13 posts categorized "FilmStruck"

April 30, 2018

MAY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
MAY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!
 
Includes Richard Linklater's Slacker
the cinema of Kelly Reichardt, and nine films from Cannes '68!
 
Tuesday, May 1
From the Archives: High Noon*

Gary Cooper stars in this real-time western as a sheriff looking forward to retirement and marriage whose plans are upended by the news that a gang of outlaws are on their way to gun him down. Though his Quaker bride (Grace Kelly, in her first major film role) wants him to flee and the townspeople refuse to help him, his sense of duty compels him to stand his ground until the fateful hour. Shot through with political resonance-the screenplay was written by Carl Foreman, a victim of the Hollywood blacklist-High Noon reimagined the most quintessentially American genre as a moral testing ground for the individual conscience. This edition features an early Criterion commentary, never before released on Blu-ray or DVD, by professor Howard Suber.
*Premiering on the Channel this month.
 
Tuesday, May 1
Tuesday's Short + Feature: Skunk* and Fish Tank

Annie Silverstein and Andrea Arnold both earned attention at the Cannes Film Festival for these coming-of-age stories about adolescent girls growing up in tough economic circumstances and learning to confront the sexual power wielded by men. Silverstein's short film, winner of the Cinéfondation Award in 2014, is an intimate portrait of Leila, a fourteen-year-old girl who is intimidated by the advances of a dogfighting boy. Fish Tank, winner of the Cannes Jury Prize in 2009, follows the fifteen-year-old Mia (Katie Jarvis), an aspiring dancer whose burgeoning sexuality commands the attention of her mother's new boyfriend (Michael Fassbender).
*Premiering on the Channel this month.
Tuesday, May 1
Adventures in Moviegoing with Barry Jenkins: Uptight*

As a guest curator on the Channel-exclusive series Adventures in Moviegoing, Barry Jenkins highlights one of the most radical American films of the 1960s, a ripped-from-the-headlines remake of John Ford's The Informer set in Cleveland in the immediate aftermath of Martin Luther King Jr.'s assassination. When Tank Williams (Julian Mayfield), an unemployed black steelworker, backs out of a plan to steal guns and turns his militant friend into the police, he finds himself running for his life, pursued by a group of vengeful revolutionaries. The first film that director Jules Dassin made in the U.S. after two decades of blacklisting and exile, this uncompromising vision was also a labor of love for cowriter, costar, and coproducer Ruby Dee, whom Jenkins discusses as the film's auteur in a new introduction.
*Premiering on the Channel this month.
Wednesday, May 2
Slacker: Edition #247

This breakthrough film from director Richard Linklater presents a day in the life of a loose-knit Austin, Texas, subculture populated by eccentric and overeducated young people. Shooting on 16 mm for a mere $3,000, writer-producer-director Linklater and his crew of friends threw out any idea of a traditional plot, choosing instead to create a tapestry of over a hundred characters, each as compelling as the last. Slacker is a prescient look at an emerging generation of aggressive nonparticipants, and one of the key films of the American independent film movement of the 1990s. SUPPLEMENTAL FEATURES: three audio commentaries, featuring Linklater and members of the cast and crew; It's Impossible to Learn to Plow by Reading Books (1988), Linklater's first full-length feature, with commentary by the director; Woodshock, a 1985 16 mm short by Linklater and director of photography Lee Daniel; casting tapes featuring select "auditions" from the more-than-100-member cast; home movies; and more.
Friday, May 4
Friday Night Double Feature: Spark of Being and The Spirit of the Beehive
It's alive! In this week's double feature, two filmmakers keenly attuned to the eerie textures of the past reanimate the tale of Frankenstein. Bill Morrison's Spark of Being is an oblique retelling of Mary Shelley's Gothic novel using material found in film archives. Scored by trumpeter Dave Douglas, Morrison's film mimics the monster's resurrection by stitching together and breathing life into decaying fragments. Then, Víctor Erice's haunting period piece centers on a six-year-old bewitched by James Whale's Frankenstein (1931), who searches for signs of the monster's existence in the silence that blankets the Spanish village where she lives. 
 
Tuesday, May 8
Tuesday's Short + Feature: The Black Case* and Day of Wrath
These harrowing black-and-white thrillers explore the strictest codes of Christianity and the brutality of intolerance. Caroline Monnet and Daniel Watchorn's hallucinatory short takes place in the infirmary of a school for Native American children in Canada, where a young girl watches in terror as a menacing doctor and nurse attend to her and her infant cousin. Made under the Nazi occupation of Denmark, Carl Theodor Dreyer's Day of Wrath takes place in a seventeenth-century village consumed by fear of witchcraft, where a young woman falls in love with her stepson, setting off a chain of disastrous consequences.
*Premiering on the Channel this month.
 
Wednesday, May 9
The Color of Pomegranates: Edition #918
A breathtaking fusion of poetry, ethnography, and cinema, Sergei Parajanov's masterwork overflows with unforgettable images and sounds. In a series of tableaux that blend the tactile with the abstract, The Color of Pomegranates revives the splendors of Armenian culture through the story of the eighteenth-century troubadour Sayat-Nova, charting his intellectual, artistic, and spiritual growth through iconographic compositions rather than traditional narrative. The film's tapestry of folklore and metaphor departed from the realism that dominated the Soviet cinema of its era, leading authorities to block its distribution, with rare underground screenings presenting it in a restructured form. This edition features the cut closest to Parajanov's original vision, in a restoration that brings new life to one of cinema's most enigmatic meditations on art and beauty. SUPPLEMENTAL FEATURES: an audio commentary featuring critic, filmmaker, and festival programmer Tony Rayns; a rarely seen 1969 documentary by Mikhail Vartanov featuring footage of director Sergei Parajanov at work; a video essay on the film's symbols and references, featuring scholar James Steffen; and more.
Thursday, May 10
Cannes '68: Cinema in Revolt

As the film world heads to the Croisette, we're commemorating the fiftieth anniversary of the Cannes that fell apart. The 1968 edition of the festival opened, amid widespread civil unrest, with a restoration of Victor Fleming's Gone with the Wind, but it wasn't long before filmmakers began pulling their movies from the schedule, in solidarity with the workers and students protesting across France. To mark the fiftieth anniversary of this abruptly canceled Cannes, we've gathered select titles from the year's official lineup, alongside a scene-setting introduction by film historian Dudley Andrew. Decide for yourself which film should have won the never-presented Palme d'Or: Richard Lester's Petulia*, Alain Resnais's Je t'aime, je t'aime*, Carlos Saura's Peppermint Frappé, Jan Němec's A Report on the Party and the Guests, Kaneto Shindo's Kuroneko, Miklós Jancsó's The Red and the White*, Valerio Zurlini's Black Jesus*, or the lately departed Milos Forman's The Firemen's Ball. Also included in our series is Federico Fellini's Toby Dammit, which was set to screen that year out of competition.
*Premiering on the Channel this month
Friday, May 11
Friday Night Double Feature: Dogville and Baal*

The iconoclastic playwright Bertolt Brecht finds cinematic expression in these two auteurist works. Danish enfant terrible Lars von Trier shot the Nicole Kidman-starring Dogville (2003), a tale of hypocrisy in small-town USA inspired by Brecht and Kurt Weill's The Threepenny Opera, on a soundstage with a bare minimum of props and sets, achieving through his stripped-down staging the kind of "alienation effect" Brecht originated onstage. With Baal (1970), an unruly adaptation of Brecht's first full-length work, Volker Schlöndorff cast fellow New German Cinema icon Rainer Werner Fassbinder in the role of a womanizing, schnapps-soaked poet who rebels against the society that has cast him out.
Monday, May 14
Adventures in Moviegoing with Megan Abbott: Sunset Boulevard
Acclaimed novelist Megan Abbott, who made her screenwriting debut last year on David Simon's hit HBO drama The Deuce, recently sat down with film critic Michael Sragow to recount some of her most formative moviegoing experiences. Among the films she fell in love with during family trips to the revival house in her hometown of Grosse Pointe, Michigan, was Billy Wilder's Sunset Boulevard. This month, we're presenting the immortal classic on the Channel alongside Abbott's personal introduction to the film, in which she positions Gloria Swanson's fading silent star as the moral center of the movie, and talks about how William Holden's unsuccessful screenwriter became a model for the antihero of one of her own best crime novels, 2007's The Song Is You.
 
Tuesday, May 15
Tuesday's Short + Feature: The Burden* and 42nd Street

Hard work takes center stage in these two beguiling musicals. In Niki Lindroth von Bahr's award-winning short The Burden (2017), a deadpan stop-motion fantasy, song and dance provide a much-needed release for the animals working soul-crushing jobs at a roadside mall. Lloyd Bacon's 1933 backstage classic 42nd Street, featuring dazzling choreography by Busby Berkeley (whose influence can be seen in The Burden), revolves around the frenzied production of a fictional Broadway show that gives its beleaguered director (Warner Baxter) a final shot at success and catapults an understudy (Ruby Keeler) to stardom.
*Premiering on the Channel this month

Wednesday, May 16
Branded to Kill: Edition #38

When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired. Branded to Kill tells the ecstatically bent story of a yakuza assassin with a fetish for sniffing steamed rice (the chipmunk-cheeked superstar Joe Shishido) who botches a job and ends up a target himself. This is Suzuki at his most extreme-the flabbergasting pinnacle of his sixties pop-art aesthetic. SUPPLEMENTAL FEATURES: interviews with director Seijun Suzuki, assistant director Masami Kuzuu, and actor Joe Shishido.
Friday, May 18
Friday Night Double Feature: A Face in the Crowd and Network
These two mass-media satires, both made decades ago, are eerily tuned in to the current political moment. Elia Kazan's A Face in the Crowd (1957) charts the unlikely rise of Larry "Lonesome" Rhodes (Andy Griffith), a drifter who gets "discovered" in the local drunk tank and eventually winds up a TV star and political kingmaker. In Sidney Lumet's equally biting Network (1976)-for which screenwriter Paddy Chayefsky and actors Faye Dunaway, Peter Finch, and Beatrice Straight all won Oscars-a flailing news network gets a ratings boost when a veteran anchorman (Finch) threatens to kill himself on air, and the head of programming (Dunaway) decides to steer the station in a more sensational direction.
Tuesday, May 22
Tuesday's Short + Feature: Limbo* and Lord of the Flies
Youth runs wild in these island-bound parables. In award-winning Greek filmmaker Konstantina Kotzamani's arresting 2016 short Limbo, a group of children discover a whale carcass that has been washed ashore. With the 1963 Lord of the Flies, experimental theater director Peter Brook takes an innovative, documentary-like approach to William Golding's tale of lost boys stranded on an uninhabited island.
*Premiering on the Channel this month
 
Wednesday, May 23
Insomnia: Edition #47

In this elegantly unsettling murder mystery, Stellan Skarsgård plays an enigmatic Swedish detective with a checkered past who arrives in a small town in northern Norway to investigate the death of a teenage girl. As he digs deeper into the facts surrounding the heinous killing, his own demons and the tyrannical midnight sun begin to take a toll. The success of Erik Skjoldbjærg's chilling procedural anticipated the international hunger for Scandinavian noirs and serial- killer fictions, and the film features one of Skarsgård's greatest performances. SUPPLEMENTAL FEATURES: a conversation between director Erik Skjoldbjærg and actor Stellan Skarsgård, and two short films by Skjoldbjærg: Near Winter (1993) and Close to Home (1994).
 
Thursday, May 24
Observations on Film Art No. 19: Color Motifs in Black Narcissus
In one of the defining partnerships in British cinema, Michael Powell and Emeric Pressburger made a string of masterpieces that took Technicolor to sublime heights. For this month's episode of Observations on Film Art, a Channel-exclusive series that delivers ten minutes of film school a month, scholar Kristin Thompson explores the lush palette of their 1947 Black Narcissus. Set in a convent run by Anglican nuns in the Himalayas, this captivating drama depicts the isolation and extreme weather of the landscape, which combines with interpersonal tensions to drive these pious heroines mad. Thompson's episode focuses on how the Oscar-winning work of production designer Alfred Junge and cinematographer Jack Cardiff creates an otherworldly atmosphere that affects the psychological arc of the characters.
Friday, May 25
Friday Night Double Feature: Sisters and What Ever Happened to Baby Jane?

Sibling bonds turn sour in this diabolical double bill. De Palma's first foray into horror voyeurism, Sisters follows the twisted relationship that forms between a fashion model, her former conjoined twin, and a hotshot reporter who suspects the latter of murder. Taking its cues from Hitchcock, De Palma's scary and stylish paean to female destructiveness features a spine-tingling score from the great Bernard Herrmann. Robert Aldrich's 1962 What Ever Happened to Baby Jane? is a dark and devilishly comedic showcase for two of Hollywood's most notorious enemies, Joan Crawford and Bette Davis, who play a sadistic, washed-up actor and her embittered, wheelchair-bound sister.
 
Monday, May 28
Kelly Reichardt Masterclass

In her exquisitely subtle character studies, American filmmaker Kelly Reichardt is attuned to both the grandeur of sprawling landscapes and the rich complexities of human relationships. For this episode of Masterclass, we go to the American Cinematheque in Los Angeles for the tenth-anniversary celebration of cutting-edge indie distributor Oscilloscope Laboratories, where the writer-director sat down for a conversation with film critic April Wolfe. Watch the talk alongside some time with Reichardt's celebrated films: River of Grass*, Old Joy*, Wendy and Lucy, and Meek's Cutoff*.
*Premiering on the Channel this month
 
Tuesday, May 29
Tuesday's Short + Feature: The Alphabet and Altered States

Two of cinema's great provocateurs push at the limits of consciousness in these mind-benders. Combining animation and live action, David Lynch's nightmarish 1968 experimental short dives into a sick woman's nightmare involving an endless recitation of the alphabet. An early precursor to the auteur's idiosyncratic style, the film won him a grant from the American Film Institute, which allowed him to begin fully pursuing his career as a director. Hailed by Roger Ebert as "a clever and brilliant machine for making us feel awe, fear, and humor," the 1980 film Altered States showcases Ken Russell's flair for excess, which he brings to the story of an abnormal psychologist (William Hurt, in his debut role) experimenting with sensory deprivation and hallucinatory drugs.
 
Wednesday, May 30
Badlands: Edition #651

Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance, lovingly and idiosyncratically enacted by Martin Sheen and Sissy Spacek. The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voice-over, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares. This debut has spawned countless imitations, but none have equaled its strange sublimity. SUPPLEMENTAL FEATURES: a 2012 documentary featuring actors Martin Sheen and Sissy Spacek and art director Jack Fisk; interviews from 2012 with associate editor Billy Weber and executive producer Edward Pressman; and more.
 
Complete list of films premiering on the Criterion Channel this month:
 
May 1
High Noon, Fred Zinnemann, 1952
Uptight, Jules Dassin, 1968
Skunk, Annie Silverstein, 2014
 
May 8
The Black Case, Caroline Monnet and Daniel Watchorn, 2014
 
May 10
Petulia, Richard Lester, 1968
Je t'aime, je t'aime, Alain Resnais, 1968
The Red and the White, Miklós Jancsó, 1967
Black Jesus, Valerio Zurlini, 1968
Toby Dammit, Federico Fellini, 1968
 
May 11
Baal, Volker Schlöndorff, 1970
 
May 15
The Burden, Niki Lindroth von Bahr, 2017
 
May 22
Limbo, Konstantina Kotzamani, 2016
 
May 28
River of Grass, Kelly Reichardt, 1994
Old Joy, Kelly Reichardt, 2006
Wendy and Lucy, Kelly Reichardt, 2008
Meek's Cutoff, Kelly Reichardt, 2010
 
ABOUT THE CRITERION CHANNEL ON FILMSTRUCK
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. It is presented as part of FilmStruck, a subscription streaming service that is the exclusive home of the Warner Bros. classic film library and the Criterion Collection. FilmStruck was developed by Turner Classic Movies (TCM) and is managed by TCM in partnership with Warner Bros. and the Criterion Collection.

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March 28, 2018

APRIL PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
APRIL PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!
 
Includes Nicholas Ray's In A Lonely Place
Adventures in Moviegoing with Adam Gopnik, and five color films by Ozu!
 
Sunday, April 1
Adventures in Moviegoing with Megan AbbottIn a Lonely Place*

Cinema has been an important part of Megan Abbott's life since her days growing up in Grosse Pointe, Michigan, when her family would make trips to the local revival house. In her episode of Adventures in Moviegoing, the award-winning novelist spoke with programmer Michael Sragow about films she loves, including ones that have influenced her approach to crime fiction. This month, we're adding one of her all-time favorites to her personally curated series: Nicholas Ray's emotionally charged adaptation of the Dorothy B. Hughes thriller In a Lonely Place. A brilliant, turbulent mix of suspenseful noir and devastating melodrama, fueled by powerhouse performances from Humphrey Bogart and Gloria Grahame, the film follows a gifted but washed-up screenwriter who becomes the prime suspect in a Tinseltown murder. Watch it on the Channel with a new introduction by Abbott.
*Premiering on the Channel this month.
 
Tuesday, April 3
Tuesday's Short + Feature: Monkey Love Experiments* and Koko: A Talking Gorilla

Two different takes on the complex relationship between humans and primates. Combining stop-motion animation, live-action, and CG, Will Anderson and Ainslie Henderson's BAFTA-nominated 2014 short Monkey Love Experiments tells the story of a misguided monkey who believes he's destined for the moon. In Koko: A Talking Gorilla, acclaimed director Barbet Schroeder and cinematographer Nestor Almendros create an intimate documentary portrait of the world-famous title subject, exploring the ethical concerns surrounding a controversial experiment that sought to teach her human communication through American Sign Language.
*Premiering on the Channel this month.

Wednesday, April 4
Metropolitan*: Edition #326
 
One of the great American independent films of the 1990s, the surprise hit Metropolitan, by writer-director Whit Stillman, is a sparkling comedic chronicle of a young man's romantic misadventures while trying to fit in to New York City's debutante society. Stillman's deft, literate dialogue and hilariously highbrow observations earned this first film an Academy Award nomination for best original screenplay. Beneath the wit and sophistication, though, lies a tender tale of adolescent anxiety. SUPPLEMENTAL FEATURES: an audio commentary by Stillman, editor Christopher Tellefsen, and actors Chris Eigeman and Taylor Nichols; and rare outtakes and alternate casting, with commentary by Stillman.
 
Thursday, April 5
Art-House America: Gold Town Nickelodeon, Juneau, Alaska
Local Hero, Bill Forsyth, 1983
 
Last year, the Channel-exclusive series Art-House America took a trip to Juneau, Alaska, where intrepid programmer Colette Costa runs a downtown movie theater catering to year-round locals in the country's cruise-ship capital. Alongside our documentary portrait of this bustling venue, Costa has been programming an ongoing selection of films that capture "what it feels like to live in Alaska." The latest addition to the series is Bill Forsyth's 1983 Local Hero, presented in a limited engagement. Mixing wry comedy and unexpected pathos, and featuring music by Mark Knopfler, this stirring ode to Forsyth's native Scotland follows a Texas oil executive (Peter Riegert) whose life is changed when his boss (Burt Lancaster) sends him to a Scottish village to buy up land for a new refinery.
Friday, April 6
Friday Night Double Feature: Night Moves and My Night at Maud's
 
"I saw a Rohmer film once. It was kinda like watching paint dry." So says Gene Hackman, famously, in Arthur Penn's 1975 neo-noir Night Moves, a film that contains striking parallels and references to the French director's wonderfully talky 1969 My Night at Maud's. Penn's New Hollywood masterpiece centers on Harry Moseby (Hackman), a retired professional football player turned Los Angeles private investigator who finds himself embroiled in the complex case of a runaway teen. One of the most acclaimed entries in the influential series "Six Moral Tales," Rohmer's film features Jean-Louis Trintignant as a pious Catholic engineer whose rigid ethical standards are challenged when he unwittingly spends the night at the apartment of a bold, brunette divorcée.
 
Monday, April 9
Adventures in Moviegoing with Barry Jenkins: The Summer of Flying Fish*
 
Not long after winning an Oscar last year for Moonlight, Barry Jenkins joined Criterion's Peter Becker for an intimate conversation about his personal journey as a movie lover, the filmmakers who have influenced his style, and finding his relationship to cinema as a person of color. Alongside some of his favorite classics, he championed some little-seen gems, including Chilean director Marcela Said's 2013 narrative feature debut, The Summer of Flying Fish. A vivid coming-of-age story and a powerful allegory about environmental destruction, this richly atmospheric drama follows a teenage girl as she goes on vacation with her father, a wealthy landowner who becomes obsessed with eliminating the carp fish from his artificial lagoon. Featuring a new introduction from Jenkins, the film streams on the Channel in a limited engagement.
*Premiering on the Criterion Channel this month.
Tuesday, April 10
Tuesday's Short + Feature: Manhatta and The Naked City
The New York of the past comes to life in these two portraits, shot in different periods in the city's history. A pioneering work of American avant-garde cinema, the silent short Manhatta (1921)- directed by photographer Paul Strand and painter Charles Sheeler-takes in the modern metropolis from a variety of soaring perspectives, assembling a miniature symphony of the city in all its industrial splendor. Shot on location more than a quarter of a century later, Jules Dassin's masterpiece The Naked City (1948), a noir procedural inspired by Italian neorealism, offers a grittier view of Lower Manhattan from street level.
 
Wednesday, April 11
The 400 Blows: Edition #5
 
François Truffaut's first feature is also his most personal. Told from the point of view of Truffaut's cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively re-creates the trials of Truffaut's own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. The film marked Truffaut's passage from leading critic to trailblazing auteur of the French New Wave. SUPPLEMENTAL FEATURES: two audio commentaries, one by cinema professor Brian Stonehill and the other by director François Truffaut's lifelong friend Robert Lachenay; rare audition footage of Jean-Pierre Léaud, Patrick Auffay, and Richard Kanayan; newsreel footage from the film's showing at Cannes; and more.
 
Friday, April 13
Friday Night Double Feature: M and Peeping Tom
 
These unsettling and widely influential thrillers give viewers a glimpse inside the psychopathic mind. Fritz Lang's expressionist touchstone M (1931) revolves around the Berlin manhunt for a murderer of children (Peter Lorre), in the process offering an analysis of the man's tortured psyche. In Peeping Tom (1960), a controversial film that nearly ended his career but is now regarded as a masterpiece, Michael Powell offers a Freudian portrait of a London serial killer (Carl Boehm), a cameraman with a predilection for recording the terror of his victims.

Monday, April 16
In Search of Ozu
 
In this original documentary, filmmaker Daniel Raim delves into Yasujiro Ozu's remarkable late work, in which the master made the leap from black and white to color. In his stirring tribute to the great filmmaker, Raim examines Ozu's life and work through archival treasures such as his diary and the red teakettle from the family drama Equinox Flower (1958); sits down with Ozu's nephew and the producer of the director's gently elegiac final film, An Autumn Afternoon (1962); and interweaves many scenes and images from the vibrant and humane films with which the director capped his career. Alongside the documentary, we present five of Ozu's color films, including Equinox Flower, Floating Weeds (1959), Late Autumn (1960), The End of Summer (1961), and An Autumn Afternoon (1962). 
 
Tuesday, April 17
Tuesday's Short + Feature: Casus belli* and Weekend
 
Two critiques of consumerism that make dazzling use of tracking shots. In Greek filmmaker Yorgos Zois's sinuous debut short, Casus belli (2010), an apparently continuous dolly shot observes different queues of people, from the supermarket checkout line to the wait at the betting-agency counter-and back again-wryly revealing the social divisions among those standing in place. Jean-Luc Godard's acid comedy Weekend (1967), in which a bourgeois couple set out to secure an inheritance from a dying relative, opens with a famous seven-minute-long shot of a massive traffic pileup, setting the tone for the entropic satire to follow.
*Premiering on the Channel this month.
 
Wednesday, April 18
The Hero: Edition #911
 
In this psychologically rich character study, written and directed by Satyajit Ray, Bengali film star Uttam Kumar draws on his real-world celebrity to play Arindam Mukherjee, a matinee idol on the brink of his first flop. When Mukherjee boards an overnight train to Delhi to accept an award, a journalist (Sharmila Tagore) approaches him seeking an exclusive interview, which initiates a conversation that sends the actor reeling down a path of self-examination. Seamlessly integrating rueful flashbacks and surreal dream sequences with the quietly revelatory stories of the train's other passengers, The Hero is a graceful meditation on art, fame, and regret from one of world cinema's most keenly perceptive filmmakers. SUPPLEMENTAL FEATURES: a program featuring an interview from 2008 with actor Sharmila Tagore, and a program featuring film scholar Meheli Sen.
 
Friday, April 20
Friday Night Double Feature: Babette's Feast and The Cook, the Thief, His Wife and Her Lover

Food represents the highest of arts and the basest of cruelties in this cinematic banquet. Gabriel Axel's Oscar-winning Babette's Feast, adapted from a short story by Isak Dinesen, tells the moving story of a French housekeeper with a mysterious past who brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late-nineteenth-century Denmark. It's paired with an outrageously decadent masterpiece from Peter Greenaway, who stages a modern Jacobean revenge tragedy in a lavish restaurant, where a brutal gangster (Michael Gambon) holds court while his wife (Helen Mirren) sneaks away to her paramour. With vivid cinematography by Sacha Vierny and a hypnotic Michael Nyman score, The Cook, the Thief, His Wife and Her Lover culminates in a memorably gruesome feast.
 
Monday, April 23
Observations on Film Art No. 18: Staging and Performance in Ivan the Terrible, Part II

Sergei Eisenstein's final film, a two-part biopic of the notorious Tsar Ivan IV, is one of the revolutionary director's boldest experiments in film form, frequently departing from the codes of cinematic realism. In this month's episode of Observations on Film Art, a Channel-exclusive series that takes a look at how great filmmakers use cinematic devices and techniques, scholar David Bordwell examines Eisenstein's concept of "expressive movement," and shows how the director uses it to stage elaborate set pieces that incorporate the languages of painting and dance.
 
Tuesday, April 24
Tuesday's Short + Feature: Ghost Trip and Kings of the Road

These spare, existential road movies take in vast landscapes in stunning black and white. Bill Morrison's eerie Ghost Trip, a rare "fiction" film from an artist best known for his use of archival material, follows a mysterious driver on an American odyssey from coast to coast, passing through deserts, casinos, and graveyards along the way. Then, the capstone of Wim Wenders's Road Trilogy accompanies a film projector repairman and a depressed psychologist as they roam aimlessly from one movie theater to another across a melancholy Germany still haunted by war.
 
Wednesday, April 25
An Actor's Revenge: Edition #912

A uniquely prolific and chameleonic figure of world cinema, Kon Ichikawa delivered a burst of stylistic bravado with this intricate tale of betrayal and retribution. Set in the cloistered world of nineteenth-century kabuki theater, the film charts a female impersonator's attempts to avenge the deaths of his parents, who were driven to insanity and suicide by a trio of corrupt men. Ichikawa takes the conventions of melodrama and turns them on their head, bringing the hero's fractured psyche to life in boldly experimental widescreen compositions infused with kaleidoscopic color, pop-art influences, and meticulous choreography. Anchored by a magnificently androgynous performance by Kazuo Hasegawa, reprising a role he had played on-screen three decades earlier, An Actor's Revenge is an eye-popping examination of how the illusions of art intersect with life. SUPPLEMENTAL FEATURES: A rare 1999 Directors Guild of Japan interview with director Kon Ichikawa, conducted by film critic Yuki Mori; and an interview with critic, filmmaker, and festival programmer Tony Rayns.
 
Thursday, April 26
Adventures in Moviegoing with Adam Gopnik

This month's guest curator, author and longtime New Yorker contributor Adam Gopnik, is a writer of omnivorous interests. For his selection of favorite films, he handpicked gems such as Jacques Demy's The Umbrellas of Cherbourg and Jean Cocteau's Orpheus, and then sat down with Antonio Monda, artistic director of the Rome Film Festival, to discuss a lifetime of moviegoing. From watching European cinema on television with his family, to seeing Singin' in the Rain during his adolescence in Paris, to his first date with the woman he would go on to marry (they saw Jean Vigo's achingly romantic L'Atalante), Gopnik chronicles his infatuation with cinema, a medium whose storytelling methods he often seeks to emulate in his own writing.
 
Friday, April 27
Friday Night Double Feature: Tokyo Drifter and The Long Good Friday

This gangster-movie double bill finds two career criminals attempting to go straight, only to get sucked back into the underworld. In Tokyo Drifter (1966),Seijun Suzuki's delirious pop-art riff on the yakuza genre, reformed hit man Tetsu gets called back from retirement to do battle with a rival gang, resulting in an onslaught of giddily stylized action. Then, a magnetic Bob Hoskins stars in John Mackenzie's The Long Good Friday (1980) as a vicious London mob boss whose best-laid plans to cross over into legitimate business get blown to smithereens over the course of one agonizing, bloody day.
 
Complete list of films premiering on the Criterion Channel this month:
 
April 1
In a Lonely Place, Nicholas Ray, 1950
 
April 3
Monkey Love Experiments, Will Anderson and Ainslie Henderson, 2014
 
April 4
Metropolitan, Whit Stillman, 1990
 
April 9
The Summer of Flying Fish, Marcela Said, 2013
 
April 17
Casus belli, Yorgos Zois, 2010
 
ABOUT THE CRITERION CHANNEL ON FILMSTRUCK
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. It is presented as part of FilmStruck, a subscription streaming service that is the exclusive home of the Warner Bros. classic film library and the Criterion Collection. FilmStruck was developed by Turner Classic Movies (TCM) and is managed by TCM in partnership with Warner Bros. and the Criterion Collection.

FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE
For more information on FilmStruck and The Criterion Channel,

  

March 20, 2018

MARCH PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
MARCH PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!
 
Includes five films by Apichatpong Weerasethakul, 
Adventures in Moviegoing with Rebecca Miller, and Ronald Bronstein's Frownland!
 
Monday, March 19
Meet the Filmmakers: Apichatpong Weerasethakul

In the latest entry of Meet the Filmmakers, Canadian actor and filmmaker Connor Jessup profiles Apichatpong Weerasethakul, a maverick of Thai cinema who explores the slippery nature of time and consciousness with a sublimely idiosyncratic, often surreal approach to film form. Shot in the Colombian jungle, where Apichatpong was scouting locations last year for his next project, this rare glimpse at the director's creative world delves into the dreams and desires that fuel his work. Along with the documentary, the Criterion Channel presents a sampling of his films, including Mysterious Object at Noon (2000), Tropical Malady (2004), 
Syndromes and a Century (2006), the Cannes award-winningUncle Boonmee Who Can Recall His Past Lives (2010), and Cemetery of Splendor (2015).
 
Tuesday, March 20
Tuesday's Short + Feature: The Colour of His Hair* and Victim

These stirring indictments of social oppression explore a shameful period in British history when homosexuality was forbidden by law. Based on an unrealized script written in 1964 for the Homosexual Law Reform Society, an organization that campaigned for the decriminalization of sexual relations between men, Sam Ashby's 2017 short The Colour of His Hair offers an impressionistic portrait of a turbulent era through a mix of narrative and documentary techniques. Ashby's film is paired with an essential document from that era, Basil Dearden's 1961 Victim, which stars Dirk Bogarde as a member of a large group of closeted London men who become targets of a blackmailer.
*Premiering on the Channel this month.

Wednesday, March 21
Harlan County USA: Edition #334

Barbara Kopple's Oscar-winning Harlan County USA unflinchingly documents a grueling coal miners' strike in a small Kentucky town. With unprecedented access, Kopple and her crew captured the miners' sometimes violent struggles with strikebreakers, local police, and company thugs. Featuring a haunting soundtrack-with legendary country and bluegrass artists Hazel Dickens, Merle Travis, Sarah Gunning, and Florence Reece-the film is a heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line. SUPPLEMENTAL FEATURES: an audio commentary by Kopple and editor Nancy Baker; The Making of "Harlan County, USA," a documentary featuring interviews with Kopple, crew members and strike participants featured in the film; a video interview with legendary bluegrass singer-songwriter Hazel Dickens; never-before-seen outtakes from the film; and more.
 
Thursday, March 22
Art-House America: Northwest Film Forum, Seattle, Washington 

All around the country, in big cities and small towns, independent art-house theaters are thriving hubs of moviegoing, each with its own story to tell. With this series, Criterion goes wherever film culture is happening and brings back brief documentary portraits of different local art houses along with a selection of films handpicked by their programmers. The latest episode pays a visit to Seattle's Northwest Film Forum, where an innovative team, led by programmer and executive director Courtney Sheehan, has turned a grassroots movie theater into a vibrant venue for a wide range of visual culture, as well as live events, education initiatives, and political activism. The NWFF demonstrates the exciting possibilities of cinema as a folk art that can engage directly with the community, and its diverse programs have included showcases of Philippine cinema and films by local and indigenous filmmakers. The first entry in an ongoing series that NWFF will be programming on the Channel is Robinson Devor's 2005 Police Beat*, a disarmingly surreal portrait of a West African immigrant who finds work in Seattle as a bicycle cop. Also available on the Channel are the previous episodes in the series, celebrating the Walter Reade Theater, in New York City, and the Gold Town Nickelodeon, in Juneau, Alaska.
*Premiering on the Channel this month.
Friday, March 23
Friday Night Double Feature: Who's Afraid of Virginia Woolf? and A Married Couple
 
Marriage becomes an emotional battleground in these tightly focused studies of domestic discord. In 1966, Mike Nichols made his debut as a film director by bringing Edward Albee's Broadway sensation to the screen, with celebrity couple Elizabeth Taylor and Richard Burton taking on the venomous leading roles. Allan King's "actuality drama" A Married Couple (1969) is a revealing documentary about Billy and Antoinette Edwards, ex-bohemians struggling with the demands of marriage and the changing gender roles of the 1960s. Jaw-droppingly intense in its examination of marital conflict, King's film finds just as much drama in a real couple's daily life as Nichols does in Albee's play.
 
Monday, March 26
Observations on Film Art No. 17: Narrative Motifs in Chungking Express

Wong Kar-wai's Chungking Express(1994) captures the whiplash rhythms and tenuous connections of urban life in a bifurcated story that follows two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung) who cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye (Faye Wong) works. In this month's episode of Observations on Film Art, a Channel-exclusive series that takes a look at how great filmmakers use cinematic devices and techniques, scholar David Bordwell isolates the recurring motifs that wind throughout the film and shows how Wong uses them to unite the story's seemingly unrelated halves.
  
Monday, March 26
Frownland*
Since its under-the-radar release in 2007, Ronald Bronstein's directorial debut has become a touchstone of contemporary independent cinema, admired by a generation of young filmmakers and winning rapturous praise from influential publications like Cahiers du cinéma for its uncompromising vision. Centering on the cringeworthy misadventures of a neurotic and staggeringly inarticulate coupon salesman (a remarkable Dore Mann), this character study is a bleak but unforgettable New York story-one that anticipates later works by filmmakers such as Josh and Benny Safdie, with whom Bronstein has gone on to collaborate as an actor and writer.
*Premiering on the Channel this month.
 
Tuesday, March 27
Tuesday's Short + Feature: Lira's Forest* and Tropical Malady

Animal spirits enact rituals of love and death in this pair of sylvan fables by the director and the subject of this month's new Meet the Filmmakers episode, Connor Jessup and Apichatpong Weerasethakul. Jessup's short Lira's Forest (2017) follows an ailing woman who receives a visit from a mysterious spirit and undergoes an otherworldly transformation. Apichatpong's
Tropical Malady(2004) follows the tender romance that blossoms between two young men in the Thai countryside, then plunges into the jungle where their love story is reconfigured as the tale of a hunter's search for a legendary tiger. Also on the Channel, Jessup, a devoted student of Apichatpong's beguiling approach to cinema, profiles the Thai master in this month's installment of Meet the Filmmakers.
*Premiering on the Channel this month.

Wednesday, March 28
The Passion of Joan of Arc: Edition #62

Spiritual rapture and institutional hypocrisy come to stark, vivid life in one of the most transcendent masterpieces of the silent era. Chronicling the trial of Joan of Arc in the hours leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques-expressionistic lighting, interconnected sets, painfully intimate close-ups-to immerse viewers in her subjective experience. Anchoring Dreyer's audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom.
SUPPLEMENTAL FEATURES: three scores: Richard Einhorn's Voices of Light, one by Goldfrapp's Will Gregory and Portishead's Adrian Utley, and one by composer and pianist Mie Yanashita; an audio commentary from 1999 by film scholar Casper Tybjerg; an interview from 1995 with actor Renée Falconetti's daughter and biographer, Hélène Falconetti; and more.

Thursday, March 29
Adventures in Moviegoing with Rebecca Miller
 
Filmmaker, visual artist, actor, and novelist Rebecca Miller sat down with us to share a personal history of moviegoing that stretches back to childhood. Miller's parents, playwright Arthur Miller and photographer Inge Morath, initiated her into art-house cinema at an early age, fostering the eclectic taste that would go on to inform her creative life. Miller is fascinated with movies that stay anchored in emotional realism while violating the codes of naturalism. Here she explains how her work in various art forms has influenced her filmmaking, and selects a series of favorites that speak to her abiding interest in evoking psychic states on-screen, including John Cassavetes's Opening Night, Agnès Varda's Vagabond, and Jane Campion's Sweetie.
 
Thursday, March 29
By Rebecca Miller

The subject of this month's Adventures in Moviegoing, writer-director Rebecca Miller transitioned from visual art to filmmaking with her 1995 directorial debut, Angela*, a haunting tale of a young girl who retreats into her fantasies to cope with her emotionally volatile mother. Miller's vivid evocations of complex psychological states are a hallmark of her subsequent features, including the 2005 drama The Ballad of Jack and Rose*, a devastating look at the twilight of the 1960s counterculture in which Daniel Day-Lewis plays a Scottish farmer whose discovery of new love throws his intensely close relationship with his teenage daughter into chaos.
*Premiering on the Channel this month.
 
Friday, March 30
Friday Night Double Feature: The Phantom of Liberty and Tampopo

When Juzo Itami set out to make a movie about human appetite and culinary culture, he couldn't figure out how to string together the episodes he had imagined, until he remembered The Phantom of Liberty, which struck him as "the kind of film where the last thing of the scene before leads to the next event-that kind of quick-change thing." Luis Buñuel's penultimate film is an audacious satire of bourgeois norms, from the hypocrisy of conventional morality to the arbitrariness of social arrangements, as told through a series of non sequiturs. Inspired by Buñuel's "quick-change" structure, Itami interspersed the story of Tampopo's eponymous heroine with the erotic exploits of a gastronome gangster and a string of standalone skits, spicing the broth of his "ramen western" with comic flavor.
 
Complete list of films premiering on the Criterion Channel this month:

March 6
Art, Adrian Sitaru, 2014
 
March 13
Home, Daniel Mulloy, 2016
 
March 14
Science Is Fiction: 23 Films by Jean Painlevé
 
March 19
Frownland, Ronald Bronstein, 2007
 
March 20
The Colour of His Hair, Sam Ashby, 2017
 
March 22
Police Beat, Robinson Devor, 2005
 
March 27
Lira's Forest, Connor Jessup, 2017
 
March 29
Angela, Rebecca Miller, 1995
The Ballad of Jack and Rose, Rebecca Miller, 2005
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE

ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. 

ABOUT FILMSTRUCK

FilmStruck is a subscription on-demand service that offers film aficionados a comprehensive and constantly refreshed library of films including an eclectic mix of contemporary arthouse, indie, foreign, cult and classic Hollywood films. FilmStruck is the exclusive streaming home to the Warner Bros. classic film library and the Criterion Collection. FilmStruck was developed by Turner Classic Movies (TCM) and is managed by TCM in partnership with Warner Bros. and the Criterion Collection.
ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.

January 17, 2018

JANUARY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
JANUARY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!
 
Includes No Country for Old Men,
a double bill of Cat People and Curse of the Cat People,
and Orson Welles's Mr. Arkadin!
 
Wednesday, January 17
The Piano Teacher: Edition #894

In this riveting study of the dynamics of control, Academy Award-winning director Michael Haneke takes on Nobel laureate Elfriede Jelinek's controversial 1983 novel about perverse female sexuality and the world of classical music. Haneke finds his match in Isabelle Huppert, who delivers an icy but quietly seething performance as Erika, a piano professor at a Viennese conservatory who lives with her mother in a claustrophobically codepen­dent relation­ship. Severely repressed, she satisfies her mas­ochistic urges only voyeuristically until she meets Walter (Benoît Magimel), a student whose desire for Erika leads to a destructive infatuation that upsets the careful equilibrium of her life. A critical breakthrough for Haneke, The Piano Teacher - which won the Grand Prix as well as dual acting awards for its stars at Cannes - is a formalist masterwork that remains a shocking sensation.SUPPLEMENTAL FEATURES: interviews with Haneke and Huppert, a selected-scene commentary, and more.
 
Thursday, January 18
The Lure*: Edition #896

This genre-defying horror-musical mash-up - the bold debut of Polish director Agnieszka Smoczyńska - follows a pair of carnivorous mermaid sisters drawn ashore to explore life on land in an alternate 1980s Poland. Their tantalizing siren songs and otherworldly auras make them overnight sensations as nightclub singers in the half-glam, half-decrepit world of Smoczyńska's imagining. The director gives fierce teeth to her viscerally sensual, darkly feminist twist on Hans Christian Andersen's "The Little Mermaid," in which the girls' bond is tested and their survival threatened after one sister falls for a human. A coming-of-age fairy tale with a catchy synth-fueled soundtrack, outrageous song-and-dance numbers, and lavishly grimy sets, The Lure explores its themes of emerging female sexuality, exploitation, and the compromises of adulthood with savage energy and originality.SUPPLEMENTAL FEATURES: a program about the making of the film, deleted scenes;Aria Diva (2007) and Viva Maria! (2010), two short films by Smoczyńska; and more.
 
Friday, January 19
Friday Night Double Feature: Cat People and The Curse of the Cat People

During his remarkable run at RKO in the 1940s, producer Val Lewton created a new breed of creature feature, one that was all the more terrifying for what it left to the imagination. With Cat People (1942), director Jacques Tourneur used shadowy noir aesthetics to tell the tale of a woman (Simone Simon) cursed to turn into a fearsome feline every time she finds herself in the heat of passion. The film's sequel, The Curse of the Cat People (1944), which marked Robert Wise's first directing credit and also starred Simon and Kent Smith in the same roles, strays into fairy-tale territory by focusing on a lonely young girl's fantasy life.
 
Tuesday, January 23
Tuesday's Short + Feature: And the Whole Sky Fit in the Dead Cow's Eye* and La Ciénaga

Take a trip into the intoxicating worlds of two female filmmakers from Latin America. In the 2016 short And the Whole Sky Fit in the Dead Cow's Eye, which won the award for best international narrative short at Sundance, Francisca Alegria captures the life of an eighty-five year old woman who believes a ghost has come to take her to the afterlife. With the 2001 film La Ciénaga, Lucrecia Martel became one of contemporary cinema's most exciting new voices. A work of tactile beauty and richly sensuous detail, the film observes how political and societal frustrations arise in the life of a bourgeois extended family.
*Premiering on the Channel this month.
 
Wednesday, January 24
Rififi: Edition #115

After making noir classics in America (Brute Force, The Naked City) and England (Night and the City), the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light. Rififi is the ultimate heist movie, a mélange of suspense, brutality, and dark humor that was an international hit, earned Dassin the best director prize at the Cannes Film Festival, and has proven wildly influential on the decades of heist thrillers that have come in its wake. SUPPLEMENTAL FEATURES: an interview with Dassin, a trailer, and more.
*Premiering on the Channel this month.
 
Friday, January 26
Friday Night Double Feature: I See a Dark Stranger and Black Narcissus

In the late 1940s, Deborah Kerr was on the cusp of international stardom. This double bill features two magnificent breakthrough performances from the decade, for which she won the 1947 best actress award from the New York Film Critics Circle. In Frank Launder's seriocomic wartime thriller I See a Dark Stranger (1946), she plays a young Irish woman whose anti-British sentiment leads her down the path to becoming a Nazi spy. In Michael Powell and Emeric Pressburger's sumptuous Technicolor masterpiece Black Narcissus(1947), she stars as the Sister Superior of a group of Anglican nuns spiraling into madness in the Himalayas.
 
Monday, January 29
Observations on Film Art No. 15: Genre Play in The Player

Throughout his storied career, Robert Altman experimented with genre conventions, always finding new ways to put his idiosyncratic spin on everything from the western (McCabe & Mrs. Miller) to the detective film (The Long Goodbye). His 1992 Hollywood comeback,The Player, was no exception. A bitingly satirical crime drama that is also a film within a film, The Player centers on a Hollywood studio executive (Tim Robbins) who becomes the subject of a murder investigation. In this month's episode of Observations on Film Art, a Channel-exclusive series that takes a look at how great filmmakers use cinematic devices and techniques, scholar Jeff Smith delves into the genre elements at play in Altman's film and what they reveal about the director's complex attitude toward commercial cinema.
 
Tuesday, January 30
Tuesday's Short + Feature: (nostalgia) and Blow-Up

For this pairing, we're zooming in on two films that investigate the unreliable nature of photography and the limits of perception. In Hollis Frampton's 1976 short (nostalgia), artist Michael Snow narrates as a series of black-and-white photographs from early in Frampton's career catch fire on a hot plate. The film's final sequence has been interpreted as a retelling of Michelangelo Antonioni's Blow-Up, a countercultural classic that brings the Italian auteur's signature theme of existential anguish to swinging sixties London, where a photographer inadvertently captures a death on film.
*Premiering on the Channel this month.
 
Wednesday, January 31
His Girl FridayEdition #849

One of the fastest, funniest, and most quotable films ever made, His Girl Friday stars Rosalind Russell as reporter Hildy Johnson, a standout among cinema's powerful women. Hildy is matched in force only by her conniving but charismatic editor and ex-husband, Walter Burns (played by the peerless Cary Grant), who dangles the chance for her to scoop her fellow news writers with the story of an impending execution in order to keep her from hopping the train that's supposed to take her to Albany and a new life as a housewife. When adapting Ben Hecht and Charles MacArthur's smash hit play The Front Page, director Howard Hawks had the inspired idea of turning star reporter Hildy Johnson into a woman, and the result is an immortal mix of hard-boiled newsroom setting with ebullient remarriage comedy. Also presented here is a restoration of the 1931 film The Front Page, Lewis Milestone's famous pre-Code adaptation of the same material. SUPPLEMENTAL FEATURES: an interview with film scholar David Bordwell, archival interviews with Howard Hawks, and more.
 
Complete list of films premiering on the Criterion Channel this month:

January 1
Anatomy of a Murder, Otto Preminger, 1959
No Country for Old Men, Joel and Ethan Coen, 2007
 
January 9
Together, Lukas Moodysson, 2000
 
January 10
The Complete Mr. Arkadin, Orson Welles, 1955
 
January 16
Yours Faithfully Edna Welthorpe (Mrs), Chris Shepherd, 2017
 
January 18
 
January 23
And the Whole Sky Fit in the Dead Cow's Eye, Francisca Alegria, 2016
 
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE


ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.


ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.


ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.

PATREON BUTTON

November 30, 2017

Ask Jim Jarmusch a Question!

 
Ask Jim Jarmusch
 
Criterion's popular Q&A series with director Jim Jarmusch is back!
A special edition of Jarmusch's Dead Man is currently in the works,
will feature a new 4K restoration and is slated to be released in 2018.
 

The Criterion Collection is currently working on the special edition of Jarmusch's Dead Man, which will feature a new 4K restoration and is slated to be released in 2018, and is wondering if fans have any questions that they would like answered about the film.
 
Criterion will be accepting all of your questions from fans from now until December 8 and sending the most thoughtful and creative ones to Jim. Though they cannot guarantee that all will be answered on the release, feel free to ask as many as you like. Personal requests will not be answered.
 
Now ask away! Just make sure to include your full name, city, state, and country of residence with your questions.

November 29, 2017

DECEMBER PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
Includes Godzilla and fourteen other kaiju classics,
Aki Kaurismäki's Le Havre, and Nagisa Oshima's Merry Christmas Mr. Lawrence!

Friday, December 1
It's a Mad, Mad, Mad, Mad World*: Criterion Collection Edition #692

Stanley Kramer followed his harrowing Oscar winner Judgment at Nuremberg with the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners about a group of strangers fighting tooth and nail over buried treasure. Performed by a nonpareil cast, including Milton Berle, Sid Caesar, Ethel Merman, Mickey Rooney, Spencer Tracy, Jonathan Winters, and a boatload of other playing-to-the-rafters comedy legends, Kramer's wildly uncharacteristic film is an exhilarating epic of tomfoolery. SUPPLEMENTAL FEATURES: an audio commentary featuring It's a Mad, Mad, Mad, Mad World aficionados Mark Evanier, Michael Schlesinger, and Paul Scrabo; a documentary on the film's visual and sound effects, featuring interviews with visual-effects specialist Craig Barron and sound designer Ben Burtt; an excerpt from a 1974 talk show hosted by director Stanley Kramer and featuring Mad World actors Sid Caesar, Buddy Hackett, and Jonathan Winters; and more.
*Premiering on the Channel this month.
 
Friday, December 1
Friday Night Double Feature: Dodsworth and David Golder

Private woes take their toll on two successful self-made businessmen in this pair of domestic dramas from the 1930s. In William Wyler's Oscar-winning adaptation of Sinclair Lewis's Dodsworth (1936), Walter Huston stars as a Midwestern auto magnate who retires and embarks on a European voyage with his wannabe-chic wife, only to find that the two of them are growing further and further apart. In Julien Duviver's first sound film, the moody melodrama David Golder (1931), Harry Baur plays a ruthless banker grappling with business and family troubles.
 
Monday, December 4
A Night to Remember: Criterion Collection Edition #7

On April 14, 1912, just before midnight, the "unsinkable" Titanic struck an iceberg, plunging to the bottom of the sea and taking with it more than 1,500 of its 2,200 passengers. In his unforgettable render­ing of Walter Lord's book, British director Roy Ward Baker depicts with sensitivity, awe, and a fine sense of tragedy the ship's last hours. Featuring remarkably restrained performances, A Night to Remember (1958) is cinema's subtlest and best dramatization of this monumental twentieth-century catastrophe. SUPPLEMENTAL FEATURES: an audio commentary by Don Lynch and Ken Marschall, author and illustrator of "Titanic": An Illustrated History; The Making of "A Night to Remember"(1993), a sixty-minute documentary featuring producer William MacQuitty's rare behind-the-scenes footage; an archival interview with Titanic survivor Eva Hart; and more.
 
Monday, December 4
Masterclass: Kenneth Turan and Marcel Ophuls on Disagreeable Truths

Marcel Ophuls talks to Los Angeles Times critic Kenneth Turan at UCLA about why and how he moved from making commercial feature films to chronicling occupied Europe and the Holocaust in epic documentaries like The Sorrow and the Pity and The Memory of Justice. Along the way, he also opens up about everything from his interview techniques and his experience as a second-generation auteur (the son of Max) to his thoughts on assessing guilt and responsibility for genocide and war crimes. Previous entries in our Masterclass series include conversations between Kirsten Johnson and Michael Moore and Alex Ross Perry and Robert Greene.
 
Tuesday, December 5
Tuesday's Short + Feature: The Above and Cameraperson

With a keen eye for landscape and character, Kirsten Johnson's work documents political turmoil throughout the globe, calling into question the ethical stakes of nonfiction filmmaking. In The Above (2015), a mysterious surveillance blimp with unknown capabilities hovers above Kabul as the Afghans below go about their daily lives. In her breakthrough feature, Cameraperson (2016), she assembles footage captured throughout her twenty-five-year career, weaving together intimate moments from her private life with haunting images from her journeys abroad as a documentary cinematographer.
 
Wednesday, December 6
Le Havre: Criterion Collection Edition #619

With Finnish master Aki Kaurismäki returning to theaters this winter with his latest, The Other Side of Hope, we're revisiting his acclaimed previous film, which initiated his ongoing exploration of global migration and displacement. In this warmhearted comic yarn, fate throws a young African refugee into the path of a kindly old bohemian who shines shoes for a living in a French harbor city. A political fairy tale that exists somewhere between the reality of contemporary France and the classic French cinema of the past, Le Havre (2011) is a charming, deadpan delight and one of the director's finest films. SUPPLEMENTAL FEATURES: an interview with actor André Wilms; footage from the 2011 Cannes Film Festival, including a press conference and a French television interview with cast and crew; and more.
 
Thursday, December 7
Laughter First!: Harold Lloyd's Glasses Character Turns 100

Celebrate the centennial of Harold Lloyd's "Glasses Character" - the resourceful go-getter who always got the girl - with Kevin Brownlow and David Gill's lucid and entertaining documentary Harold Lloyd: The Third Genius. Crisply narrated by Lindsay Anderson, the film traces the performer's development all the way back to his early dramatic days and through his slapstick experiments, until he puts on horn-rimmed glasses and invents the figure who would go on to define his career. Brownlow and Gill pay exuberant tribute to the great silent clown, who was as wildly innovative as Buster Keaton and as skilled with sentiment as Chaplin, but had a resilience of his own that fit America's roaring twenties better than any other screen personality. The Third Genius streams alongside a selection of Lloyd's films: Safety Last! (1923), Girl Shy (1924), The Freshman (1925), The Kid Brother(1927), and Speedy (1928).
 
Friday, December 8
Friday Night Double Feature: The Stunt Man and 

Film sets become hazy frontiers between illusion and reality in these dizzying movies about movies. Richard Rush's Escher-like vortex The Stunt Man (1980) features Peter O'Toole at his most virtuosic, as a megalomaniacal director who manipulates a veteran on the run from the law into serving as a stuntman. Federico Fellini's kaleidoscopic  (1963) - perhaps the most gloriously expansive vision of itself the cinema has ever produced - weaves together the dreams, memories, and fantasies of a director (Marcello Mastroianni) whose latest project is collapsing around him.
 
Friday, December 8
Godzilla and Beyond*

This month, we're offering you the chance to go on a veritable viewing rampage, with this massive collection of fourteen kaiju classics. Running from Ishiro Honda's original Godzilla(1954) to the director's sci-fi drama Terror of Mechagodzilla (1975), these spectacular Toho productions track the King of the Monsters and a number of his fellow mutants as they evolved over the course of two decades, reflecting all the while many of the anxieties of a postwar world.  
*Premiering on the Channel this month.
 
Saturday, December 9
Split Screen Season Nine

Two decades after it premiered on IFC, the pioneering television series Split Screen has a streaming home on the Channel. In this priceless time capsule, host John Pierson takes viewers on an irreverent trip through filmmaking communities and movie-loving culture at the turn of the millennium. This month, we present the show's penultimate season, which features appearances by Kevin Smith and Ross McElwee, and a hilarious segment in which Christopher Walken heads to the kitchen as the host of his own cooking show.
 
Monday, December 11
The Leopard: Criterion Collection Edition #235

An epic on the grandest possible scale, Luchino Visconti's 1963 masterpiece recreates the tumultuous years of Italy's Risorgimento - when the aristocracy lost its grip and the middle classes rose and formed a unified, democratic Italy. Burt Lancaster stars as the aging prince watching his culture and fortune wane in the face of a new generation, represented by his upstart nephew (Alain Delon) and his beautiful fiancée (Claudia Cardinale). Awarded the Palme d'Or at the Cannes Film Festival, this lavish adaptation of Giuseppe Tomasi di Lampedusa's novel is presented in two distinct incarnations: Visconti's original Italian version and the alternate English-language version. SUPPLEMENTAL FEATURES: an audio commentary by film scholar Peter Cowie; an hour-long documentary featuring interviews with Claudia Cardinale, screenwriter Suso Ceccho D'Amico, Rotunno, filmmaker Sydney Pollack, and many others; and more.
 
Tuesday, December 12
Tuesday's Short + Feature: Return to Glennascaul* and The Third Man

Orson Welles brings his incomparable charisma to two dark gems. In Hilton Edwards's short Return to Glennascaul (1951), the actor stars as himself driving through the Irish countryside, where he picks up a man with car trouble and a chilling ghost story to tell; in Carol Reed's shadow-drenched noir masterpiece The Third Man (1949), he delivers one of his most iconic performances as the enigmatic Harry Lime, whose sudden death draws a childhood chum into a perilous journey through postwar Vienna.
*Premiering on the Channel this month.
 
Wednesday, December 13
Phoenix*: Criterion Collection Edition #809

Christian Petzold's evocative 2014 drama, set in rubble-strewn Berlin in 1945, is like no other film about post-World War II Jewish-German identity. After surviving Auschwitz, a former cabaret singer (Nina Hoss) has her disfigured face reconstructed and returns to her war-ravaged hometown to seek out her gentile husband, who may or may not have betrayed her to the Nazis. Without recognizing her, he enlists her to play his wife in a bizarre hall-of-shattered-mirrors story that is as richly metaphorical as it is preposterously engrossing. SUPPLEMENTAL FEATURES: a new introduction by critic Imogen Sara Smith; a conversation between director Christian Petzold and actor Nina Hoss; The Making of "Phoenix," a 2014 documentary featuring interviews with Petzold, Hoss, actors Nina Kunzendorf and Ronald Zehrfeld, and production designer K. D. Gruber; and more.
*Premiering on the Channel this month.
 
Thursday, December 14
I Am Curious: Criterion Collection Edition #179

Seized by customs upon entry to the United States, subject of a heated court battle, and banned in cities across the United States, Vilgot Sjöman's I Am Curious - Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution tells the story of a searching and rebellious young woman, and her personal quest to understand the social and political conditions in 1960s Sweden, as well as her bold exploration of her own sexual identity. In celebration of its fiftieth anniversary, I Am Curious - Yellow is presented here with its companion piece I Am Curious - Blue, a parallel film featuring the same characters and in which the lines between documentary and fiction are even further blurred. SUPPLEMENTAL FEATURES: excerpts from director Vilgot Sjöman's Self Portrait 92, a documentary made for Swedish television; a video introduction by the director; a selected scene audio commentary by Sjöman; and more.
 
Friday, December 15
Friday Night Double Feature: Fitzcarraldo and Burden of Dreams

The limits of human endurance are put to the test in German iconoclast Werner Herzog's 1982 Fitzcarraldo, an epic portrait of a rubber baron's attempts to build an opera house in the Peruvian jungle. The film was the result of a notoriously nightmarish five-year production, glimpses of which are captured in Les Blank's Burden of Dreams, an unsparing behind-the-scenes look at Herzog's quest to bring his impossible vision to the screen.
 
Monday, December 18
Creative Marriages: Juzo Itami and Nobuko Miyamoto

Juzo Itami became the most talked-about Japanese director of the eighties and nineties when he and his wife, actor Nobuko Miyamoto, created a string of audacious movies centered on independent women who were smart and passionate about their work. In the latest installment of Creative Marriages, we're celebrating their partnership in both life and cinema. Watch their 1985 international breakthrough, Tampopo, a mouth-watering "ramen western" starring Miyamoto as a single mother who becomes a first-class noodle chef with a lot of help from her friends. Also on view is the seriocomic social thriller A Taxing Woman (1987), a box-office smash that staged a frontal attack on the contemporary obsession with making money. You can also check out our previous Creative Marriages programs highlighting Federico Fellini and Giulietta Masina, Roger Vadim and Brigitte Bardot, and Jean Cocteau and Jean Marais.
 
Tuesday, December 19
Tuesday's Short + Feature: Time Piece and Tom Jones

Two masters deliver flights of playful cinematic style with their own witty sensibilities. In the Oscar-winning 1963 Tom Jones, British New Wave pioneer Tony Richardson updates Henry Fielding's picaresque eighteenth-century novel with an ebullient, fourth-wall-breaking irreverence. And in the Oscar-nominated 1965 short Time Piece, which features a parody of one of the most memorable scenes in Tom Jones, legendary puppeteer Jim Henson delivers a fast-paced, rhythmically edited tale of a young man desperately trying to escape the passage of time.
 
Wednesday, December 20
Merry Christmas Mr. Lawrence*: Criterion Collection Edition #535

In this captivating, skewed World War II drama from Nagisa Oshima, David Bowie regally embodies a British officer interned by the Japanese as a POW. Rock star Ryuichi Sakamoto (who also composed this film's hypnotic score) plays the camp commander, obsessed with the mysterious blond major, while Tom Conti is a British lieutenant colonel who tries to bridge the emotional and language divides between captor and prisoner. Also featuring actor-director Takeshi Kitano in his first dramatic role, Merry Christmas Mr. Lawrence(1983) is a multilayered, brutal, at times erotic tale of culture clash, and one of Oshima's greatest successes. SUPPLEMENTAL FEATURES: The Oshima Gang, a 1983 making-of featurette; video interviews with producer Jeremy Thomas, screenwriter Paul Mayersberg, actor Tom Conti, and actor-composer Ryuichi Sakamoto; and more.
*Premiering on the Channel this month.
 
Thursday, December 21
Observations on Film Art No. 14: Girl Shy - Harold Lloyd Meets Classical Hollywood

The silent comedy might be most famous today for its one-off gags and chases, but by the twenties the form had begun to tell increasingly sophisticated feature-length stories, thanks to such pioneering figures as Charlie Chaplin, Buster Keaton, and Harold Lloyd. In this month's episode of Observations on Film Art - a Channel-exclusive series that takes a look at great filmmakers' use of cinematic devices and traditions - scholar David Bordwell unpacks the narrative strategies at play in Lloyd's comedy of embarrassment Girl Shy(1924), illuminating the film's implementation of such classical Hollywood devices as psychological characterization and repeated motifs.
 
Friday, December 22
Friday Night Double Feature: Chéri and Journey to Italy

The work of the French author Colette, celebrated for its evocation of affairs of the heart during the belle epoque, inspired these two tales of precarious romance. Stephen Frears's seductive period piece Chéri (2009), an adaptation of Colette's 1920 novel of the same name, tells the story of the years-long relationship between a courtesan (Michelle Pfeiffer) and her peer's decadent and impressionable son (Rupert Friend). And Robert Rossellini's modernist drama Journey to Italy (1954), loosely based on Colette's Duo (1934), observes the mounting tensions between a married British couple (Ingrid Bergman and George Sanders) during a trip to the Neapolitan countryside.
 
Tuesday, December 26
Tuesday's Short + Feature: Light Is Calling and My Winnipeg

These two films, both beautifully tactile experiments with film form, make brilliant use of found footage. In his eight-minute film Light Is Calling (2004), Bill Morrison cedes the frame to a scene from a 1926 silent film as it appears on a decomposing film reel, in the process crafting a haunting meditation on the ravages of time; in his beguiling "docu-fantasia" My Winnipeg (2007), Guy Maddin mixes archival footage with his own expressionistic black-and-white material to evoke the weird and wonderful world of his hometown.
 
Friday, December 29
Friday Night Double Feature: The Apartment and Brief Encounter

With 2018 just around the corner, take a look back at a Hollywood classic whose climax takes place on New Year's Eve, along with the movie that inspired it. David Lean reached his first great peak with Brief Encounter (1945), starring Celia Johnson and Trevor Howard as refined middle-class lovers who fail to consummate their affair in a borrowed flat when the owner unexpectedly barges in on them. Billy Wilder loved the film, but wondered-who's the guy who owns the apartment? The result: Wilder's five-time Oscar winner The Apartment (1960), which casts Jack Lemmon as the shlemiel who gives his key to his superiors for their trysts, and Shirley MacLaine as the elevator girl and executive's mistress he unexpectedly falls in love with.  
 
Friday, December 29
Weekend: Criterion Collection Edition #635

This scathing satire from Jean-Luc Godard, which celebrates its fiftieth anniversary this week, is one of cinema's great anarchic works. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them. Featuring a justly famous sequence in which the camera tracks along a seemingly endless traffic jam, and rich with historical and literary references, Weekend is a surreally funny and disturbing call for revolution, a depiction of society reverting to savagery, and - according to the credits - the end of cinema itself. SUPPLEMENTAL FEATURES: a video essay by writer and filmmaker Kent Jones; archival interviews with actors Mireille Darc and Jean Yanne, cinematographer Raoul Coutard, and assistant director Claude Miller; and more.
 
Complete list of films premiering on the Criterion Channel this month:

December 1
It's a Mad, Mad, Mad, Mad World, Stanley Kramer, 1963
Happy Together, Wong Kar-wai, 1997
The World of Jacques Demy, Agnes Varda, 1995
 
December 8
Godzilla, Ishiro Honda, 1954
Godzilla: King of the Monsters!, Ishiro Honda and Terry O. Morse, 1956
Godzilla Raids Again, Motoyoshi Oda, 1955
Rodan, Ishiro Honda, 1956
Ghidorah, the Three-Headed Monster, Ishiro Honda, 1964
Mothra vs. Godzilla, Ishiro Honda, 1964
Invasion of Astro-Monster, Ishiro Honda, 1965
The War of the Gargantuas, Ishiro Honda, 1966
Son of Godzilla, Jun Fukuda, 1967
Destroy All Monsters, Ishiro Honda, 1968
All Monsters Attack, Ishiro Honda, 1969
Godzilla vs. Megalon, Jun Fukuda, 1973
Godzilla vs. Mechagodzilla, Jun Fukuda, 1974
Terror of Mechagodzilla, Ishiro Honda, 1975
 
December 12
Return to Glennascaul, Hilton Edwards, 1951
 
December 13
Phoenix, Christian Petzold, 2014

December 15
Woman in Witness Protection, Juzo Itami, 1997
A Quiet Life, Juzo Itami, 1995
Tales of a Golden Geisha, Juzo Itami, 1990
The Gentle Art of Japanese Extortion, Juzo Itami, 1992
The Funeral, Juzo Itami, 1984
Rubber Band Pistol, Juzo Itami, 1962
The Last Dance, Juzo Itami, 1995

December 20
Merry Christmas Mr. Lawrence, Nagisa Oshima, 1983
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For more information on FilmStruck and The Criterion Channel,
 

November 02, 2017

NOVEMBER PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

       
 
Includes Adventures in Moviegoing with Barry Jenkins,
four films by Shohei Imamura, and Luis Buñuel's Belle de jour!
 
Wednesday, November 1
The Spy Who Came in from the Cold*: Criterion Collection Edition #452
The best-selling novel by John le Carré, about a Cold War spy on one final dangerous mission in East Germany, is transmuted by director Martin Ritt into a film every bit as precise and ruthless as the book. Richard Burton is superb as Alec Leamas, whose relationship with the beautiful librarian Nan, played by Claire Bloom, puts his assignment in jeopardy. The Spy Who Came in from the Cold is a hard-edged and tragic thriller, suffused with the political and social consciousness that defined Ritt's career.SUPPLEMENTAL FEATURES: an exclusive, wide-ranging interview with le Carré; a selected-scene commentary featuring director of photography Oswald Morris; an audio conversation from 1985 between director Martin Ritt and film historian Patrick McGilligan; and a trailer.
*Premiering on the Channel this month.
 
Thursday, November 2
Masterclass: Alex Ross Perry and Robert Greene on Big Ideas and Small Budgets
Known for his piercingly intelligent, stylistically ambitious explorations of alienation and misanthropy, independent filmmaker Alex Ross Perry has been busy at work on two projects: the soon-to-be-released Golden Exits and a live-action take on Winnie-the-Pooh. For our third Masterclass, his frequent collaborator Robert Greene, the director of the acclaimed narrative-documentary hybrids Kate Plays Christine and Actress, gets him to open up about how he brings his acerbic ideas to the big screen on a shoestring budget. Watch video of the complete event, hosted by the Ragtag Cinema in Columbia, Missouri, and catch up on Perry's first three features: Impolex*, The Color Wheel*, and Listen Up Philip*.
*Premiering on the Channel this month.
 
Friday, November 3
Friday Night Double Feature: That Hamilton Woman and Anna Karenina
The luminous Vivien Leigh takes the lead in these two lavishly mounted period dramas. In Alexander Korda's 1941 That Hamilton Woman - reportedly Winston Churchill's favorite movie - she is transported back to the Napoleonic Wars, injecting glamour and intrigue into the story of an ambassador's wife who has a scandalous affair with a British Royal Navy officer (played by Leigh's real-life husband, Laurence Olivier). And in Julien Duvivier's 1948 adaptation of Tolstoy's Anna Karenina, she embodies the tragic dimensions of the iconic titular heroine, a married woman who falls into a fateful romance with a count.
 
Monday, November 6
Still Walking*: Criterion Collection Edition #554
Contemporary Japanese master Hirokazu Kore-eda pays tribute to his late mother in this deeply personal film, which depicts one day in the life of a family gathered for a commemorative ritual whose nature only gradually becomes clear. Rather than focus on big dramatic moments, Kore-eda relies on simple gestures and domestic routines (especially cooking) to evoke his characters' deep regrets and daily joys. Featuring vivid, heartrending performances and a gentle naturalism that harks back to the director's earlier, documentary work, Still Walking is an extraordinary portrayal of the ties that bind us. SUPPLEMENTAL FEATURES: interviews with Kore-eda and director of photography Yutaka Yamazaki; a documentary on the making of the film, featuring on-set footage; and a trailer.
*Premiering on the Channel this month.
 
Tuesday, November 7
Tuesday's Short + Feature: Washingtonia* and Dogtooth
With Yorgos Lanthimos's The Killing of a Sacred Deer now in theaters, revisit the eccentric, award-winning breakthrough that catapulted him to the forefront of contemporary Greek cinema. In 2009's Dogtooth, the director penetrates the twisted world of three adults who have been held in captivity their entire lives by their manipulative parents. This brilliantly constructed provocation is preceded by another taste of the Greek Weird Wave, Konstantina Kotzamani's Washingtonia, an expressionistic short that evokes the sweltering heat of a summer in Athens.
*Premiering on the Channel this month.
 
Wednesday, November 8
Belle de jour: Criterion Collection Edition #593
Catherine Deneuve's porcelain perfection hides a cracked interior in one of the actress's most iconic roles: Séverine, a Paris housewife who begins secretly spending her afternoon hours working in a bordello. This surreal and erotic late-sixties daydream from provocateur for the ages Luis Buñuel is an examination of desire and fetishistic pleasure (its characters' and its viewers'), as well as a gently absurdist take on social mores and class divisions. SUPPLEMENTAL FEATURES: an audio commentary featuring Michael Wood, author of the BFI Film Classics book Belle de jour; a video piece featuring writer and sexual-politics activist Susie Bright and film scholar Linda Williams; an interview with screenwriter Jean-Claude Carrière; a segment from the French television program Cinéma, featuring interviews with Carrière and Deneuve; and original and rerelease trailers.
 
Friday, November 10
Friday Night Double Feature: Chevalier and Attenberg
One of the most exciting voices to emerge from contemporary Greek cinema's recent renaissance, Athina Rachel Tsangari is a favorite on the Criterion Channel, having been the first subject profiled in our exclusive series Meet the Filmmakers. This program highlights two of her features: Chevalier, a dryly farcical comedy in which a sextet of chest-puffing men decide to submit to an increasingly absurd series of competitions at sea to determine who is "the best in general," and Attenberg, a look at the strangeness of the human species through the eyes of a misanthropic young woman living in a small industrial town.
 
Monday, November 13
Everlasting Moments*: Criterion Collection Edition #520
Swedish master Jan Troell, director of the beloved classics The Emigrants and The New Land, illuminates the heartrending story of a woman liberated by art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, Everlasting Moments - based on a true story - is a miraculous tribute to the power of image making. SUPPLEMENTAL FEATURES: Troell Behind the Camera, a short documentary made during production; The True Story of Maria Larsson, a collection of photographs by Larsson, with narration by writer Agneta Ulfsäter-Troell; Troell's Magic Mirror, an hour-long documentary on the director's career; and a trailer.
*Premiering on the Channel this month.
 
Tuesday, November 14
Tuesday's Short + Feature: Pickle* and Gates of Heaven
Do all dogs go to heaven? Two documentary filmmakers explore mortality and mourning through the experiences of pet owners. In Pickle, Amy Nicholson profiles a couple of extreme animal lovers, interviewing them about the menagerie they've cared for and buried over the years, including paraplegic possums, emaciated cats, and morbidly obese chickens. Errol Morris's debut feature, Gates of Heaven, immerses viewers in the community surrounding two pet cemeteries in Napa Valley, California, blending sincerity and satire to spin its quirky subject into a surprisingly expansive study of human nature.
*Premiering on the Channel this month.
 
Tuesday, November 14
Desert Hearts*: Criterion Collection Edition #902
Donna Deitch's swooning and sensual first narrative feature was groundbreaking upon its release in 1985: a love story about two women, made entirely independently, on a shoestring budget, by a woman. In this 1959-set film, adapted from a beloved novel by Jane Rule, a straitlaced East Coast professor arrives in Reno to file for divorce but winds up catching the eye of a free-spirited young woman, touching off a slow seduction that unfolds against a breathtaking desert landscape. SUPPLEMENTAL FEATURES: an audio commentary from 2007 featuring director Donna Deitch; a conversation between Deitch and actor Jane Lynch; interviews with actors Helen Shaver and Patricia Charbonneau; a new program featuring Deitch, director of photography Elswit, and production designer Jeannine Oppewall; and an excerpt from Fiction and Other Truths: A Film About Jane Rule, a 1994 documentary about the author of Desert of the Heart, the 1964 novel on which the film is based.
*Premiering on the Channel this month.
 
Wednesday, November 15
Stalker: Criterion Collection Edition #888
A religious allegory, a reflection of contemporaneous political anxieties, and a meditation on film itself, Andrei Tarkovsky's final Soviet feature takes a metaphys­ical journey through an enigmatic postapocalyptic landscape, where a hired guide leads a writer and a professor into a restricted disaster site known as the Zone. There the three men eventually zero in on the Room, a place rumored to fulfill one's most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere, enveloping the viewer in a multitude of possible meanings. SUPPLEMENTAL FEATURES: an interview with Geoff Dyer, author of Zona: A Book About a Film About a Journey to a Room, and interviews from 2002 with cinematographer Alexander Knyazhinsky, set designer Rashit Safiullin, and composer Eduard Artemyev.
 
Thursday, November 16
Twin Peaks: Fire Walk with Me*: Criterion Collection Edition #898
In the town of Twin Peaks, everybody has their secrets - but no one more than Laura Palmer. In this prequel to his groundbreaking 1990s series (which returned to television this year to rapturous reviews), David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show, following her through the last week of her life and teasing out the enigmas that surround her murder. Homecoming queen by day and drug-addicted thrill seeker by night, Laura leads a double life that pulls her deeper and deeper into horror as she pieces together the identity of the assailant who has been terrorizing her for years. SUPPLEMENTAL FEATURES: The Missing Pieces, ninety minutes of deleted and alternate takes from the film, assembled by Lynch; an interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie; interviews with Lee and composer Angelo Badalamenti; and trailers.
*Premiering on the Channel this month.
 
Friday, November 17
Friday Night Double Feature: Police, Adjective* and Insomnia
Moral ambiguities abound in these unconventional detective stories from Romania and Norway. In Corneliu Porumboiu's low-key procedural Police, Adjective, a cop has a crisis of conscience as he struggles with an assignment to book a high-school kid for smoking pot. Reluctant to ruin the boy's life with a jail sentence, he starts to question the letter of the law, leading to an unforgettable climax in which a dictionary becomes the ultimate instrument of power. And in Erik Skjoldbjærg's Nordic thriller, a disgraced detective (Stellan Skarsgård, in one of his most magnetic performances) investigating the death of a teenage girl becomes uneasily complicit with her killer as the Arctic midnight sun erodes his sense of reality.
*Premiering on the Channel this month.
 
Monday, November 20
Babette's Feast: Criterion Collection Edition #665
One of the ultimate food films, this adaptation of a lovingly layered tale by Isak Dinesen shows what happens when a mysterious French housekeeper brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers. Set in nineteenth-century Denmark, Gabriel Axel's Oscar-winning film combines earthiness and reverence in an indescribably moving depiction of sensual pleasure that goes to your head like fine champagne. SUPPLEMENTAL FEATURES: interviews with Axel and actor Stéphane Audran; a 1995 documentary about Dinesen; a visual essay by filmmaker Michael Almereyda; an interview with sociologist Priscilla Parkhurst Ferguson about the significance of cuisine in French culture; and a trailer.
 
Tuesday, November 21
Tuesday's Short + Feature: The Vampire* and Nosferatu
The vampire as we know it is unimaginable without F. W. Murnau's groundbreaking horror film, an unauthorized adaptation of Bram Stoker's Dracula that brought the creature to the screen with the wildly expressive powers of German expressionism. Jean Painlevé, France's brilliant scientist of the surreal, spotted the kinship between this iconic monster and the Brazilian vampire bat. His short The Vampire, soundtracked by Duke Ellington, explores this nocturnal creature's feeding rituals, making for an unusually spooky entry in the filmmaker's series of imaginative wildlife portraits.
*Premiering on the Channel this month.
 
Wednesday, November 22
Heart of a Dog*: Criterion Collection Edition #846
Multimedia artist Laurie Anderson meditates on death and other forms of absence in her first feature in thirty years. This haunting essay film seamlessly weaves together thoughts on Tibetan Buddhism, reincarnation, the modern surveillance state, and the artistic lives of dogs, with an elegy for the filmmaker's beloved rat terrier, Lolabelle, at its heart. Narrated by Anderson with her characteristic wry wit, and featuring a plaintive, free-form score by the filmmaker, the tender and provocative Heart of a Dog continues Anderson's four-and-a-half-decade career of imbuing the everyday with a sense of dreamlike wonder. SUPPLEMENTAL FEATURES: a conversation between Anderson and coproducer Jake Perlin; footage of Anderson's 2016 Concert for Dogs; deleted scenes; Lolabelle's video Christmas card; and a trailer.
*Premiering on the Channel this month.
 
Thursday, November 23
Adventures in Moviegoing with Barry Jenkins
The director of Moonlight, the exquisite coming-of-age drama that took home this year's best picture Oscar, recounts some of his own formative experiences as a cinephile in this month's episode of our guest programmer series Adventures in Moviegoing. In conversation with Criterion president Peter Becker, Jenkins talks about how he fell in love with the art of storytelling, his "rude awakening" at film school, and his experience programming at the Telluride Film Festival. To go alongside the interview, Jenkins has also curated a selection of personal favorites, an eclectic group of films that includes Krzysztof Kieślowski's Three Colors trilogy (1993-94), Lucrecia Martel's La Ciénega (2001), and a number of titles by indie trailblazer John Cassavetes.
 
Friday, November 24
Friday Night Double Feature: Permanent Vacation* and Smithereens
These idiosyncratic first features capture a hardscrabble New York at the dawn of the eighties, tagging along with protagonists who are struggling to find a foothold in the city that never sleeps. A drifter confronts his own state of estrangement, and a number of distinctive characters besides, in Jim Jarmusch's characteristically droll Permanent Vacation(1980); a striver tries in vain to make a name for herself in the punk scene in Susan Seidelman's blistering breakout Smithereens (1982).
*Premiering on the Channel this month.
 
Monday, November 27
Observations on Film Art No. 13: Flashbacks in The Phantom Carriage

Illustrating that a story's telling often means as much as the tale itself, this month's episode of Observations on Film Art - a Channel-exclusive series in which film scholars David Bordwell, Kristin Thompson, and Jeff Smith offer in-depth yet concise discussions of cinematic style - goes along for a twisty ride with Victor Sjöström's intricately structured The Phantom Carriage (1921). The touchstone of silent cinema presents a handful of extended flashbacks out of chronological sequence - a narrative design that, in Prof. Thompson's estimation, is key to establishing the dynamics between the film's characters and the strength of its themes of evil and salvation.
 
Tuesday, November 28
Tuesday's Short + Feature: In Paris Parks and Zazie dans le métro

Children take to the parks and streets of Paris in these urban symphonies, transforming the city into a landscape of playful chaos. Shirley Clarke's documentary In Paris Parks short observes the teeming life she finds in the recreational spots where city dwellers bring their children, uncovering the wonders of a seemingly mundane space. And Louis Malle's Zazie dans le métro brings Raymond Queneau's celebrated novel to the screen, spinning a brash ten-year-old's weekend visit to a Parisian relative into an anarchic comedy packed with stream-of-consciousness effects, visual gags, and editing tricks. 
 
Wednesday, November 29
Amarcord: Criterion Collection Edition #4
This Oscar-winning carnivalesque portrait of provincial Italy during the fascist period is among Federico Fellini's most personal films. Now revered as one of cinema's enduring treasures, it satirizes the director's youth and turns daily life into a circus of social rituals, adolescent desires, male fantasies, and political subterfuge, all set to Nino Rota's classic, nostalgia-tinged score. SUPPLEMENTAL FEATURES: an audio commentary by film scholars Peter Brunette and Frank Burke; American release trailer; a deleted scene; Fellini's Homecoming, a forty-five-minute documentary on the complicated relationship between the celebrated director, his hometown, and his past; an interview with star Magali Noël; archival audio interviews of Fellini and his friends and family, by critic Gideon Bachmann; and a restoration demonstration.
 
Complete list of films premiering on the Criterion Channel this month:

November 1
The Spy Who Came in from the Cold, Martin Ritt, 1965
 
November 2
Impolex, Alex Ross Perry, 2009
The Color Wheel, Alex Ross Perry, 2011
Listen Up Philip, Alex Ross Perry, 2014
 
November 3
Utamaro and His Five Women, Kenji Mizoguchi, 1946
The Brothers and Sisters of the Toda Family, Yasujiro Ozu, 1941
Burden of Life, Heinosuke Gosho, 1935
Black Lizard, Umetsugu Inoue, 1962
Ronin-Gai, Masahiro Makino, 1957
 
November 6
Still Walking, Hirokazu Kore-eda, 2008
 
November 7
Washingtonia, Konstantina Kotzamani, 2014
 
November 10
Stolen Desire, Shohei Imamura, 1958
Intentions of Murder, Shohei Imamura, 1964
The Pornographers, Shohei Imamura, 1966
Profound Desire of the Gods, Shohei Imamura, 1968
 
November 13
Everlasting Moments, Jan Troell, 2008
 
November 14
Pickle, Amy Nicholson, 2016
Desert Hearts, Donna Deitch, 1986
 
November 16
Twin Peaks: Fire Walk With Me, David Lynch, 1992
 
November 17
Police, Adjective, Corneliu Porumboiu, 2009
Eva, Gustaf Molander, 1948
Scrubbers, Mai Zetterling, 1982
Girl with Green Eyes, Desmond Davis, 1964
 
November 21
The VampireJean Painlevé, 1945
 
November 22
Heart of a Dog, Laurie Anderson, 2015
 
November 24
Permanent Vacation, Jim Jarmusch, 1980
Bergman Island, Marie Nyreröd, 2006
The Challenge, Milton Rosmer and Luis Trenker, 1938
Fanfan la Tulipe, Christian Jacque, 1952
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE

ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.
 
ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.

ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.

PATREON BUTTON

June 26, 2017

JULY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!

      
 
JULY PROGRAMMING ON THE CRITERION CHANNEL ON FILMSTRUCK!
 
Includes Adventures in Moviegoing with Brad Bird, Yasujiro Ozu's Tokyo Story,
and Andrew Haigh's Weekend!
 
Saturday, July 1
Changing Faces

What does a face tell us even when it's disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju's Eyes Without a Face (1960) and Hiroshi Teshigahara's The Face of Another (1966).
 
Tuesday, July 4
Tuesday's Short + Feature: Premature* and Ten*

Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master Abbas Kiarostami in two films that take place entirely within moving cars. In Enger's 2012 short Premature, a pregnant Spanish woman has an agonizing encounter with her boyfriend's family upon arriving in Norway, while in the 2002 feature Ten, Kiarostami takes a boldly minimalist approach to the fissures within Iranian society, capturing ten conversations between a female driver and a series of passengers.
*Premiering on the Channel this month. 
 
Wednesday, July 5
Weekend*: Criterion Collection Edition #622

A casual hookup between two young men teeters on the cusp of something more in this bittersweet romance, the breakout film by British director Andrew Haigh (45 Years). Our edition includes interviews with Haigh and his cast and collaborators, footage from the film's shoot, and two of the director's early shorts.
*Premiering on the Channel this month. 
 
Thursday, July 6
Grand Illusion: Criterion Collection Edition #1

"If I had only one film in the world to save, it would be Grand Illusion," said Orson Welles. No wonder it was our first DVD edition! Jean Gabin, Pierre Fresnay, and Erich von Stroheim star in Jean Renoir's masterpiece, a prison-escape film that sounds an elegiac note for the doomed nobility of Europe. We're commemorating the eightieth anniversary of this masterpiece - and the ongoing World War I centennial - with our edition, which includes video footage of Renoir discussing his experiences in combat.
 
Friday, July 7
Friday Night Double Feature: Breaker Morant and Mister Johnson

Australian director Bruce Beresford, celebrated for American hits like the Oscar-winning Driving Miss Daisy and Tender Mercies, broke through internationally with Breaker Morant (1980), the riveting drama of three Australian soldiers who are court-martialed and made scapegoats for the crimes of the British Empire during the Boer War. Ten years later, he again trained his eye on the human costs of colonialism in Mister Johnson, which adapts Joyce Cary's novel about a Nigerian villager who seeks to ingratiate himself with the British authorities in hopes of realizing his ambitions.
 
Tuesday, July 11
Tuesday's Short + Feature: Taris and Three Colors: Blue

In 1931's Taris, Jean Vigo uses every trick in his toolbox-including underwater photography, whiplash editing, and slowed and reversed motion-to capture the athletic prowess of a champion swimmer. We've paired this short with another film that makes evocative use of water: the mournful first entry in Krzysztof Kieślowski's Three Colors trilogy, in which a grief-stricken Juliette Binoche finds solace in a blue-lit swimming pool.
 
Wednesday, July 12
Senso: Criterion Collection Edition #556

Period melodrama doesn't get more operatic than this Luchino Visconti masterpiece from 1954, adapted from a novella by Italian author Camillo Boito. The film's lush Technicolor palette glistens anew in a celebrated restoration by The Film Foundation and the Cineteca di Bologna featured on our edition, which also includes The Wanton Countess, the rare English-language version of the film, and documentaries on the production and Visconti's work in opera.
 
Thursday, July 13
Tokyo Story: Criterion Collection Edition #217

Widely regarded as one of the greatest films of all time, Yasujiro Ozu's 1953 family drama follows an aging couple as they pay a visit to their increasingly distracted adult children in the city, giving profound expression to the director's recurrent theme of intergenerational conflict. Supplements on our edition include I Lived, But . . ., a feature-length documentary about Ozu's life and career, as well as Talking with Ozu, a tribute to the master with reminiscences by filmmakers such as Lindsay Anderson, Hou Hsiao-hsien, and Wim Wenders.
 
Friday, July 14
Friday Night Double Feature: The Earrings of Madame de . . . and Elena and Her Men

Journey back to the belle epoque with two films that revolve around dazzling women in high society, both by master filmmakers: Max Ophuls's 1953 The Earrings of Madame de . . ., a romantic tragedy swept along by the director's famously fluid camera work, stars Danielle Darrieux as a general's wife who falls in love with a baron, while Jean Renoir's 1956 Elena and Her Men, a freewheeling farce shot in lavish Technicolor, stars Ingrid Bergman as a Polish princess whose allure ultimately steadies the French government.

Monday, July 17
Cameraman: The Life and Work of Jack Cardiff*

Jack Cardiff, who in 2001 became the first honorary Oscar recipient to win primarily for his work as a cinematographer, gets a close-up of his own in this 2010 documentary by Craig McCall. The film surveys a career that included collaborations with King Vidor, Alfred Hitchcock, and, most famously, Michael Powell and Emeric Pressburger. We're showcasing two of the most stunningly vibrant Technicolor films he made with the Archers: the gripping convent drama Black Narcissus (1947) and the bewitching ballet fantasia The Red Shoes(1948).
*Premiering on the Channel this month. 
 
Tuesday, July 18
Tuesday's Short + Feature: Asparagus* and Eraserhead

Reuniting two movies that made a mark playing back-to-back on the midnight-movie circuit in the late seventies, this week's Short + Feature pairs off David Lynch's unnerving black-and-white family nightmare Eraserhead with Suzan Pitt's colorful animated short Asparagus, a psychosexual phantasmagoria that, like Lynch's film, goes all in on surrealist imagery.
*Premiering on the Channel this month. 
 
Wednesday, July 19
Cameraperson*: Criterion Collection Edition #853

Deftly weaving together outtake footage she shot while on assignment for other films, veteran documentary cinematographer Kirsten Johnson's lauded directorial debut takes viewers all over the world, from a hospital in Nigeria to a farm in Bosnia to a boxing match in Brooklyn, as it reflects on the nature of nonfiction filmmaking and a life spent on the road. Our complete edition features a program on the editing of the film, interviews with Johnson and her collaborators, and more.
*Premiering on the Channel this month. 
 
Thursday, July 20
The Thin Blue Line: Criterion Collection Edition #753

A watershed work in the history of the documentary form, and a stylistically influential film featuring staged reenactments and a swirling score by Philip Glass, Errol Morris's 1988 true-crime masterpiece The Thin Blue Line closely examines the case of a man on death row for the murder of a police officer - a crime he may not have committed. New interviews with Morris and The Act of Killing director Joshua Oppenheimer are among the supplements on our director-approved edition.
 
Friday, July 21
Friday Night Double Feature: The Rocking Horse Winner* and Oliver Twist

The young British actor John Howard Davies headlines two classic literary adaptations about the fickle fortunes of boyhood: Anthony Pelissier's 1949 The Rocking Horse Winner, a little-known gem based on a short story by D. H. Lawrence, tells the tale of a child who discovers a magical talent for predicting the outcomes of horse races; David Lean's 1948 masterpiece Oliver Twist, based on the Dickens novel, tags along with the titular orphan as he lands in a den of thieves in the notorious underworld of nineteenth-century London.
*Premiering on the Channel this month. 
 
Saturday, July 22
Split Screen Season 6

Two decades after it premiered on IFC, the pioneering television series Split Screen has a streaming home on the Channel, with batches of episodes from the show's four-year run going up every month. A priceless time capsule of independent American cinema at the turn of the millennium, the series features producer and host John Pierson guiding viewers across the country for an irreverent look at filmmaking communities and movie-loving culture. This month's newly available installments include appearances by Billy Wilder, George Kuchar, Guy Maddin, and Jonas Mekas.
 
Monday, July 24
Adventures in Moviegoing with Brad Bird and Joe Morgenstern

The director of Mission: Impossible - Ghost Protocol and some of the most acclaimed animated films of the past few decades (Ratatouille, The Incredibles, The Iron Giant), Brad Bird speaks with Pulitzer Prize-winning film critic Joe Morgenstern about his journey through cinema. Alongside the interview is a selection of films that have had an impact on Bird's life, including The Red Shoes (1948), Yojimbo (1961), and Stranger Than Paradise (1984). This program marks the eighth installment of Adventures in Moviegoing, a Channel-exclusive series in which artists from a variety of backgrounds discuss their formative cinematic experiences. Previous contributors include Jhumpa Lahiri, Jonathan Lethem, Mary Karr, Roger Corman, and Bill Hader.
 
Tuesday, July 25
Tuesday's Short + Feature: Kitty* and Fat Girl

Actor Chloë Sevigny made her directorial debut with Kitty, a luminous adaptation of a 1980 Paul Bowles short story in which a young girl finds herself transformed into a cat. Sevigny's film, which had its premiere at Cannes, serves as a prelude to a provocative feature that the director has selected herself: Catherine Breillat's 2001 Fat Girl, a shocking portrait of adolescent sexuality and strained sisterhood.
*Premiering on the Channel this month. 
 
Wednesday, July 26
The Graduate: Criterion Collection Edition #800

This year marks the fiftieth anniversary of Mike Nichols's The Graduate, one of the most influential American films of the 1960s. In this bitingly funny tale of postcollegiate existential confusion, a young Dustin Hoffman stars as Benjamin Braddock, a recent graduate who has an affair with an older, married friend of the family (Anne Bancroft). Our edition features an audio commentary with Nichols and Steven Soderbergh, screen tests, a program on Harold Michelson's innovative storyboards, and interviews with Hoffman, screenwriter Buck Henry, and Paul Simon, whose songs form the centerpiece of the film's iconic soundtrack.
 
Thursday, July 27
Observations on Film Art No. 9: Chaplin's Comedy of Murders

Our Channel-exclusive series Observations on Film Art offers thought-provoking doses of film school for movie lovers, delivered by professors David Bordwell, Kristin Thompson, and Jeff Smith, the authors of the canonical textbook Film Art: An Introduction. This month's episode features Bordwell examining how Charlie Chaplin jettisoned his iconic tramp persona to portray a cold-blooded serial killer in the 1947 satire Monsieur Verdoux. Previous subjects in this series include offscreen sound in Claude Chabrol's La cérémonie, camera movement in Krzysztof Kieślowski's Three Colors: Red, music in Alfred Hitchcock's Foreign Correspondent, editing in Akira Kurosawa's Sanshiro Sugata, and landscapes in the work of Abbas Kiarostami.   
 
Friday, July 28
Friday Night Double Feature: La tête d'un homme and Stray Dog

Go on the chase with some of cinema's most charismatic detectives in this pair of thrillers inspired by the writing of Georges Simenon. In Julien Duvivier's 1933 La tête d'un homme, Harry Baur stars as the author's most iconic creation, Inspector Maigret, who spends the film investigating an American woman's murder in Paris. Toshiro Mifune's rookie homicide detective scours a sweltering Tokyo for his stolen gun, with the help of a seasoned detective (Takashi Shimura), in Akira Kurosawa's 1949 psychologically penetrating drama Stray Dog
 
---

Complete list of films premiering on the Criterion Channel this month:

July 1
A Woman's Face, George Cukor, 1941
The Face Behind the Mask, Robert Florey, 1941
 
July 4
Premature, Gunhild Enger, 2012
Ten, Abbas Kiarostami, 2002
 
July 5
Weekend, Andrew Haigh, 2011
 
July 7
Young and Innocent, Alfred Hitchcock, 1937
 
July 14
What Did the Lady Forget?, Yasujiro Ozu, 1937
Ornamental Hairpin, Hiroshi Shimizu, 1941
Princess Yang Kwei-fei, Kenji Mizoguchi, 1955
Samurai Saga, Hiroshi Inagaki, 1959
The Third Shadow Warrior, Umetsugu Inoue, 1963
Sincere Heart, Masaki Kobayashi, 1953
 
July 17
Cameraman: The Life and Work of Jack Cardiff, Craig McCall, 2010
 
July 18
Asparagus, Suzan Pitt, 1979
 
July 19
Cameraperson, Kirsten Johnson, 2016
 
July 21
Fallen Angels, Wong Kar-wai, 1995
Chinese Odyssey 2002, Jeffrey Lau, 2002
Miao Miao, Cheng Hsiao-tse, 2008
The Eagle Shooting Heroes, Jeffrey Lau, 1993
The Rocking Horse Winner, Anthony Pelissier, 1949
 
July 25
Kitty, Chloë Sevigny, 2016
 
July 28
And the Ship Sails On, Federico Fellini, 1983
Il bidone, Federico Fellini, 1955
Le petit soldat, Jean-Luc Godard, 1963
 
FOR MORE INFORMATION AND TO JOIN FILMSTRUCK VISIT HERE


ABOUT THE CRITERION CHANNEL
 
The Criterion Channel offers the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming. The channel's weekly calendar features complete Criterion editions, thematic retrospectives, live events, short films, and select contemporary features, along with exclusive original programming that aims to enhance the Criterion experience for the brand's dedicated fans as well as expanding its reach to new audiences. Other recent additions to the programming include MEET THE FILMMAKER: ATHINA RACHEL TSANGARI and ADVENTURES IN MOVIEGOING WITH BILL HADER.


ABOUT FILMSTRUCK

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.


ABOUT THE CRITERION COLLECTION

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium-from laserdisc to DVD and Blu-ray to FilmStruck, the streaming service developed in collaboration with Turner Classic Movies - Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer's appreciation of the art of film.
 
 
 
For more information on FilmStruck and The Criterion Channel,
 

June 06, 2017

FILMSTRUCK NOW AVAILABLE ON ROKU

June 5, 2017

FilmStruck Now Available on Roku Platform

FilmStruck, the largest streaming library of contemporary and classic arthouse, indie, foreign and cult films and the exclusive streaming home to the Criterion Collection, is now available on Roku® devices. FilmStruck's impressive library features a deep roster of constantly refreshed films from major Hollywood studios and celebrated indie studios and include award-winning titles such as Babette's Feast, Blow Out, Boyhood, Breaker Morant, Chicago, A Hard Day's Night, My Life as a Dog, Our Song, The Player, A Room with a View, Seven Samurai, The Seventh Seal, Thelma & Louise, The Times of Harvey Milk and The Umbrellas of Cherbourg. FilmStruck offers cinephiles a fully curated streaming experience including archival footage, audio commentaries, original film trailers and filmmaker interviews.

FilmStruck is also available for streaming on Google Chromecast second generation and Chromecast Ultra devices, Apple TV 4th generation devices, Amazon Fire TV, web, iOS and Android devices

Roku is a registered trademark of Roku, Inc. in the U.S. and in other countries. 
 

About FilmStruck

FilmStruck is a new subscription on-demand service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films. Developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection, FilmStruck will be the new exclusive streaming home for the critically acclaimed and award-winning Criterion Collection, including the Criterion Channel, a new premium service programmed and curated by the Criterion team.  FilmStruck is Turner's first domestic direct-to-consumer offering launched in November 2016.

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