23 posts categorized "Italian Cinema"

February 21, 2022

TEOREMA — THE CRITERION COLLECTION

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

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ColeSmithey.comShocking Cinema.

Pier Paolo Pasolini flexes his polemical and satirical muscle with Avant-garde panache.

Pasolini's formal approach establishes his strict dialectic.

Terence Stamp is exquisite as an interloping gigolo who seduces a bourgeoise family, one by one.

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Hilarious and chilling at once.

"Teorema's" sturdy structure allows Pasolini's rich metaphorical narrative to envelope the audience.

Enthralling.

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"Teorema" is a tour de force of filmmaking unlike anything else.

Answers and questions are left for the viewer to puzzle over.

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Life is fragile. Intimacy brings danger.

Social constructs are sitting ducks.

Pasolini is God, along with Iggy, Stiv, Mick, and Poly Styrene.

Not Rated. 98 mins. 

5 Stars

Cozy Cole

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February 20, 2022

THE HAND OF GOD

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

Welcome!

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Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

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ColeSmithey.comDreadful.

This movie is a dog.

Dogdamn it. 

Paolo Sorrentino's filmic coming-of-age memoir has some pretty scenery but plays like a train going .001 miles per hour.

Characters ostensibly based on real people are just hateful, mean, and socially destructive.

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Rob Brydon's and Steve Coogan's "Trip To Italy" movie is a much better choice if a modern day Italian travelogue is what you're after .

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Rated R. 130 mins. 

ZERO STARS

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

This website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon. Thanks a lot pal!

Cole Smithey on Patreon

January 12, 2021

CHRIST STOPPED AT EBOLI — THE CRITERION COLLECTION

1aaFrancesco Rosi’s 1979 filmic adaptation of Turinese political activist Carlo Levi’s popular 1945 memoir, about his year spent in political exile suffering Draconian punishments under Mussolini’s fascist regime, is a fluid masterpiece of social realism.

The film’s evocative title is taken from that of Carlo Levi’s chronicle of exposure to Fascism's harsh effect on a specific group of people.

Although you might suppose from the title that Christ visited the small southern Italian town of Eboli, however the context is something more; Christ never went beyond Eboli, which is to say he never witnessed the tragic condition of the remote village of Aliano — renamed as “Gagliano: in the book and film.

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Levi wrote, “Christ stopped at Eboli where the road and the train abandon the coast and the sea, and venture into the wastelands of Lucania. Christ never came here. Nor did time, the individual soul, or hope, nor did cause and effect, reason or history.”

Christ-Stopped-at-Eboli2

In 1929, Carlo Levi — not to be confused with his fellow Turinese anti-fascist peer Primo Levi — co-founded the anti-fascist movement Giustizia e Libertà with Carlo and Nello Rosselli. Although Levi graduated with a degree in medicine in 1924, he was inspired to become an artist. Painting allowed Levi private time to carry on private political discussions with activist friends who would sit as portrait models in his studio. The ruse only worked so well for so long. In 1935, Carlo Levi was arrested and exiled to Aliano, in Italy’s Lucania region. The deprived village relates to a similarly poor remote Spanish settlement in Luis Buñuel’s 1933 bold documentary “Las Hurdes: Tierra Sin Pan” (“Land Without Bread”).

Christ-stopped-at-eboli

Aliano presents a “land of disease, poverty, and distrust — from a people abandoned and forgotten by the state.” Clearly, Mussolini’s intent was that Carlo Levi might not survive a year spent in a remote place plagued by malaria and fellow political exiles whose attitudes didn’t necessarily coincide with those of Levi. Rather, Levi was compelled to assist the community up to a point in spite of his less than charitable countenance.

Christstopped2

Francesco Rosi buries significant subtext in situational reality. For example, Levi adopts a stray dog at the beginning of the story only to silently abandon the canine soon thereafter. No mention of the dog ever comes up again. Rose elucidates through silence and absence. Less is more. Rosi’s eye for detail shines as when Levi meets his sister when she comes to visit; the siblings walk in perfectly matching steps together. Their DNA is the same. Rosi's deceptively simple detail speaks volumes about the honest and direct nature of the siblings's relationship, something that is revealed during their private discussions.  

Christstopped

Rosi’s uncanny ability to incorporate a specific Italian region’s locals (playing themselves) provides a foundation of authenticity that underpins the complex narrative with understatement and grace. Even the film's one flash of anger occurs as a substitute for seduction during a scene where Levi's maid bathes him. To watch "Christ Stopped At Eboli" is to go back in time. Politics be damned, life is where you are. Physical exile is real. Intellectualism suffers; culture suffers.

Christstopped

Francisco Rosi remains criminally neglected it the pantheon of great filmmakers. Rosi is right there with Roberto Rossellini and Luchino Visconti even if Rosi isn't as well known. The dynamic naturalism that Rosi captures and observes under his trained vision is astonishing if you take the time to savor it.  

Criterion treats this film with the respect it deserves. Lovely. If you dig collecting Criterion films, this one is a beauty.

Not Rated. 220 mins.Five Stars

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon. Thanks a lot pal! Every bit helps keep the reviews coming.

Cole Smithey on Patreon

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