6 posts categorized "Music"

November 08, 2019

ECHO IN THE CANYON

Echo_in_the_canyonThis beautiful musical performance/documentary love letter to Los Angeles’s mid ‘60s Laurel Canyon music scene that gave rise to The Beach Boys, The Mamas and the Papas, and The Byrds, is an addictive experience. I’ve watched it four times, and will gladly watch it again.

Jacques Demy’s underseen L.A.-set 1969 romantic drama “Model Shop” serves as inspiration for Jakob Dylan (a revelation as the band leader for a concert with a rotating group of co-singers that include Jade Castrinos, Cat Power, Fiona Apple, Beck, Regina Spektor, and Norah Jones) to interview the musicians who created such classics as “Go Where You Wanna Go” and “Never My Love.” Tingles run up your spine. 

Echo petty

Jakob's cool-hang interviews with the likes of pop music royalty as Stephen Stills, Brian Wilson, Tom Petty, Ringo Starr, Roger McGuinn, and Lou Adler allow for some hilarious tales told outside of school. Jakob Dylan’s subtle sense of humor get nice traction with Brian Wilson when discussing a song’s key. Jakob offers to “get out the capos.” Funny musician humor, I know, but I love it. Jakob Dylan is as unpretentious as they come  

Echo

Recording sessions as historic Los Angeles recording studios where great artists have recorded countless hits segue into Jakob Dylan’s live concert celebrating Laurel Canyon’s 50-year anniversary. The briefly utopic community of musicians who gravitated to Laurel Canyon created a Niagara of poetic pop songs turning folk music into rock ‘n’ roll. This is a groovy movie about a brilliant period of music that flourished before its awe-inspiring flight came to an inevitable end. This is a really fun movie to savor. My only complaint is that they didn't feature another four or five songs.

Echo2

Sidebar: Although it's never brought up in the film, the Laurel Canyon music was a direct outgrowth of Bossa Nova. Bossa's utopian romanticism came out of a desire to soften samba into a Sinatra-influences style. The early '60s period of Bossa Nova's explosive popularity in the country occurred prior to a movement of young musicians to turn up the heat on folk music and make it rock with the same attention to songwriting that Gilberto and Jobim utilized for their timeless songs.

Rated PG-13 — 88 mins. (A) Five StarsGet cool rewards when you click on the button to pledge your support through Patreon. Thanks a bunch pal!

Cole Smithey on Patreon

June 12, 2019

ROCKETMAN

RocketmanHindered by faulty construction and lax editing that tires out the audience long before its two-hour run time passes, “Rocketman” is nonetheless an energetic fantasy version of Elton John’s incredible career in music.

Inspired musical vignettes set to magnificent Elton John songs such as “The Bitch Is Back” or “Goodbye Yellow Brick Road” arrive with dance sequences that put “La La Land” to shame. There are times when it feels like the scattershot story gets in the way of the music.

This film’s overall success derives directly from Taron Egerton’s infectious performance as Elton John. His facial expressions deserve their own chapter in the latest book on the craft of film acting. There is magic here.

Rocketman-Taron-Egerton

This picture should serve as Egerton’s break-out feature film role given the vast gifts of physicality, emotional register, and dynamics on display here. You may not be familiar with Taron Egerton from his part in the forgettable “Kingsman” movie franchise, but Egerton’s Elton John blows Rami Malek’s Freddie Mercury off the stage. Judging from Egerton’s work here, it seems as if there is nothing this fine British actor cannot, or will not, do.

Rocketman

Jamie Bell elevates his supporting role as Bernie Taupin, Elton’s songwriting partner, to something sublime. Bell matches Egerton note for note, beat for beat, in every scene they share. The effect is mesmerizing. Bryce Dallas Howard fulfills her role as Elton John’s cruel mother Sheila with laser-like precision. It makes you want to see Bryce Dallas Howard in more movies.

Rated R. 121 mins. (B+)

Four Stars

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Cole Smithey on Patreon

March 06, 2019

MADE IN SHEFFIELD

MadeThe industrial city of Sheffield, England was the birthplace for the electronic pop explosion of post punk bands like "Vice Versa," "The Human League," "Heaven 17," "ABC,” and "Cabaret Voltaire." Slick style and cultural cool pulses, heats up, and grows on an international level in a bastion of fearless creativity. Here is an essential chapter of musical history brought to relevant life and context.   

In this enthusiastic, if brief (it clocks in at only 52 minutes), documentary filmmaker Eve Wood charts the lineage of the daring young musicians who created a modern and challenging brand of utopic music that lives on today through bands like "Stereolab" and "Ladytron." 

Made In Sheffield

Through interviews with band members (such as Phil Oakey of The Human League), and rare live performance footage, "Made In Sheffield" fills an essential period that linked Punk to the British New Wave with bands intent on destroying rock music. Interview subjects like the late John Peel, The Human League’s Phil Oakey and Ian Craig Marsh, and music critic Andy Gill shed light on the indispensable influence of Sheffield’s electronic music scene. This documentary is an important film for any serious music lover.

Not rated. 52 mins. (A-)Four Stars

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Cole Smithey on Patreon

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