The narrative is appropriately thin in this wildly inspired homage to European crime action movie tropes of the ’70 (think “Zabriskie Point”). As a result, “Let the Corpses Tan” plays better as a retro art instillation piece or as a film you could project on a giant party screen for revelers to get wasted as they engage in all types of sexual misconduct.
Nonetheless, Belgian writing/directing duo Helene Cattet and Bruno Forzani (“The Strange Color of You”) wring a lot of movie out of their “genre” (low budget) exploration.
Although it sports one of the most incendiary film titles in recent memory, “Let the Corpses Tan” is too one-note to hold your interest for its 92 minutes regardless of how much fetishistic attention is paid to every gritty detail involving a stand-off between gangsters in a remote dusty seaside location.
The filmmakers revel in playing tricks with your eyes as when, what seems to be, an overhead shot of the location’s compound is overrun with [seemingly giant] ants. Sure it’s all style with not much substance but that’s the point. If you’re in the mood for virtuosic visual panache involving machine guns, gold, cars, motorcycles, fire, smoke, and blood, then you’re in business.
Groupthink doesn't live here, critical thought does.
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