CRANK

Relying upon an abbreviated and accelerated plotline informed by Rudolph Mate’s 1949 film noir classic “D.O.A.”, “Crank” is a hard-R-rated chase-and-smash movie fixed around Euro action movie magnet Jason Statham (“The Transporter”) as Chev Chelios, an ill-fated freelance hit man.

Chev awakens to find that he has been given a poisonous “Beijing Cocktail” the night before by Los Angeles criminal kingpin Verona (Jose Pablo Cantillo) that will kill him if he allows his adrenal gland to rest. With only one hour to live regardless of how amped up he can keep himself Chev keeps his blood pumping in order to hunt down the cocky Verona while inexplicably finishing off a prior hit assignment against crime honcho Don Kim (Keone Young).

“Crank” noticeably lacks Jason Statham’s signature martial arts moves from his “Transporter” movies in favor of octane-fueled vehicle sequences to keep the audience’s pulse racing. Here Statham hits his stride after his promising debut in Guy Ritchie’s “Lock, Stock And Two Smoking Barrels” (1998). His work here carries a heretofore unseen comic sensibility.

Writer/directors Mark Neveldine and Brian Taylor deploy a wealth of mutual experience they gained making digitally shot television commercials. They have created an irreverent action picture that plays like a big-screen version of the video game “Grand Theft Auto” with offbeat characters doing shocking things. Amy Smart (“Starship Troopers”) adds especially profane pizzazz as Chev’s loopy but supportive girlfriend Eve.

Eve remains sympathetic to Chev’s peculiar plight, even after discovering during the final hour of his life that he is a hired killer rather than the video game programmer he claimed to be in the past. If Chev needs an energy boost to stay alive while driving a car, Eve is happy to aid his cause with her own saliva.

When Chev needs a little pick-me-up while running through Chinatown in an open-backed hospital gown, Chev takes Eve from behind in front of hundreds of bystanders to emphasize her devotion and increase Chev’s heart rate.

The unpretentious romantic interplay between the lovers provides a humanistic respite from Chev’s hyper-kinetic movement. Country musician Dwight Yoakam does a respectable job as Chev’s quirky on-call medical adviser Doc Miles whose plainspoken advice provides essential exposition to the bare bones story line.

For all of his action movie idol status, Jason Statham flirts with the outré ridiculousness built into the script for “Crank.” You can almost literally see him contemplating putting his tongue in his cheek even if he never breaks character to actually do it. “Crank” is a politically incorrect black comedy that glorifies adrenaline in the same way that practitioners of extreme sports seek out life threatening situations to send the self-produced chemical through their bodies. It’s a satire of America’s sex, drugs and rock ’n’ roll culture mirrored by its proclivity for a combat mentality of revenge, desperation and death.

On a personality level, Jason Statham has created his own genre of action movie. He’s shallow, brittle and recklessly graceful, and consequently represents a quality of youth that isn’t yet willing to let the mind do the work of the body. Bruce Willis was the last generation’s Jason Statham. Now the baton has been tossed to an international player with a better jaw line.

Rated R. 83 mins.