REPO MAN — SHOCKTOBER!

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Alex Cox caught lightening in a bottle in 1984 with a snarly little L.A.-set independent movie that became a cult classic thanks to the success of its soundtrack (featuring Iggy Pop).

This kooky time-capsule political satire uses LA's hardcore punk scene for its churning dystopic social milieu that our 18-year-old Otto (Emilio Estevez) traverses while getting sucked into becoming a repo man. 

Reaganomics hangs in the smoggy air like a bad fart.

Harry Dean Stanton plays Bud, Otto's father-figure who schools Otto in the code of the repo man as they scout repos in the less glamorous neighborhoods of LA.

"A repo man spends his life getting into tense situations."
"Repo man is always intense."

Such dialogue seems written in stone, especially when the film's theme-carrier, Miller (Tracey Walter) busts out with philosophical gems like, "The more you drive, the less intelligent you are."

 What did he just say?

Now you've got me thinking.

Otto eats generic food at his parents house. His tweet tweet arf arf folks have given their life savings away to a televangelist. So much for college.

Otto's future looks bleak unless he can repo a certain 1964 Chevrolet Chevelle Malibu with a $20,000 reward, and a Neutron bomb-related MacGuffin in the trunk, a nice hat-tip to the plot-driver in the 1955 Cold War thriller "Kiss Me Deadly."

Endlessly watchable, "Repo Man" stands up as an inspired artistic expression amid dark social and political repression.

Here's a great excuse to kick it.

Rated R. 92 mins.

WILD AT HEART — CANNES 1990

Welcome!

Groupthink doesn't live here, critical thought does.

Punk heart still beating.

This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Cheers!

 

DAVID LYNCH: NEO-GOTHIC SLEEPWALKER

 

 David Lynch lets the Nicolas Cage tiger loose in this sexy, hot, and seriously effed up Neo-Gothic romantic crime thriller.

"This whole world is wild at heart and weird on top."

Laura Dern's Lula tells her worldview as if it were a theme line written in stone.

Romantic fire burns hot between Nicolas Cage's Sailor and Lula as they run from and toward people who want Sailor dead.

Lula's mother, Marietta Fortune (Diane Ladd), is a real piece of work.

Harry Dean Stanton, Isabella Rossellini, Willem Dafoe, Crispin Glover, and Jack Nance all give inspired performances in an ensemble piece like none other.

Rock 'n' Roll baby.

Pure surges of cinematic energy pours through "Wild At Heart," just as the title promises. Bad omens.

"Wild At Heart" is a remarkable film by any standard. What fun.

It won the Palme d'Or at Cannes in 1990. Cheers!

Rated R. 125 mins.

ROCK 'N' ROLL HIGH SCHOOL

Welcome!

Groupthink doesn't live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel. Punk heart still beating.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

 

"Rock, rock, rock, rock, Rock 'n' Roll High School!"

Those immortal words, written by The Ramones, kick off a super-charged coming-of-age comedy as chaperoned by, well yes ladies and gentlemen, The Ramones.

'70s era cultural signifiers abound in this Roger Corman-produced bonanza of low budget delights.

"Fun, fun, rock 'n' roll high school.

Fun, fun, oh baby.

Fun, fun, fun, fun.

Rock, rock, rock, rock, rock 'n' roll high school."

That the Punk band from NYC were soaking up California rays while making the movie, only adds to its fun vibe. The Ramones are at the height of their powers, tearing up the screen with determined musical attitudes shaped by Girl Groups of the '60s. Think, The Shangri-Las.

Who knew Punk was so sincerely romantic?

The proof in the Punk pudding nods toward be the beautifully innocent romantic intent in The Ramones' fantastic songs.

The teen dreams of the '70s are in roaring display, squeezed into every frame like a super yummy PB&J.

P.J. Soles is awesome as Riff Randall, The Ramones' biggest fan, or groupie if you will or if you won't. Romantic sparks fly in an out-of-this-world musical fantasy sequence with Joey singing "I Want You Around" to Riff in her bedroom.

Hot.

A girl's Punk dream comes to life, with Johnny playing acoustic guitar accompaniment to Joey's intimate love ballad.

I had the good fortune to be at Richmond Va's radio station-awarded "Rock 'n' roll high school, Richmond Open High School. Aimee Mann was in the equivalent of my home room. As such, the radio station gave us a free screening of "Rock 'n' Roll High School" at the Biograph Cinema in my VCU college neighborhood, the Fan District.

They gave us these great hot pink lettering on black t-shirts.

Oh, the memories of things teenaged Cole did in that t-shirt in 1979, my sophomore year at Open High. And yes, we did claim to get high openly.

Chills baby, straight up chills.

Mary Warnov gives a next level performance as Miss Togar, the high school's evil school principal. It's notable that Mary Warnov and her co-star Paul Bartel went on to make the romping BDSM sex comedy "Eating Raoul" together three years later.

It's clear that everyone involved with this miraculous Punk Rock document, is having a great time really going for it with everything they've got.

That the "Rock 'n' Roll High School" soundtrack is a truly perfect record, goes with the territory.

Rock out kids, "school's out for summer, school's out forever."

"I hate the teachers and the principal
Don't wanna be taught to be no fool
Rock, rock, rock, rock, rock 'n' roll high school."

Rated PG. 93 mins.