NOSFERATU
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Robert Eggers Digs His Own Grave
By Cole Smithey
If you've seen Robert Eggers's excellent film "The Lighthouse," then you should have high expectations for how Eggers could approach the well-worn story of Irish novelist Bram Stoker's 1897 Gothic horror novel "Dracula."
Sadly, you will be disappointed.
"The Lighthouse" is everything that "Nosferatu" is not — suspenseful, and dark in a terrifyingly human way.
There's not much humanity in this plot-crammed and poorly written "Nosferatu."
Eggers's inspiration arrives via Henrik Galeen's 1925 German expressionist script for F.W. Murnau's groundbreaking if politically problematic silent movie, considering its obvious racist underpinnings.
Overworked and under-edited, Robert Eggers's "Nosferatu" is not without its charms. Lily Rose Depp is a revelation in her exotic role as Ellen Hunter, a young, horny, nubile woman who offers herself up to the universe to be devoured by whatever form (alien, human, evil or otherwise) that comes through her open window.
Careful what you wish for.
A sleepy first act finally gives way to a late reveal of the monster. To be clear, Nosferatu is a hook-nosed freak of nature non-human creature, well except for his exposed penis.
Yes, "Peenee on set" was announced during the filming of the scene where Bill Skarsgård's Nosferatu shows up very nude, and sporting the most ridiculous mustache you've ever seen.
This Nosferatu gives mustache rides. Now that's scary. Beauty and the beast indeed.
"Nosferatu" is visually stunning but the screenwriting is not up to snuff by a lot.
Eggers is so obsessed with ticking off a checklist of details culled from every vampire movie ever made that he ties himself up. He employs tropes rather than imbuing them with novel meaning. The movie goes so far as to throw in a gratuitous Exorcist scene that stumbles.
Werner Herzog's "Nosferatu The Vampyre" (1997) is a far superior to Eggers's film in every way. Herzog's movie is simply told in a hyper stylized yet sparse setting where fear and suspense breed.
Hell, Paul Morressey's 1974 cult classic "Blood For Dracula" is a damn sight better than Eggers's movie.
Robert Eggers has squandered a great opportunity to use Bram Stoker's novel as a leaping off narrative form from which to improvise his own cinematic narrative design of suspenseful intent.
Where is your sense of Jazz improvisation Mr. Eggers?
Come on man; you're better than this.
If it were me I'd have cast Bill Skarsgård as Ellen Hunter's put-upon husband Thomas, and given the role of Nosferatu to his brother Alexander Skarsgård, who I might add would have been much more charming and dignified — think Astro=Hungarian Empire.
I'd have played up suspense in the devil dogs from hell sequence where Thomas gets chased off a ledge into the abyss below. This sequence should be the centerpiece of the film.
Think people, think.
I'd have let Thomas die from his fall, and have him communicate with Ellen telepathically (post-death) in her dreams as Ellen does with her domineering sex master Nosferatu. Nevermind that this vampire has all the charm of zombie meth addict with lesions all over his body that rebuke his gigantic well-groomed mustache.
"Nosferatu" is infuriating because of its cut-and-paste approach, and due to its lack of originality.
A miscast Willem Dafoe does the movie no favors as Professor Albin Eberhart von Franz, a Van Helsing archetype. This is the worst performance I've ever seen from Willem Dafoe.
Viggo Mortensen would have been much better casting.
I suppose this film's tag line, "Succumb to the Darkness" is an apt sentiment in the age of global warming and yet another Trump era.
This vampire movie is perfectly watchable; you may feel inclined to nap during it. Don't worry, you won't miss much.
Rated R. 140 mins.
