By far the best film to come along in the first half of 2017, “Manifesto” is as thought and discussion-provoking as films come. It also happens to be entertaining as hell. This is one provocative movie about the ongoing culture wars that disrupt our lives in the most intrinsic ways.
Writer/director Julian Rosefeldt comments on modern life and art through a textual landscape created from different manifestos from such authors as Marx and Engels, and Filippo Tommaso Marinetti’s “The Founding and Manifesto of Futurism.” Still the barrage of ideologies remains refreshingly transparent thanks to the social setting of each of the film's highly stylized backgrounds.
Cate Blanchett shows off her chops in a virtuosic display in which she plays 13 different characters, each with a lot to say about art, commerce, creativity, love, hope, desire, geo-global politics, death, global warming, passion, ignorance, authenticity, capitalism and family. If that sounds like a lot, be assured that I have but scratched the surface of the ambitious ideas that Blanchett embodies with a ferocity of purpose seldom seen on stage or screen.
Even the Dogma 95 manifesto makes an appearance in an elementary classroom full of whip-smart students. There’s even a surprise ending that reveals the harmony hidden between each of Cate Blanchett’s wildly different characters.
“Manifesto” is a beautifully conceived think-piece that takes the viewer on a journey of ideas and expression. Any person interested in bold artistic statements should check out this tour de force art film delivered with virtuosic precision from one of the world’s greatest living actresses. It’s not too far a stretch to call this film a real treasure. Bon appetite.
Not Rated. 95 mins. (A+) (Five stars — out of five / no halves)