51 posts categorized "Filmmaking"

June 14, 2017

The Rules of Dogme 95 with Lars von Trier

May 28, 2017

2017 CANNES AWARDS

Palme d%22or

COMPETITION

Ruben Östlund

The-square-colesmithey

Palme d’Or: “The Square” (Ruben Östlund)

Special Prize: Nicole Kidman

Grand Prix: “BPM (Beats Per Minute)” (Robin Campillo)

Director: Sofia Coppola, “The Beguiled”

Actor: Joaquin Phoenix, “You Were Never Really Here”

Actress: Diane Kruger, “In the Fade”

Jury Prize: “Loveless” (Andrey Zvyagintsev)

Yorgos Lanthimos

Killingsacreddeer-colesmithey

Screenplay — TIE: “The Killing of a Sacred Deer” (Yorgos Lanthimos, Efthimis Filippou) and “You Were Never Really Here” (Lynne Ramsay)

OTHER PRIZES

Camera d’Or: “Jeune femme” (Montparnasse-Bienvenüe) (Léonor Serraille)

Short Films Palme d’Or: “Xiao Cheng Er Yue” (Qiu Yang)

Short Films Special Mention: “Katto” (Teppo Airaksinen)

Golden Eye Documentary Prize: “Faces Places” (Visages Villages) (Agnès Varda, JR)

Ecumenical Jury Prize: “Radiance” (Naomi Kawase)

UN CERTAIN REGARD

Un Certain Regard Award: “A Man of Integrity,” Mohammad Rasoulof

Best Director: Taylor Sheridan, “Wind River”

Jury Prize: Michel Franco, “April’s Daughter”

Best Performance: Jasmine Trinca, “Fortunata”

Award for Poetry of Cinema: Mathieu Amalric, “Barbara”

DIRECTORS’ FORTNIGHT

Cannes-directors-2017-main

Art Cinema Award: “The Rider” (Chloe Zhao)

Society of Dramatic Authors and Composers Prize — TIE: “Lover for a Day” (Philippe Garrel) and “Let the Sunshine In” (Claire Denis)

Europa Cinemas Label: “A Ciambra” (Jonas Carpignano)

CRITICS’ WEEK

Cannes-international-critics-week-2017

Grand Prize: “Makala” (Emmanuel Gras)

Visionary Prize: “Gabriel and the Mountain” (Fellipe Barbosa)

Society of Dramatic Authors and Composers Prize: “Ava” (Léa Mysius)

FIPRESCI

Fipresci-portfolio1

Competition: “BPM (Beats Per Minute)”

Un Certain Regard: “Closeness” (Kantemir Balagov)

Directors’ Fortnight: “The Nothing Factory” (Pedro Pinho)

May 03, 2017

Cannes Classics 2017: Program Announced

CANNES CLASSICS

The program of Cannes Classics 2017 will be dedicated for its most part to the history of the Festival.

Almost fifteen years ago, when the relationship between contemporary cinema and its own memory was about to be shaken by the emergent arrival of digital technology, the Festival de Cannes created Cannes Classics, a selection that displays the work of valorisation of heritage cinema carried out by the production companies, the right-holders, the cinematheques or the national archives around the world.

Being now an essential component of the Official Selection and a presence of the history of cinema which inspired several international festivals, Cannes Classics showcases vintage films and masterpieces of the history of cinema in restored prints. Because Cannes is also devoted with the mission of enchanting the audience of today's relationship with the memory of cinema, Cannes Classics puts the prestige of the biggest festival of the world at the service of the cinema rediscovered, accompanying all the new exhibitions: releasing in movie theaters, on VOD or on DVD/Blu-ray editions of the great works of the past.

The program of the 2017 edition of Cannes Classics consists of twenty-four screenings, one short film and five documentaries. The films are screened as wanted by the right-holders, in DCP 2K or DCP 4K, and L'Atalante by Jean Vigo that Gaumont wished to screen in 35mm.

The films selected for this 2017 edition will focus mostly on the history of Cannes. They come from nations that have allowed the Festival de Cannes to become a land of cinematographic discoveries: Hungary, Lebanon, Serbia, United Kingdom, Italy, United States, Israel, Mauritania, Niger, Poland, Switzerland, Japan, Spain, the Netherlands, Canada, Belgium and Australia. Many countries which also consider that safeguarding heritage cinema is essential.

The films will be screened in the Palais des Festivals, Salle Buñuel or Salle du Soixantième, in attendance of those who have restored them and, if they are still among us, of those who have directed them.

On the occasion of the celebration of its 70th edition, a brief history of the Festival of Cannes

From 1946 to 1992, from René Clément to Victor Erice, sixteen history-making films of the Festival de Cannes 

•1946: La Bataille du Rail (Battle of the Rails) by René Clément (1h25, France): Grand Prix International de la mise en scène and Prix du Jury International.
Presented by Ina. Film digitized and restored by Ina with the support of the CNC. 2K restoration made from an acetate interpositive and an answer print. Technical means: Jean-Pierre Peltier. Coordination: Bénilde Da Ponte, Brice Amouroux.

 •1953: Le Salaire de la peur (The Wages of Fear) by Henri-Georges Clouzot (1952, 2h33, France, Italy): Grand Prix.
Presented by TF1 Studio in collaboration with la Cinémathèque française and the support of the CNC, of the Archives audiovisuelles de Monaco, of Kodak and the CGR cinémas. 4K Restoration from nitrate image negative and a sound duplicate made by Hiventy. Please note that this presentation is the preview of a major Clouzot event scheduled in France in the fall of 2017.

•1956: Körhinta (Merry-Go-Round/Un Petit carrousel de fête) by Zoltán Fábri (1955, 1h30, Hungary): in Competition.
Presented by the Hungarian National Film Fund - Hungarian National Film Archive. A 4K Scan and Digital Restoration from the original 35mm image & sound negatives plus additional materials: the original dupe positive and another film positive. Restoration made by the Hungarian National Film Fund – Hungarian Filmlab.

•1957: Ila Ayn? (Vers l'inconnu ?) by Georges Nasser (1h30, Lebanon): in Competition.
Presented by Abbout Productions and Fondation Liban Cinema. With the generous support of Bankmed – Lebanon. The original 35mm Fine Grain Master Positive was scanned in 4k, retouched and color-corrected in a resolution of 2K. All works were carried out by Neyrac Films - France. Sound restoration by db Studios - Lebanon. In collaboration with The Talkies. World Sales: Nadi Lekol Nas. 

•1967: Skupljači Perja (I Even Met Happy Gypsies/J'ai même rencontré des Tziganes heureux) by Aleksandar Petrović (1h22, Serbia): in Competition, Grand Prix Spécial du Jury ex-æquo, Prix de la Critique Internationale - FIPRESCI ex-aequo
Presented by Jugoslovenska Kinoteka/The Yugoslav Film Archive and Malavida.
New 35mm print from the original negative in perfect shape then scanned in 2K and cleaned up.

•1967: Blow-up by Michelangelo Antonioni (1966, 1h51, United Kingdom, Italy, United States of America): Grand Prix International du Festival.
Presented by Criterion, Cineteca di Bologna and Istituto Luce - Cinecittà, in collaboration with Warner Bros and Park Circus. Restoration work carried out at Criterion, New York and L'Immagine Ritrovata, Bologna under the supervision of Director of Photography Luca Bigazzi.

•1969: Matzor (Siege/Siège) by Gilberto Tofano (1h29, Israel): in Competition.
A presentation of the Jerusalem Cinematheque – Israel Film Archive, in partnership with United King Films and the support of the Rabinovich Foundation. The original 35mm black and white negatives were scanned in 4K by Cinelab Romania. It was digitally restored and finalized in 2K by Opus Digital Lab in Tel Aviv. Restoration and color grading lead by Ido Karilla, supervised by DOP David Gurfinkel.

•1970: Soleil O (Oh, Sun) by Med Hondo (1h38, Mauritania-France): Semaine de la critique.
Presented by The Film Foundation. Restored by Cineteca di Bologna at L'Immagine Ritrovata laboratory in collaboration with Med Hondo. Restoration funded by the George Lucas Family Foundation and The Film Foundation's World Cinema Project.

•1976: Babatu, les trois conseils by Jean Rouch (1h33, Nigeria-France): in Competition.
Pressented by the CNC, Inoussa Ousseini, the Comité du film ethnographique and the Fondation Jean Rouch. Digital restoration made from the 2K digitization of the 16mm negatives. Restoration carried out by L21.

1976: Ai no korîda (In the Realm of the Senses/L’Empire des sens) de Nagisa Oshima (1h43, France-Japan): Quinzaine des Réalisateurs.
Presented by Argos Films and TAMASA. Digization and 4K resoration from the original negative by Eclair. Sound restoration from the original magnetic sound by L.E. Diapason. The film will be released in French theaters.   

•1980: All that Jazz (Que le spectacle commence) by Bob Fosse (1979, 2h03, United States of America): Palme d’or ex-æquo.
Presented by Park Circus. 4K restoration by Twentieth Century Fox and the Academy Film Archive in collaboration with The Film Foundation. The restoration was produced from the original camera negative at Sony Colorworks in Culver City California.

•1981: Człowiek z żelaza (Man of Iron/L’Homme de fer) by Andrzej Wajda (2h33, Poland): Palme d’or. 
A presentation of the ZEBRA Film Studio (Studio Filmowe ZEBRA) with the collaboration of the Polish Film Institute. 2K film restoration from original colour 35 mm negative. Restored sound from original magnetic tape. Restoration lead by Daniel Pietrzyk, colour grading lead by Aleksandra Kraus, at Yakumama Film, Warsaw. Sound restoration lead by Tomasz Dukszta.
Artistic supervision by: Andrzej Wajda (director), Jerzy Łukaszewicz (DOP), Piotr Zawadzki (sound).

•1982: Yol – The Full Version (The Way/La Permission) by Yilmaz Güney, directed by Serif Gören (1h53, Switzerland): Palme d'or ex-æquo, Prix de la Critique Internationale - FIPRESCI
Presented by DFK FILMS LTD. Zürich. Restoration from the original 35mm negative, from the interpositive and the positive print. Restoration and new sound mix from the original digitized tapes. International Sales: The Match Factory.

•1983: Narayama Bushikō (Ballad of Narayama/La Ballade de Narayama) by Shôhei Imamura (2h13, Japan): Palme d’or.
Presented by Toei. 4K Scan, image restoration ARRISCAN and sound Golden Eye in 2K from the 35mm original negative, a duplicate and video tapes.

•1992: El sol del membrillo (Le Songe de la lumière) by Victor Erice (2h20, Spain): Prix du Jury ex-æquo, Prix de la Critique Internationale - FIPRESCI
Presented by the Filmoteca de Catalunya and Camm Cinco SL. 6K scan, restoration and color-grading from the 35mm negatives and other original video tapes. Digitazing and sound restoration from 35mm magnetic tapes. Technical support made by the Filmoteca de Catalunya, supervised by Victor Erice. Variations on the initial editing brought by the director.

•1951-1999: A short history of short films presented by the Festival de Cannes. A program curated by Christian Jeune and Jacques Kermabon.
Spiegel van Holland (Miroirs de Hollande) by Bert Haanstra (1951, 10mn, The Netherlands) / La Seine a rencontré Paris by Joris Ivens (1958, 32mn, France) / Pas de deux by Norman McLaren (1968, 13mn, Canada) / Harpya by Raoul Servais (1979, 9mn, Belgium) / Peel by Jane Campion (1986, 9mn, Australia) / L’Interview by Xavier Giannoli (1998, 15mn, France) / When the Day Breaks by Amanda Forbis and Wendy Tilby (1999, 10mn, Canada)

Other events, other restored prints, other guests

Madame de… by Max Ophüls (1953, 1h45, France)
A Gaumont restoration. A show to pay a tribute to Danielle Darrieux for her birthday and presented by Dominique Besnehard, Pierre Murat and Henri-Jean Servat who will screen the latest filmed interview of Danielle Darrieux.

• L’Atalante by Jean Vigo (1934, 1h28, France), restored 35mm print
Presented by Gaumont, la Cinémathèque française and The Film Foundation of Martin Scorsese. First digital restoration in 4k and conversion to a 35mm print. A new discovery of the closest version of the director’s work thanks to Gaumont, Luce Vigo and historian Bernard Eisenschitz. Restoration carried out at L’Image Retrouvée laboratory in Bologna and Paris.

• Native Son (Sang noir) by Pierre Chenal (1951, 1h47, Argentina)
A presentation by Argentina Sono Film. Restoration with the collaboration of the Library of Congress.

• Paparazzi by Jacques Rozier (1963, 18mn, France)
Presented by Jacques Rozier and la Cinémathèque française. 4K Digitization and 2K restoration works made from image and sound negatives at Hiventy laboratory, with the support of the CNC and in collaboration with Les Archives Audiovisuelles de Monaco, la Cinémathèque Suisse and Extérieur nuit.
The film will be introduced by Jacques Rozier.

• Belle de jour (Beauty of the Day) by Luis Buñuel (1967, 1h40, France)
Presented by STUDIOCANAL. Digitization from the original negative and 4K restoration carried out by Hiventy laboratory for STUDIOCANAL with the support of the CNC, of la Cinémathèque française, of the Fonds Culturel Franco-Américain and the Maison YVES SAINT LAURENT. French theater distribution: Carlotta. 

• A River Runs Through it (Et au milieu coule une rivière) by Robert Redford (1992, 2h04, United States of America)
Presented by Pathé. 4K Scan and 4K restoration from original image and sound 35mm negatives. Restoration carried out by Pathé at Technicolor France laboratory for the image in collaboration with Philippe Rousselot, cinematographer of the film, and L.E. Diapason for the sound restoration.

Lucía by Humberto Solas (1968, 2h40, Cuba)
A presentation of the Film Foundation. Restored by Cineteca di Bologna at L’Immagine Ritrovata laboratory in association with Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). Restoration funded by Turner Classic Movies and The Film Foundation’s World Cinema Project.

Documentaries about Cinema

The history of cinema by cinema itself, a presentation of five documentaries

• La belge histoire du festival de Cannes (The Belgian's Road to Cannes) by Henri de Gerlache (2017, 1h02, Belgium)
Presented by Alizé Production. Produced by Alizé Production, co-produced by RTBF (Belgian television) & Proximus.
A joyful road movie to discover the Belgian cinema which has been at Cannes for 70 years. The filmmakers of yesterday are talking with those of today to paint a picture of a free and heterogeneous cinema. A "Belgian story" of the biggest festival in the world.

• David Stratton - A Cinematic Life by Sally Aitken (2017, 1h37, Australia)
Presented by Stranger Than Fiction Films. Produced by Stranger Than Fiction Films, with Screen Australia, ABC TV Arts, Screen NSW and Adelaide Film Festival.
An love adventure of film critic David Stratton with his adopted country, Australia, which led him to understand himself. It is also the glorious history of Australian cinema and its creators told by this Cannes-regular film-lover interested in the world.

• Filmworker by Tony Zierra (2017, 1h29, United States of America)
Presented and produced by True Studio Cinema.
Young actor Leon Vitali abandoned his prosperous career after Barry Lyndon to become the faithful right hand of director Stanley Kubrick. For more than two decades, Leon has played a crucial role behind the scenes by helping Kubrick. A complex and interdependent relationship between Leon and Kubrick based on devotion, sacrifice and the harsh and joyful reality of creative process.

• Becoming Cary Grant (Cary Grant - de l'autre côté du miroir) by Mark Kidel (2017, 1h25, France)
Presented by ARTE France and Showtime Documentary Films. Produced by YUZU Productions, coproduced by ARTE France, in association with ro*co films productions.
Cary Grant is one of the biggest Hollywood actors. In his fifties, he started a cure of  LSD to free himself from his demons. For the first time, with his words, he retraces his journey. The story of a man in search of himself and the love he did not find in his life. The words of Cary Grant are interpreted by Jonathan Pryce.

• Jean Douchet, l'enfant agité by Fabien Hagège, Guillaume Namur, Vincent Haasser (2017, 1h30, France)
Presented and produced by Carlotta and Kidam.
Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of the Cahiers du Cinéma and this Art of loving to which he has devoted his existence.

April 29, 2017

COLE AT THE WARHOL

Cole at the Warhol

During my recent visit to Pittsburgh, we visited The Andy Warhol Museum. What fun! If you're ever in Pittsburgh, be sure to walk across the river. I should mention that the Renaissance Pittsburgh Hotel is a great place to stay; you've got a clear view of Pirates baseball games! 

April 17, 2017

APRIL ON THE CRITERION CHANNEL ON FILMSTRUCK... CONTINUES!

       
 
Includes Adventures in Moviegoing with Michael Cera, 
AntichristTatsuya Nakadai on his films, and Split Screen!
 
Just added to the calendar:
Friday Night Double Feature: The Trip and The Trip to Italy
 
 
Monday, April 17
Tatsuya Nakadai on Five Japanese Masters
Japanese icon Tatsuya Nakadai stopped by Criterion to discuss his storied career, sharing some of the lessons he learned from working with luminaries Akira Kurosawa, Mikio Naruse, Masaki Kobayashi, Kihachi Okamoto, and Hiroshi Teshigahara. Alongside the interview, we present a genre-hopping selection of films that feature his most pivotal roles: Kurosawa's Seven Samurai (1954), Yojimbo(1961), and Sanjuro (1962), Kobayashi's Black River (1956), The Human Condition(1959), and Harakiri (1962), Okamoto's The Sword of Doom (1966), and Naruse's When a Woman Ascends the Stairs (1960).

Tuesday, April 18
Tuesday's Short + Feature: Pay Day and A Taxing Woman
On the heels of Tax Day, this week's Short + Feature pairs two playful films that follow the money: Charlie Chaplin's 1922 Pay Day, a silent short about the wage-related bickering of a bricklayer and his wife, and Juzo Itami's 1987 A Taxing Woman, a tax-collector comedy that the Tampopo director was inspired to make after joining a higher tax bracket himself.
 
Wednesday, April 19
Antichrist*: Criterion Collection Edition #542
Take in Lars von Trier's Antichrist in all its controversial glory, as the graphic psychodrama arrives on the Channel with the complete supplements from the edition, including several behind-the-scenes videos and a documentary on the film's now-legendary premiere at Cannes.
*Premiering on the Channel this month. 
 
Thursday, April 20
Cinéastes de notre temps: Jean Vigo
As part of our ongoing presentation of episodes from Cinéastes de notre temps(1964-72), a French television series that profiled filmmakers from around the world, we're spotlighting one of the show's first installments. In this 1964 documentary, French New Wave director Jacques Rozier chronicles the life of one of cinema's great enfants terribles, Jean Vigo, who died of tuberculosis at the age of twenty-nine after making just a handful of films, including the redoubtable masterpiece L'Atalante(1934). Compiling interviews with a variety of friends and collaborators of Vigo's, this program attests to the rebellious and poetic spirit the director brought to his work.
 
Friday, April 21
Friday Night Double Feature: Red Desert and The Last Wave
Environmental threats hang over these two atmospheric mood pieces, featured on the Channel just in time for Earth Day. Antonioni's first color film evokes the creeping malaise that comes with industrialization, while the apocalypse itself looms nigh in Peter Weir's beguiling mystery, a dreamlike investigation of the fissures between colonial and aboriginal Australia.

Monday, April 24
Adventures in Moviegoing with Michael Cera
In the latest installment of our Adventures in Moviegoing series, the star of Juno, Superbad, and Scott Pilgrim vs. the World stops by our office to tell us how he became a cinephile and to share some of his favorite films, including Rainer Werner Fassbinder's Fox and His Friends (1975) and Nagisa Oshima's Empire of Passion(1978). Past contributors to the series include Bill Hader, Jonathan Lethem, Mary Karr, and Roger Corman.

Tuesday, April 25
Tuesday's Short + Feature: J. M. Mondésir* and Rashomon
It's all about point of view in this week's Short + Feature, which pairs Akira Kurosawa's 1950 psychological thriller Rashomon with the 2012 French short J. M. Mondésir, about a man who dies after an encounter with the police. Taking a cue from Kurosawa's hallowed classic, writer-director Alice Colomer-Kang examines the elusive nature of truth and interpretation by telling her story from multiple perspectives.
*Premiering on the Channel this month. 

Wednesday, April 26
The Tree of Wooden Clogs*: Criterion Collection Edition #854
Director Ermanno Olmi (Il posto) evokes the rhythms of a bygone way of life in this 1978 Palme d'Or winner, tracing the lives and labors of northern Italian peasants through the seasons. This newly restored masterpiece makes its debut on the Channel complete with all of the special features that appear on its recently released disc edition, including a television program that pays a visit to the farm where the film was shot and an introduction by Mike Leigh, whose own films reflect the naturalistic rigor of Olmi's craft.
*Premiering on the Channel this month. 

Thursday, April 27
Observations on Film Art No. 6: Camera Movement in Three Colors: Red
In our ongoing, Channel-exclusive series Observations on Film Art, film scholars David Bordwell, Kristin Thompson, and Jeff Smith explore the nuts and bolts of cinematic style through individual works by great auteurs. In the latest episode, Smith walks us through the eerie metaphysics of Three Colors: Red, demonstrating how director Krzysztof Kieślowski uses camera movements to establish mysterious connections between two characters who are largely unaware of each other. Previous entries in this series have examined topics like Sanshiro Sugata's lightning-fast editing and Abbas Kiarostami's evocative use of landscape.

Friday, April 28
Friday Night Double Feature: The Trip* and The Trip to Italy*
"Gentlemen to bed, for we rise at 9:30-ish!" Now on the Criterion Channel, the first two hysterically funny entries in Steve Coogan and Rob Brydon's epicurean travel series. With wine, food, and celebrity impersonations galore, the UK's sharpest comedy duo make their way through England and Italy. Soon they'll hit the road again in The Trip to Spain, premiering at the Tribeca Film Festival.
*Premiering on the Channel this month. 
The Triplimited engagement, ends October 27.
The Trip to Italy: limited engagement, ends October 27.
 
Saturday, April 29
Split Screen Season Four
Your wild ride through the indie film world-by filmmakers, for everyone. From 1997 to 2001, producer and author John Pierson and his band of cinephiles roved the U.S., seeking pockets of movie madness for this irreverent, sixty-episode IFC series. The result is an indispensible portrait of the American independent film scene at the turn of the millennium. Seasons one through three are already on the Channel, and this month, we debut season four!

April 13, 2017

2017 CANNES FILM FESTIVAL LINEUP

CANNES 70

For its 70th festival, Cannes breaks with its well-guarded tradition of opening the festival with a Hollywood movie. Festival regular Arnaud Desplechin takes that significant honor with “Ismael’s Ghosts,” about a filmmaker (played by Mathieu Amalric) whose life is upended when a lover from his past shows up as he’s about to start shooting his latest picture. Marion Cotillard, Charlotte Gainsbourg, and Louis Garrel also star.

Cannes16

Hollywood's absence at Cannes extends across the films in competition for the Palme d'Or, and across the entire festival. Hollywood has clearly lost its place on the premiere stage for Global Cinema. — R.I.P. Hollywood. Superhero Movies Killed The Motion Picture Star.

Cannes3

Conventional wisdom has it that Cannes traditionally skips a year as regards the quality of films shown every year. It is yet to be decided if this year’s selection will pale in comparison to last year’s imperfect lineup. Palme d'Or Competition films by Michael Haneke, Hong Sangsoo, François Ozon, Naomi Kawase, Todd Haynes, and Lynne Ramsay promise to give critics and jury judges some high-quality films to choose between.

French New Wave veteran Agnès Varda’s “Visages, Villages” is sure to be a hot ticket at a determinedly French festival that never forgets its own. Oh Cannes, how we adore you! 

CANNES 70 OFFICIAL SELECTION

OPENER

Ismael's ghosts

“Ismael’s Ghosts” (Arnaud Desplechin)

Canne25

COMPETITION

“120 Beats per Minute” (Robin Campillo)

“The Beguiled” (Sofia Coppola)

“The Day After” (Hong Sangsoo)

“A Gentle Creature” (Sergei Loznitsa)

“Good Time” (Benny Safdie & Josh Safdie) 

“Happy End” (Michael Haneke)

“In the Fade” (Fatih Akin)

“Jupiter’s Moon” (Kornél Mundruczó)

Killing of a Sacred Deer

“The Killing of a Sacred Deer” (Yorgos Lanthimos)

Lamant-double

“L’amant double” (François Ozon)

“Le redoubtable” (Michel Hazanvicius)

“Loveless” (Andrey Zvyagintsev)

“The Meyerowitz Stories” (Noah Baumbach)

“Okja” (Bong Joon-Ho)

“Radiance” (Naomi Kawase)

“Rodin” (Jacques Doillon)

“Wonderstruck” (Todd Haynes)

“You Were Never Really Here” (Lynne Ramsay) 

Cannes5

UN CERTAIN REGARD

“After the War” (Annarita Zambrano)

“April’s Daughter” (Michel Franco)

OPENER — “Barbara” (Mathieu Amalric)

“Beauty and the Dogs” (Kaouther Ben Hania)

“Before We Vanish” (Kiyoshi Kurosawa)

“Closeness” (Kantemir Balagov)

“The Desert Bride” (Cecilia Atan & Valeria Pivato)

“Directions” (Stephan Komandarev)

“Dregs” (Mohammad Rasoulof)

“Jeune femme” (Léonor Serraille)

“L’Atelier” (Laurent Cantet)

“Lucky” (Sergio Castellitto)

“The Nature of Time” (Karim Moussaoui)

“Out” (Gyorgy Kristof)

“Western” (Valeska Grisebach)

“Wind River” (Taylor Sheridan) 

Cannes4

OUT OF COMPETITION

BladeOfTheImmortal

“Blade of the Immortal” (Takashi Miike)

“How to Talk to Girls at Parties” (John Cameron Mitchell)

“Visages, Villages” (Agnès Varda & JR) 

Cannes20

MIDNIGHT SCREEENINGS

“Prayer Before Dawn” (Jean-Stéphane Sauvaire)

“The Merciless” (Byun Sung-Hyun)

“The Villainess” (Jung Byung-Gil)

Cannes10

SPECIAL SCREEENINGS

“12 Jours” (Raymond Depardon)

“An Inconvenient Sequel” (Bonni Cohen & Jon Shenk)

“Claire’s Camera” (Hong Sangsoo)

“Demons in Paradise” (Jude Ratman)

“Napalm” (Claude Lanzmann)

“Promised Land” (Eugene Jarecki)

Sea Sorrow

“Sea Sorrow” (Vanessa Redgrave)

“They” (Anahita Ghazvinizadeh)

70TH ANNIVERSARY EVENTS

“24 Frames” (Abbas Kiarostami)

“Come Swim” (Kristen Stewart)

“Top of the Lake” (Jane Campion)

“Twin Peaks” (David Lynch)

VIRTUAL REALITY

“Carne y arena” (Alejandro G. Iñárritu)

Carne y arena

November 05, 2016

FILMSTRUCK STREAMING WITH COLE SMITHEY DEBUTS ON FORBES NOV. 10, 2016

FILMSTRUCK STREAMING

FilmStruck is a brand new streaming service collaboration between Turner Classic Movies, The Criterion Collection, and Kino Lorber. FilmStruck represents the first time in history that such a broad spectrum of classic films has been so readily available for film-lovers to consume.

On Thursday, November 10, 2016 FILMSTRUCK STREAMING WITH COLE SMITHEY will premiere on Forbes. The new program joins Cole Smithey's existing Forbes [weekly] video series NETFLIX NOW!. The FilmStruck and Netflix programs will switch off each week.

I can't believe FilmStruck is here. What a great streaming service. Film-lovers go straight to heaven.  

October 02, 2016

JACK REACHER: NEVER GO BACK — TRAILER

Releasing on October 21, 2016, Tom Cruise's second outing as Jack Reacher (a character who would have been more appropriately cast with Michael Shannon) is Hollywood bread-and-butter. With 2016 serving as yet another diminishing year for quality films from H'Wood, "JACK REACHER: NEVER GO BACK" should be good enough for a revisit to the Jack Reacher (Tom Cruise) franchise.

September 20, 2016

NEW BEVERLY SHOCKTOBER 2016 SCHEDULE

NEW BEVERLY SHOCKTOBER 2016

If you're planning a trip to L.A., or if you already live there, get thee to the coolest arthouse cinema in the country. Drop me a line if you do. I'll be so jealous. 

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