BATTLE OF THE SEXES
It’s a given that Emma Stone would seamlessly slip inside Billy Jean King’s skin. It’s equally predictable that Steve Carell would embody aging tennis star and gambling addict Bobby Riggs with a portrayal that walks a fine line between a comic and tragic figure. But what impresses most about co-directors’ Jonathan Dayton’s and Valerie Faris’s equality-focused time capsule is how Andrea Riseborough’s lesbian hairdresser Marilyn Barnett encompasses emotional, political, and social issues being put through a cartoon media blender regarding a tennis match in 1973.
“Battle of the Sexes” is a rebellious movie set during the confusion of the Watergate conspiracy that witnessed President Richard Nixon's resignation from office a year after Billy Jean King played Bobby Riggs. Upset by the much higher pay awarded to male tennis players over their female counterparts by the USLTA (under Jack Kramer – Bill Pullman), Billy Jean King and her business partner Gladys Heldman (Sarah Silverman) break with the USLTA to start their own women’s tennis tournament. Ironically, it’s a tobacco company that takes on sponsoring the Virginia Slims Womens’ Tennis Tournament.
Andrea Riseborough is this film’s secret weapon. The romantic chemistry between Stone and Riseborough give the audience something to root for other than an exploitation tennis match promoted by three-time Wimbledon champion who could teach boxing promoter Don King a thing or two.
The tennis match scenes are well-crafted even if the movie doesn’t end on the strongest note. Pamela Martin’s editing is this film’s biggest stumbling block. The movie could lose 15 minutes and achieve a greater effect. Goofy secondary plot elements, such as Fred Armisen as a vitamin guru, go nowhere. There is a better movie hiding inside the one you see.
Rated PG-13. 121 mins. (B) (Three stars — out of five / no halves)
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