NON-STOP

by

ColeSmithey.comYet another standard-issue thriller — this one starring the ever-watchable Liam Neeson on leading man duties — “Non-Stop” is a perfect guilty pleasure. So what if the plot makes little sense? The purpose of this popcorn movie is for its audience to check its collective brain at the door and soak up the film’s amusing sense of escalating suspense and calculated interplay between characters for the dumb fun of it all.

ColeSmithey.com

Neeson plays federal air marshal Bill Marks. Bill is an alcoholic with a wee chip on his shoulder. You know the archetype. Bill gets panicked during takeoffs no matter how much time he spends in the air; it is his job, after all. Bill winds up seated next to Julianne Moore’s dorky professional woman Jen Summers (witness Moore’s clever take on the sexy librarian). The couple will get to know each other much better during their eventful transatlantic flight.

ColeSmithey.com

The presence of a second air marshal onboard jumpstarts the film’s lively second act. It’s not much of a spoiler to alert you to the fact that people perish during Bill’s furious attempts to identify a mystery hostage-taker onboard.

Bill receives a text on his cell-phone from a fellow passenger. The message demands an immediate bank transfer of $150 million within 20 minutes, or else one of Bill’s unsuspecting seatmates will die. Another will be killed for every additional 20 minutes that passes until the money is delivered.

ColeSmithey.com

The limited areas of the airplane’s choked interior allows director Jaume Collet-Serra (the director of “Unknown,” the film that established Liam Neeson as an action-film leading man) to maximize the film’s well-placed budget toward a spectacular climax that pays off on the movie’s goofy premise.

ColeSmithey.com

Cinematographer Flavio Labiano takes advantage of stylish production and lighting elements to give the movie an intriguing modern look. An inventive use of over-layered text graphics during text exchanges between Bill and the unknown villain, adds to the film’s glossy and fluid visual designs. “Aqualantic” is the name of the airline. The made-up title speaks to the screenwriters’ cool sense for blending style with substance. A casting masterstroke places Michelle Dockery (of “Downton Abbey” fame) opposite Lupita Nyong (“12 Years a Slave”) as the flight’s pair of fearless stewardesses. Both actresses contribute mightily in supporting roles that are anything but throwaway.

ColeSmithey.com

Neeson and Moore share a groovy chemistry that elevates the thriller MacGuffin underpinning the action. Bill trusts Jen enough to confide in her regarding the crisis. Bill needs Jen’s help, and he doesn’t think twice about requesting it. Still, Bill has doubts about Jen as a possible suspect in the midst of escalating tragedies that unfold.

ColeSmithey.com

The movie stays well within its PG-13 rating confines. Hardly a drop of blood is shown. Collet-Serra keeps the tone focused and clean, with a touch of romantic tension for good measure. Humor thrives amid the chaos that afflicts the film’s large-but-contained group of miscellaneous character types. The filmmakers aren’t above the camp fun on display. Everyone is in on the joke — including you.

Rated PG-13. 110 mins.

3 Stars

Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Patreon
FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up