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June 16, 2024

WORKING GIRLS — THE CRITERION COLLECTION

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ColeSmithey.comLizzie Borden's third film, behind "Regrouping" (1979) and "Born In Flames" (1983), is a perfect chamber-piece of neo-realist social satire.

The film's feminist trappings of an '80s era Manhattan brothel provides the frame for a piercing commentary on the effects of American capitalism on women.

"Working Girls" could easily be adapted to be a modernday Broadway play.

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It would be a sensation for its timeless qualities of social, sexual, and economic truth.

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Molly (Louise Smith), a professional photographer, lives with her lesbian girlfriend when she isn't working as a sex worker in a Manhattan brothel run by a domineering madam.

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"Have you ever heard of surplus value?"

That theme line shoots like a sharp political dart when a character speaks it.

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“All workers create more value at work than they receive in wages. The extra surplus value goes into the boss’s pocket as profit.”

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Surplus value is "the surplus produced over and above what is required to survive, which is translated into profit in capitalism. Since the capitalist pays a laborer for his/her labor, the capitalist claims to own the means of production, the worker's labor-power, and even the product that is thus produced."

Female hands hold cups of coffee, count money, and remove cum-filled condoms.

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Everyone chisels; there is no place to hide.

Not Rated. 93 mins.

5 Stars

Cozy Cole

ColeSmithey.com

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