THE CARD COUNTER

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Poignant. A real movie.

Paul Schrader, a textbook auteur if ever there was, flexes his filmmaking muscles again.

Say what you will about the work of this prolific genius so long as you take into account Schrader's undeniable integrity to his art.

Rare.

Schrader skillfully employs dramatic license to get at deeper truths in his characters' souls.

We live and die through our actions, every single action that we take.

Restraint.

God's lonely man continues his journey though Paul Schrader's rich oeuvre. 

How lucky we are. 

Rated R. 111 mins.

MOLLY'S GAME

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Screenwriter Aaron Sorkin’s directorial debut is a polished medium-budget adaptation of Olympic-skier-turned-poker-queen Molly Bloom’s book of the same title. Jessica Chastain is well cast as the title character, a business-minded entrepreneur who became the target of a legal attack from the F.B.I. after running a high-stakes poker in Southern California and midtown Manhattan. 

Molly lucks out when she secures Charlie Jaffey (Idris Elba) as her legal counsel. Sorkin's creative narrative structure plays as a courtroom drama in reverse. The fun lies with watching an intelligent, independent-minded woman launch a highly profitable business while learning on the fly in the company of big male egos trying to outdo one another. 

Sorkin uses tightly composed scenes, packed with lean dialogue, to form volatile sequences that unite exposition with motivation and visual panache. On-screen graphics embellish poker sequences to telegraph inside information about the hands being played with a voice-over bump. The film isn't want for aside-slipping sense of humor either. This is quality cinematic storytelling. If only Hollywood made more films in the vein of “Molly’s Game.”  

Rated R. 140 mins. 

THE CINCINNATI KID

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This cinematic treatment of Richard Jessup’s novel, about an up-and-coming ’30s poker champ, benefited from screenwriting contributions by Ring Lardner Jr. ("M*A*S*H") and Terry Southern ("Easy Rider").

However, it’s the film’s stellar cast, along with a gritty narrative and stylized direction, that makes The Cincinnati Kid the best poker movie ever. Hotshot poker player Eric Stoner, a.k.a. “The Kid” (unforgettably played by Steve McQueen), goes up against old-guard poker master Lancey Howard, a.k.a. “The Man” (Edward G. Robinson), in a marathon game of five-card stud that will decide if The Man will be replaced.

Roguish Rip Torn plays Slade, a spiteful local tycoon with a vested interest in seeing Howard beaten after being “gutted” in a poker game by The Man.

The film’s characters are clearly defined by their actions leading up to the final poker scene so that we comprehend Stoner and Howard as serious poker competitors who view money as a tool to poker as “language is to thought.”

When the final hand is played, Stoner has cleverly quelled Slade’s attempt to fix the game in his favor with a cheating dealer (Karl Malden), and has worn Howard down in spite of The Man’s various attempts to psyche him out. McQueen and Robinson exhibit perfect poker-faced control in the scene as they each go “all in” with the makings of a full house against a straight flush.

Casinos and poker scenes have been widely used in films from around the world, from Bollywood poker videos to independent films, to documentaries and Hollywood blockbusters. The big poker lesson here is that “sometimes the cards fuck you.” Neither Hollywood nor poker gets any truer than that.

Not Rated. 102 mins.