For his latest filmic exploration, François Ozon embraces a complexity of sexual, personal, social, familial, gender-based, and technological issues with increasingly finer brush-strokes toward a striking synthesis of generational catharsis. That he does so via a story about Isabelle (exquisitely played by Marine Vacth), a 17-year-old bourgeoisie beauty engaged in DIY prostitution, enables one of France’s most consistent filmmakers to grow in proportion to the promise of his well-seeded career. (click to read more)
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