as a gently absurdist take on social mores and class divisions. SUPPLEMENTAL FEATURES: an audio commentary featuring Michael Wood, author of the BFI Film Classics book Belle de jour; a video piece featuring writer and sexual-politics activist Susie Bright and film scholar Linda Williams; an interview with screenwriter Jean-Claude Carrière; a segment from the French television program Cinéma, featuring interviews with Carrière and Deneuve; and original and rerelease trailers.
 
Friday, November 10
Friday Night Double Feature: Chevalier and Attenberg
One of the most exciting voices to emerge from contemporary Greek cinema's recent renaissance, Athina Rachel Tsangari is a favorite on the Criterion Channel, having been the first subject profiled in our exclusive series Meet the Filmmakers. This program highlights two of her features: Chevalier, a dryly farcical comedy in which a sextet of chest-puffing men decide to submit to an increasingly absurd series of competitions at sea to determine who is "the best in general," and Attenberg, a look at the strangeness of the human species through the eyes of a misanthropic young woman living in a small industrial town.
 
Monday, November 13
Everlasting Moments*: Criterion Collection Edition #520
Swedish master Jan Troell, director of the beloved classics The Emigrants and The New Land, illuminates the heartrending story of a woman liberated by art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, Everlasting Moments - based on a true story - is a miraculous tribute to the power of image making. SUPPLEMENTAL FEATURES: Troell Behind the Camera, a short documentary made during production; The True Story of Maria Larsson, a collection of photographs by Larsson, with narration by writer Agneta Ulfsäter-Troell; Troell's Magic Mirror, an hour-long documentary on the director's career; and a trailer.
*Premiering on the Channel this month.
 
Tuesday, November 14
Tuesday's Short + Feature: Pickle* and Gates of Heaven
Do all dogs go to heaven? Two documentary filmmakers explore mortality and mourning through the experiences of pet owners. In Pickle, Amy Nicholson profiles a couple of extreme animal lovers, interviewing them about the menagerie they've cared for and buried over the years, including paraplegic possums, emaciated cats, and morbidly obese chickens. Errol Morris's debut feature, Gates of Heaven, immerses viewers in the community surrounding two pet cemeteries in Napa Valley, California, blending sincerity and satire to spin its quirky subject into a surprisingly expansive study of human nature.
*Premiering on the Channel this month.
 
Tuesday, November 14
Desert Hearts*: Criterion Collection Edition #902
Donna Deitch's swooning and sensual first narrative feature was groundbreaking upon its release in 1985: a love story about two women, made entirely independently, on a shoestring budget, by a woman. In this 1959-set film, adapted from a beloved novel by Jane Rule, a straitlaced East Coast professor arrives in Reno to file for divorce but winds up catching the eye of a free-spirited young woman, touching off a slow seduction that unfolds against a breathtaking desert landscape. SUPPLEMENTAL FEATURES: an audio commentary from 2007 featuring director Donna Deitch; a conversation between Deitch and actor Jane Lynch; interviews with actors Helen Shaver and Patricia Charbonneau; a new program featuring Deitch, director of photography Elswit, and production designer Jeannine Oppewall; and an excerpt from Fiction and Other Truths: A Film About Jane Rule, a 1994 documentary about the author of Desert of the Heart, the 1964 novel on which the film is based.
*Premiering on the Channel this month.
 
Wednesday, November 15
Stalker: Criterion Collection Edition #888
A religious allegory, a reflection of contemporaneous political anxieties, and a meditation on film itself, Andrei Tarkovsky's final Soviet feature takes a metaphys­ical journey through an enigmatic postapocalyptic landscape, where a hired guide leads a writer and a professor into a restricted disaster site known as the Zone. There the three men eventually zero in on the Room, a place rumored to fulfill one's most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere, enveloping the viewer in a multitude of possible meanings. SUPPLEMENTAL FEATURES: an interview with Geoff Dyer, author of Zona: A Book About a Film About a Journey to a Room, and interviews from 2002 with cinematographer Alexander Knyazhinsky, set designer Rashit Safiullin, and composer Eduard Artemyev.
 
Thursday, November 16
Twin Peaks: Fire Walk with Me*: Criterion Collection Edition #898
In the town of Twin Peaks, everybody has their secrets - but no one more than Laura Palmer. In this prequel to his groundbreaking 1990s series (which returned to television this year to rapturous reviews), David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show, following her through the last week of her life and teasing out the enigmas that surround her murder. Homecoming queen by day and drug-addicted thrill seeker by night, Laura leads a double life that pulls her deeper and deeper into horror as she pieces together the identity of the assailant who has been terrorizing her for years. SUPPLEMENTAL FEATURES: The Missing Pieces, ninety minutes of deleted and alternate takes from the film, assembled by Lynch; an interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie; interviews with Lee and composer Angelo Badalamenti; and trailers.
*Premiering on the Channel this month.
 
Friday, November 17
Friday Night Double Feature: Police, Adjective* and Insomnia
Moral ambiguities abound in these unconventional detective stories from Romania and Norway. In Corneliu Porumboiu's low-key procedural Police, Adjective, a cop has a crisis of conscience as he struggles with an assignment to book a high-school kid for smoking pot. Reluctant to ruin the boy's life with a jail sentence, he starts to question the letter of the law, leading to an unforgettable climax in which a dictionary becomes the ultimate instrument of power. And in Erik Skjoldbjærg's Nordic thriller, a disgraced detective (Stellan Skarsgård, in one of his most magnetic performances) investigating the death of a teenage girl becomes uneasily complicit with her killer as the Arctic midnight sun erodes his sense of reality.
*Premiering on the Channel this month.
 
Monday, November 20
Babette's Feast: Criterion Collection Edition #665
One of the ultimate food films, this adaptation of a lovingly layered tale by Isak Dinesen shows what happens when a mysterious French housekeeper brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers. Set in nineteenth-century Denmark, Gabriel Axel's Oscar-winning film combines earthiness and reverence in an indescribably moving depiction of sensual pleasure that goes to your head like fine champagne. SUPPLEMENTAL FEATURES: interviews with Axel and actor Stéphane Audran; a 1995 documentary about Dinesen; a visual essay by filmmaker Michael Almereyda; an interview with sociologist Priscilla Parkhurst Ferguson about the significance of cuisine in French culture; and a trailer.
 
Tuesday, November 21
Tuesday's Short + Feature: The Vampire* and Nosferatu
The vampire as we know it is unimaginable without F. W. Murnau's groundbreaking horror film, an unauthorized adaptation of Bram Stoker's Dracula that brought the creature to the screen with the wildly expressive powers of German expressionism. Jean Painlevé, France's brilliant scientist of the surreal, spotted the kinship between this iconic monster and the Brazilian vampire bat. His short The Vampire, soundtracked by Duke Ellington, explores this nocturnal creature's feeding rituals, making for an unusually spooky entry in the filmmaker's series of imaginative wildlife portraits.
*Premiering on the Channel this month.
 
Wednesday, November 22
Heart of a Dog*: Criterion Collection Edition #846
Multimedia artist Laurie Anderson meditates on death and other forms of absence in her first feature in thirty years. This haunting essay film seamlessly weaves together thoughts on Tibetan Buddhism, reincarnation, the modern surveillance state, and the artistic lives of dogs, with an elegy for the filmmaker's beloved rat terrier, Lolabelle, at its heart. Narrated by Anderson with her characteristic wry wit, and featuring a plaintive, free-form score by the filmmaker, the tender and provocative Heart of a Dog continues Anderson's four-and-a-half-decade career of imbuing the everyday with a sense of dreamlike wonder. SUPPLEMENTAL FEATURES: a conversation between Anderson and coproducer Jake Perlin; footage of Anderson's 2016 Concert for Dogs; deleted scenes; Lolabelle's video Christmas card; and a trailer.
*Premiering on the Channel this month.
 
Thursday, November 23
Adventures in Moviegoing with Barry Jenkins
The director of Moonlight, the exquisite coming-of-age drama that took home this year's best picture Oscar, recounts some of his own formative experiences as a cinephile in this month's episode of our guest programmer series Adventures in Moviegoing. In conversation with Criterion president Peter Becker, Jenkins talks about how he fell in love with the art of storytelling, his "rude awakening" at film school, and his experience programming at the Telluride Film Festival. To go alongside the interview, Jenkins has also curated a selection of personal favorites, an eclectic group of films that includes Krzysztof Kieślowski's Three Colors trilogy (1993-94), Lucrecia Martel's La Ciénega (2001), and a number of titles by indie trailblazer John Cassavetes.
 
Friday, November 24
Friday Night Double Feature: Permanent Vacation* and Smithereens
These idiosyncratic first features capture a hardscrabble New York at the dawn of the eighties, tagging along with protagonists who are struggling to find a foothold in the city that never sleeps. A drifter confronts his own state of estrangement, and a number of distinctive characters besides, in Jim Jarmusch's characteristically droll Permanent Vacation(1980); a striver tries in vain to make a name for herself in the punk scene in Susan Seidelman's blistering breakout Smithereens (1982).
*Premiering on the Channel this month.
 
Monday, November 27
Observations on Film Art No. 13: Flashbacks in The Phantom Carriage

Illustrating that a story's telling often means as much as the tale itself, this month's episode of Observations on Film Art - a Channel-exclusive series in which film scholars David Bordwell, Kristin Thompson, and Jeff Smith offer in-depth yet concise discussions of cinematic style - goes along for a twisty ride with Victor Sjöström's intricately structured The Phantom Carriage (1921). The touchstone of silent cinema presents a handful of extended flashbacks out of chronological sequence - a narrative design that, in Prof. Thompson's estimation, is key to establishing the dynamics between the film's characters and the strength of its themes of evil and salvation.
 
Tuesday, November 28
Tuesday's Short + Feature: In Paris Parks and Zazie dans le métro

Children take to the parks and streets of Paris in these urban symphonies, transforming the city into a landscape of playful chaos. Shirley Clarke's documentary In Paris Parks short observes the teeming life she finds in the recreational spots where city dwellers bring their children, uncovering the wonders of a seemingly mundane space. And Louis Malle's Zazie dans le métro brings Raymond Queneau's celebrated novel to the screen, spinning a brash ten-year-old's weekend visit to a Parisian relative into an anarchic comedy packed with stream-of-consciousness effects, visual gags, and editing tricks. 
 
Wednesday, November 29
Amarcord: Criterion Collection Edition #4
This Oscar-winning carnivalesque portrait of provincial Italy during the fascist period is among Federico Fellini's most personal films. Now revered as one of cinema's enduring treasures, it satirizes the director's youth and turns daily life into a circus of social rituals, adolescent desires, male fantasies, and political subterfuge, all set to Nino Rota's classic, nostalgia-tinged score. SUPPLEMENTAL FEATURES: an audio commentary by film scholars Peter Brunette and Frank Burke; American release trailer; a deleted scene; Fellini's Homecoming, a forty-five-minute documentary on the complicated relationship between the celebrated director, his hometown, and his past; an interview with star Magali Noël; archival audio interviews of Fellini and his friends and family, by critic Gideon Bachmann; and a restoration demonstration.
 
Complete list of films premiering on the Criterion Channel this month:

November 1
The Spy Who Came in from the Cold, Martin Ritt, 1965
 
November 2
Impolex, Alex Ross Perry, 2009
The Color Wheel, Alex Ross Perry, 2011
Listen Up Philip, Alex Ross Perry, 2014
 
November 3
Utamaro and His Five Women, Kenji Mizoguchi, 1946
The Brothers and Sisters of the Toda Family, Yasujiro Ozu, 1941
Burden of Life, Heinosuke Gosho, 1935
Black Lizard, Umetsugu Inoue, 1962
Ronin-Gai, Masahiro Makino, 1957
 
November 6
Still Walking, Hirokazu Kore-eda, 2008
 
November 7
Washingtonia, Konstantina Kotzamani, 2014
 
November 10
Stolen Desire, Shohei Imamura, 1958
Intentions of Murder, Shohei Imamura, 1964
The Pornographers, Shohei Imamura, 1966
Profound Desire of the Gods, Shohei Imamura, 1968
 
November 13
Everlasting Moments, Jan Troell, 2008
 
November 14
Pickle, Amy Nicholson, 2016
Desert Hearts, Donna Deitch, 1986
 
November 16
Twin Peaks: Fire Walk With Me, David Lynch, 1992
 
November 17
Police, Adjective, Corneliu Porumboiu, 2009
Eva, Gustaf Molander, 1948
Scrubbers, Mai Zetterling, 1982
Girl with Green Eyes, Desmond Davis, 1964
 
November 21
The VampireJean Painlevé, 1945
 
November 22
Heart of a Dog, Laurie Anderson, 2015
 
November 24
Permanent Vacation, Jim Jarmusch, 1980
Bergman Island, Marie Nyreröd, 2006
The Challenge, Milton Rosmer and Luis Trenker, 1938
Fanfan la Tulipe, Christian Jacque, 1952
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE

ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.
 
ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.

ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.

October 26, 2017

THE HOUSE THAT JACK BUILT — LARS VON TRIER

The-House-That-Jack-Built-

Featured Video

SMART NEW MEDIA® Custom Videos

COLE SMITHEY’S MOVIE WEEK

COLE SMITHEY’S CLASSIC CINEMA

Throwback Thursday


Podcast Series