THE CENTRAL PARK FIVE

by

Central_park_fiveSeeking Justice
Ken Burns Takes One for the Team

It’s tempting to think that gross miscarriages of justice are less likely to occur in big cities, where police and judicial oversight are theoretically more prevalent than small insular towns — like Memphis for example. Not so. Witness the sordid handling of the notorious “Central Park Jogger” case. An April 19, 1989 brutal beating and rape of a twentysomething white woman led to the railroading of five teenagers, all members of minority groups, whose convictions were eventually vacated — but only after serving more than 41 combined years in prison.

2012 has been an outstanding year for documentaries. Ken Burns’s reputation as one of our era's finest documentarians informs the film’s airtight veracity.

Burns made “The Central Park Five” with his daughter Sarah and her filmmaker husband David McMahon, a frequent contributor to Burns’s films. No effort is spared to expose the misconduct and complicity of New York City police detectives, prosecuting attorneys — you’ll never buy another Linda Fairstein novel — media outlets, political figures, and such racist fringe celebs as Donald Trump. Careers were made; justice be damned.

Screen Shot 2024-02-05 at 12.49.23 PM

Burns eschews narration, letting the story speak for itself. Precise editing allows the story to seamlessly unfold. Wide-ranging individual interviews with the five wrongly accused defendants — now in their thirties — reveal likable personalities and the scars of the injustice they endured. News footage and press clippings show how a tidal wave of public hate was pointed at the five accused boys. Former New York City Mayor Koch dubbed the event “the crime of the century.” He should have called it the “railroading of the decade.”

Screen Shot 2024-02-05 at 12.51.44 PM

The District Attorney’s case was built on videotaped confessions extracted from the boys — none of whom had ever met — after more than 24 hours of interrogation. Intimidated into giving up their right to consult an attorney, the boys riffed off of information fed to them by the police — creating fiction from fiction. Burns’s inclusion of the boys’ videotaped confessions speaks volumes about the police misconduct as it was performed.

Screen Shot 2024-02-05 at 12.54.23 PM

Police promised each of the anxious boys they could go home if they told them what they wanted to hear. One clear message from the film is that no arrested person should ever give up his or her right to remain silent, or to have an attorney present during questioning. It doesn’t take much to extrapolate that this type of police misconduct goes on every minute of every day in police precincts all over America.

Screen Shot 2024-02-05 at 12.55.30 PM

Clear-eyed commentary from such reliable sources as New York Times reporter Jim Dwyer describes the feeding frenzy atmosphere that painted the five teens as rapists and killers while the real attacker, Matias Reyes, was left free to continue his rampage of attacks across Manhattan’s Upper East Side. The city’s mishandling of the Central Park Jogger case allowed Reyes to attack five other women — one of whom who died— before he was finally arrested on August 5, 1989. Reyes’s eventual confession led to a positive DNA match with evidence found at the crime scene.

Cp5

The city of New York still has not settled the case to make the wrongfully convicted men whole. Each man is suing the city for $50 million in damages. In Ken Burns’s words, “After 13 years of justice denied – which everyone agrees on — there’s suddenly now justice delayed, which we know is just justice denied.”

Justice, as many wrongly accused Americans can attest, is not what we do here in the trademarked “land of the free.”

 

Not Rated. 120 mins.

5 Stars

FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up