47 posts categorized "Filmmaking"

April 17, 2017


Includes Adventures in Moviegoing with Michael Cera, 
AntichristTatsuya Nakadai on his films, and Split Screen!
Just added to the calendar:
Friday Night Double Feature: The Trip and The Trip to Italy
Monday, April 17
Tatsuya Nakadai on Five Japanese Masters
Japanese icon Tatsuya Nakadai stopped by Criterion to discuss his storied career, sharing some of the lessons he learned from working with luminaries Akira Kurosawa, Mikio Naruse, Masaki Kobayashi, Kihachi Okamoto, and Hiroshi Teshigahara. Alongside the interview, we present a genre-hopping selection of films that feature his most pivotal roles: Kurosawa's Seven Samurai (1954), Yojimbo(1961), and Sanjuro (1962), Kobayashi's Black River (1956), The Human Condition(1959), and Harakiri (1962), Okamoto's The Sword of Doom (1966), and Naruse's When a Woman Ascends the Stairs (1960).

Tuesday, April 18
Tuesday's Short + Feature: Pay Day and A Taxing Woman
On the heels of Tax Day, this week's Short + Feature pairs two playful films that follow the money: Charlie Chaplin's 1922 Pay Day, a silent short about the wage-related bickering of a bricklayer and his wife, and Juzo Itami's 1987 A Taxing Woman, a tax-collector comedy that the Tampopo director was inspired to make after joining a higher tax bracket himself.
Wednesday, April 19
Antichrist*: Criterion Collection Edition #542
Take in Lars von Trier's Antichrist in all its controversial glory, as the graphic psychodrama arrives on the Channel with the complete supplements from the edition, including several behind-the-scenes videos and a documentary on the film's now-legendary premiere at Cannes.
*Premiering on the Channel this month. 
Thursday, April 20
Cinéastes de notre temps: Jean Vigo
As part of our ongoing presentation of episodes from Cinéastes de notre temps(1964-72), a French television series that profiled filmmakers from around the world, we're spotlighting one of the show's first installments. In this 1964 documentary, French New Wave director Jacques Rozier chronicles the life of one of cinema's great enfants terribles, Jean Vigo, who died of tuberculosis at the age of twenty-nine after making just a handful of films, including the redoubtable masterpiece L'Atalante(1934). Compiling interviews with a variety of friends and collaborators of Vigo's, this program attests to the rebellious and poetic spirit the director brought to his work.
Friday, April 21
Friday Night Double Feature: Red Desert and The Last Wave
Environmental threats hang over these two atmospheric mood pieces, featured on the Channel just in time for Earth Day. Antonioni's first color film evokes the creeping malaise that comes with industrialization, while the apocalypse itself looms nigh in Peter Weir's beguiling mystery, a dreamlike investigation of the fissures between colonial and aboriginal Australia.

Monday, April 24
Adventures in Moviegoing with Michael Cera
In the latest installment of our Adventures in Moviegoing series, the star of Juno, Superbad, and Scott Pilgrim vs. the World stops by our office to tell us how he became a cinephile and to share some of his favorite films, including Rainer Werner Fassbinder's Fox and His Friends (1975) and Nagisa Oshima's Empire of Passion(1978). Past contributors to the series include Bill Hader, Jonathan Lethem, Mary Karr, and Roger Corman.

Tuesday, April 25
Tuesday's Short + Feature: J. M. Mondésir* and Rashomon
It's all about point of view in this week's Short + Feature, which pairs Akira Kurosawa's 1950 psychological thriller Rashomon with the 2012 French short J. M. Mondésir, about a man who dies after an encounter with the police. Taking a cue from Kurosawa's hallowed classic, writer-director Alice Colomer-Kang examines the elusive nature of truth and interpretation by telling her story from multiple perspectives.
*Premiering on the Channel this month. 

Wednesday, April 26
The Tree of Wooden Clogs*: Criterion Collection Edition #854
Director Ermanno Olmi (Il posto) evokes the rhythms of a bygone way of life in this 1978 Palme d'Or winner, tracing the lives and labors of northern Italian peasants through the seasons. This newly restored masterpiece makes its debut on the Channel complete with all of the special features that appear on its recently released disc edition, including a television program that pays a visit to the farm where the film was shot and an introduction by Mike Leigh, whose own films reflect the naturalistic rigor of Olmi's craft.
*Premiering on the Channel this month. 

Thursday, April 27
Observations on Film Art No. 6: Camera Movement in Three Colors: Red
In our ongoing, Channel-exclusive series Observations on Film Art, film scholars David Bordwell, Kristin Thompson, and Jeff Smith explore the nuts and bolts of cinematic style through individual works by great auteurs. In the latest episode, Smith walks us through the eerie metaphysics of Three Colors: Red, demonstrating how director Krzysztof Kieślowski uses camera movements to establish mysterious connections between two characters who are largely unaware of each other. Previous entries in this series have examined topics like Sanshiro Sugata's lightning-fast editing and Abbas Kiarostami's evocative use of landscape.

Friday, April 28
Friday Night Double Feature: The Trip* and The Trip to Italy*
"Gentlemen to bed, for we rise at 9:30-ish!" Now on the Criterion Channel, the first two hysterically funny entries in Steve Coogan and Rob Brydon's epicurean travel series. With wine, food, and celebrity impersonations galore, the UK's sharpest comedy duo make their way through England and Italy. Soon they'll hit the road again in The Trip to Spain, premiering at the Tribeca Film Festival.
*Premiering on the Channel this month. 
The Triplimited engagement, ends October 27.
The Trip to Italy: limited engagement, ends October 27.
Saturday, April 29
Split Screen Season Four
Your wild ride through the indie film world-by filmmakers, for everyone. From 1997 to 2001, producer and author John Pierson and his band of cinephiles roved the U.S., seeking pockets of movie madness for this irreverent, sixty-episode IFC series. The result is an indispensible portrait of the American independent film scene at the turn of the millennium. Seasons one through three are already on the Channel, and this month, we debut season four!

April 13, 2017



For its 70th festival, Cannes breaks with its well-guarded tradition of opening the festival with a Hollywood movie. Festival regular Arnaud Desplechin takes that significant honor with “Ismael’s Ghosts,” about a filmmaker (played by Mathieu Amalric) whose life is upended when a lover from his past shows up as he’s about to start shooting his latest picture. Marion Cotillard, Charlotte Gainsbourg, and Louis Garrel also star.


Hollywood's absence at Cannes extends across the films in competition for the Palme d'Or, and across the entire festival. Hollywood has clearly lost its place on the premiere stage for Global Cinema. — R.I.P. Hollywood. Superhero Movies Killed The Motion Picture Star.


Conventional wisdom has it that Cannes traditionally skips a year as regards the quality of films shown every year. It is yet to be decided if this year’s selection will pale in comparison to last year’s imperfect lineup. Palme d'Or Competition films by Michael Haneke, Hong Sangsoo, François Ozon, Naomi Kawase, Todd Haynes, and Lynne Ramsay promise to give critics and jury judges some high-quality films to choose between.

French New Wave veteran Agnès Varda’s “Visages, Villages” is sure to be a hot ticket at a determinedly French festival that never forgets its own. Oh Cannes, how we adore you! 



Ismael's ghosts

“Ismael’s Ghosts” (Arnaud Desplechin)



“120 Beats per Minute” (Robin Campillo)

“The Beguiled” (Sofia Coppola)

“The Day After” (Hong Sangsoo)

“A Gentle Creature” (Sergei Loznitsa)

“Good Time” (Benny Safdie & Josh Safdie) 

“Happy End” (Michael Haneke)

“In the Fade” (Fatih Akin)

“Jupiter’s Moon” (Kornél Mundruczó)

Killing of a Sacred Deer

“The Killing of a Sacred Deer” (Yorgos Lanthimos)


“L’amant double” (François Ozon)

“Le redoubtable” (Michel Hazanvicius)

“Loveless” (Andrey Zvyagintsev)

“The Meyerowitz Stories” (Noah Baumbach)

“Okja” (Bong Joon-Ho)

“Radiance” (Naomi Kawase)

“Rodin” (Jacques Doillon)

“Wonderstruck” (Todd Haynes)

“You Were Never Really Here” (Lynne Ramsay) 



“After the War” (Annarita Zambrano)

“April’s Daughter” (Michel Franco)

OPENER — “Barbara” (Mathieu Amalric)

“Beauty and the Dogs” (Kaouther Ben Hania)

“Before We Vanish” (Kiyoshi Kurosawa)

“Closeness” (Kantemir Balagov)

“The Desert Bride” (Cecilia Atan & Valeria Pivato)

“Directions” (Stephan Komandarev)

“Dregs” (Mohammad Rasoulof)

“Jeune femme” (Léonor Serraille)

“L’Atelier” (Laurent Cantet)

“Lucky” (Sergio Castellitto)

“The Nature of Time” (Karim Moussaoui)

“Out” (Gyorgy Kristof)

“Western” (Valeska Grisebach)

“Wind River” (Taylor Sheridan) 




“Blade of the Immortal” (Takashi Miike)

“How to Talk to Girls at Parties” (John Cameron Mitchell)

“Visages, Villages” (Agnès Varda & JR) 



“Prayer Before Dawn” (Jean-Stéphane Sauvaire)

“The Merciless” (Byun Sung-Hyun)

“The Villainess” (Jung Byung-Gil)



“12 Jours” (Raymond Depardon)

“An Inconvenient Sequel” (Bonni Cohen & Jon Shenk)

“Claire’s Camera” (Hong Sangsoo)

“Demons in Paradise” (Jude Ratman)

“Napalm” (Claude Lanzmann)

“Promised Land” (Eugene Jarecki)

Sea Sorrow

“Sea Sorrow” (Vanessa Redgrave)

“They” (Anahita Ghazvinizadeh)


“24 Frames” (Abbas Kiarostami)

“Come Swim” (Kristen Stewart)

“Top of the Lake” (Jane Campion)

“Twin Peaks” (David Lynch)


“Carne y arena” (Alejandro G. Iñárritu)

Carne y arena

November 05, 2016



FilmStruck is a brand new streaming service collaboration between Turner Classic Movies, The Criterion Collection, and Kino Lorber. FilmStruck represents the first time in history that such a broad spectrum of classic films has been so readily available for film-lovers to consume.

On Thursday, November 10, 2016 FILMSTRUCK STREAMING WITH COLE SMITHEY will premiere on Forbes. The new program joins Cole Smithey's existing Forbes [weekly] video series NETFLIX NOW!. The FilmStruck and Netflix programs will switch off each week.

I can't believe FilmStruck is here. What a great streaming service. Film-lovers go straight to heaven.  

October 02, 2016


Releasing on October 21, 2016, Tom Cruise's second outing as Jack Reacher (a character who would have been more appropriately cast with Michael Shannon) is Hollywood bread-and-butter. With 2016 serving as yet another diminishing year for quality films from H'Wood, "JACK REACHER: NEVER GO BACK" should be good enough for a revisit to the Jack Reacher (Tom Cruise) franchise.

September 20, 2016



If you're planning a trip to L.A., or if you already live there, get thee to the coolest arthouse cinema in the country. Drop me a line if you do. I'll be so jealous. 

September 15, 2016



The up-coming Fox Searchlight Pictures Jackie Kennedy Onasis biopic JACKIE (directed by Pablo Larrain, and starring Natalie Portman, Greta Gerwig, Billy Crudup, John Hurt, and Peter Sarsgaard) has Oscar buzz written all over it! This should be good. Natalie Portman always gives her all, and she seems the perfect choice to play Jackie. Can't wait. 

September 10, 2016


September 07, 2016




On Cinema conversation with Jim Jarmusch and free Directors Dialogues with Maren Ade, Kenneth Lonergan, Mike Mills, and Paul Verhoeven

Plus, “Meet the Makers” talks with Convergence innovators

New York, NY (September 7, 2016) – The Film Society of Lincoln Center announces filmmaker talks at the 54th New York Film Festival (September 30 – October 16). On Cinema and Directors Dialogues, the annual series of intimate filmmaker conversations that take place at the festival, are presented by HBO®.

The festival’s annual master class, On Cinema, will feature a conversation with legendary American independent filmmaker Jim Jarmusch and NYFF Director Kent Jones. Jarmusch, a NYFF veteran many times over, has two films in the festival this year: Paterson, starring Adam Driver, in the Main Slate section, and documentary Gimme Danger, about iconic punk rock band The Stooges, in the Special Events section. Supported by film clips, the in-depth discussion will explore Jarmusch’s indelible career, as well as works that have influenced him as an artist. On Cinema with Jim Jarmusch will take placeTuesday, October 4 at 8:30pm in the Howard Gilman Theater.

Directors Dialogues, presented free to the public each year, feature notable filmmakers from this year’s festival sitting down for a special Q&A with a NYFF selection committee member to discuss their craft and moviemaking approach, as well as the current state of film. This year’s participating directors include Maren Ade (Toni Erdmann), Kenneth Lonergan (Manchester by the Sea), Paul Verhoeven (Elle), and Mike Mills (Centerpiece selection 20th Century Women). All four of these directors’ newest films are screening as part of the NYFF54 Main Slate. This year the Directors Dialogues will take place at both the Elinor Bunin Munroe Film Center’s Amphitheater and our new venue, the Bruno Walter Theater (see below for details).

Additionally, NYFF will present Meet the Makers, a series of talks with creators of projects in our boundary-pushing Convergence section. Highlights include Priya’s Mirror innovators Ram Devineni and Dan Goldman on fusing augmented reality and comic books to shatter taboos around the world—with UN Women’s Global Youth Champion Monica Singh in person to share her story, which inspired the project; a panel with filmmakers behind Global Lives Project’s large-scale installation Lives in Transit; Late Shift creators Baptiste Planche and Tobias Weber on choose-your-own-adventure interactive narrative films; Soundhunters app creators François Le Gall and Nicolas Blies on remixing the world of sounds around you into a transmedia experience; and a conversation with the collaborators of the popular returning projectSherlock Holmes & The Internet of Things. Meet the Makers conversations are free and open to the public.

Alongside On Cinema, Directors Dialogues, and Meet the Makers, the festival’s popular free NYFF Live series will return this year. NYFF Live talks, which are also sponsored by HBO®, will include a combination of clips, trailers, and extended conversations with festival filmmakers and special guests, with questions also taken from the audience. NYFF Live takes place daily in the Elinor Bunin Munroe Film Center Amphitheater. The complete lineup will be announced in the coming weeks.
The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor, Artforum and Film Comment; and Gavin Smith, who serves as a consultant.

NYFF previously announced the world premieres of Ava DuVernay’s documentary The 13th as the Opening Night selection, Mike Mills’s 20th Century Women as Centerpiece, and James Gray’s The Lost City of Z as Closing Night. The complete Main Slate lineup can be found here, along with the complete programs for Special Events, Convergence,Projections, Spotlight on Documentary, Revivals, and Retrospective.

NYFF Directors Dialogues and Meet the Makers talks are free and open to the public. On Cinema tickets are $15; $10 for Film Society Members and Students. Tickets for the 54th New York Film Festival, including the On Cinema talk, will go on sale September 11. Tickets are now on sale to Film Society members and patrons at select levels. To learn more about NYFF tickets, including a complete list of on-sale dates, prices, discount options, and our rush and standby policies, clickhere.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival's biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at filmlinc.org/NYFF.


On Cinema: Jim Jarmusch (Paterson, Gimme Danger)
In our annual master class, NYFF director Kent Jones sits down with world-renowned filmmakers for an in-depth conversation about films from other directors that have influenced and inspired them, their talk illustrated with film clips. For the 2016 edition, Jones sits down with legendary American independent filmmaker Jim Jarmusch, who has two films featured in this year's festival.
Tuesday, Oct 4, 8:30pm (Howard Gilman Theater in the Elinor Bunin Munroe Film Center, 144 West 65th Street)


Directors Dialogues: Maren Ade
One of the most vivid, electrifying talents in cinema today, German director Maren Ade makes breathtakingly intimate films keyed in to the subtle interactions and sometimes inexplicable grand gestures that make us human. A major highlight of this year’s NYFF, her latest film, Toni Erdmann, is an emotional and hilarious dazzler, unlike anything else you’ve seen.
Sunday, Oct 2, 7pm  (Elinor Bunin Munroe Film Center Amphitheater, 144 West 65th Street)
Directors Dialogues: Kenneth Lonergan
Refusing to shy away from nearly unutterable emotions, the forceful new film from Kenneth Lonergan, Manchester by the Sea, follows a troubled Massachusetts handyman (an unforgettable Casey Affleck) who travels to his North Shore hometown after the death of his brother and must confront memories of an earlier tragedy. As proven in You Can Count on Me and Margaret, few American filmmakers today are better at making movies that express how difficult it is to move on from the past.
Sunday, Oct 2, 3pm (Bruno Walter Auditorium, 111 Amsterdam Avenue between 64th and 65th Streets)
Directors Dialogues: Mike Mills
Following his Oscar-winning Beginners, Mike Mills has fashioned a moving, funny film, 20th Century Women, starring Annette Bening as a single mother raising a teenage son in a bohemian house in 1979 Santa Barbara. All of the details are just right in this culturally specific yet widely accessible American comedy, which is the Centerpiece film of this year’s NYFF.
Sunday, Oct 9, 3pm (Bruno Walter Auditorium)
Directors Dialogues: Paul Verhoeven
At first blush, it’s hard to believe the same director responsible for the ultraviolent action masterpiece RoboCop and the blockbuster thriller Basic Instinct is also responsible for Elle, the new film starring the great Isabelle Huppert as a video-game designer who has a surprising and complex response after she is raped by a home invader. But all his provocative films are of a piece: wry, satirical, and knowing takes on culture, movies, and personal fantasy.
Thursday, Oct 13, 7pm (Elinor Bunin Munroe Film Center Amphitheater)


Ram Devineni, Dan Goldman, Monica Singh
Ram Devineni and Dan Goldman, co-creators of the hugely popular augmented reality comic book series Priya, present the next installment, titled Priya’s Mirror, which concerns acid attacks. Joining Devineni and Goldman is Monica Singh, who shares her resilient story about surviving a brutal acid attack and later becoming UN Women’s Global Youth Champion.
Sunday, Oct 2, 1pm (Howard Gilman Theater in the Elinor Bunin Munroe Film Center, 144 West 65th Street)

Global Lives Project
Lives in Transit chronicles 24 hours in the lives of transportation workers from around the world. Join us for a screening of shorts about drivers of boats, buses, trains, motorcycles, cars and horse carts; a traveling circus performer; and a collector of a rare aphrodisiac fungus. A panel of the films’ directors will speak about their experiences collaborating to make this series possible.
Saturday, Oct 1, 5:30pm (Howard Gilman Theater)

François Le Gall and Nicolas Blies
Join the creators of the Soundhunters App—a tool that allows people to record and tag sounds via their mobile devices, sample, and remix them into their own unique musical compositions—for an in-depth look at this multifaceted, international transmedia experience.
Saturday, Oct 1, 1pm (Howard Gilman Theater)

Baptiste Planche and Tobias Weber
Is the future of feature filmmaking fully interactive, choose-your-own-adventure style storytelling? The creators of Late Shiftand CtrlMovie, the interactive film format powering the project, will explore the challenges inherent in creating audience-directed interactive films.
Sunday, Oct 2, 4:30pm (Howard Gilman Theater)

Lance Weiler and Nick Fortugno
Two years in development, Sherlock Holmes & The Internet of Things spans the globe with events in dozens of cities powered by over two thousand collaborators actively contributing to this “copyleft” experiment. Lead collaborators Weiler and Fortugno will comment on the state of the project and reflect on what their experiences tell us about the future of shared stories.
Sunday, Oct 2, 1pm (Howard Gilman Theater)


The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

The Film Society receives generous, year-round support from The New York Times, The Kobal Collection, Variety, Loews Regency Hotel, Row NYC Hotel, the National Endowment for the Arts, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of the Film Society of Lincoln Center.

Support for the New York Film Festival is also generously provided by Premium Partners Jaeger-LeCoultre, HBO®, and FilmStruck. Festival Partners are Portage World-Wide, Inc., Stella Artois, illy caffè North America, Inc., and The Village Voice. Media Partners are Deadline Hollywood, The Hollywood Reporter, WABC-7, and WNET New York Public Media. Supporting Partners are New York Public Library for the Performing Arts, Dolby, and Unifrance.

For more information about the New York Film Festival, visit filmlinc.org/NYFF. For the latest news, subscribe to the festival’s newsletter, follow the festival on Facebook and Twitter, and use the hashtag: #NYFF.

August 22, 2016

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