GET OUT

by

ColeSmithey.comGroupthink doesn’t live here, critical thought does.

Welcome!

This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through .

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

We’re drinking SAMUEL SMITH OATMEAL OATMEAL for our discussion of Jordan Peele‘s GET OUT.

Get Out

Jordan Peele’s directorial debut isn’t as much a horror movie as it is a scathing social satire. The film is more “Stepford Wives” than it is “Rosemary’s Baby.”

The shocks and scares that come at the audience are more related to taking out the garbage on Obama-bot liberals who discovered their asses hung out to dry by Hillary Clinton’s Bernie-directed skullduggery that allowed Donald Trump’s team to win over swing-voters who have also been equally duped by a data-mining system that makes America’s bologna form of democracy obsolete.

Get-out-allison-williams-daniel-kaluuya

Get Out” achieves something that no other film has so eloquently done before; it gives its audience the sense of what it is to be a black adult in a country where the liberals who pretend to stand up for blacks are just as guilty of exploiting them as their racist counterparts.

Screen Shot 2022-06-10 at 5.06.04 PM

There are stunning moments when Peele’s dialogue strikes unmistakable targets as when this film’s villainous white patriarch (played by Bradley Whitford made up to look strikingly like David Fincher) proudly announces that he would have “voted for Obama for a third term.” Peele is the first black person I’ve heard call out Obama as the Uncle Tom his presidency represented from the first second he took office.

Get-out

While the pacing lags where it should escalate, and Peele all but abandons his film’s most fascinating aspect (the relationship between his black protagonist Chris and his white girlfriend Rose), “Get Out” is a delightful satire that knows enough to not take itself too seriously. Brain transplants give the movie an appropriately B-movie edge.

Get Out

Actor Daniel Kaluuya’s pitch-perfect performance arrives alongside Jordan Peele’s breakout as a talented filmmaker. Social satires rarely strike as cold and deep as “Get Out.” Peele’s message is clear; America is not a hospitable place for the black people it exploits from both sides. With friends like Obama-liberals, none of us need any enemies, much less the likes of the Trump administration and its legion of racist thugs. We may all need to “get out.”

Rated R. 108 mins.

3 Stars

Cozy Cole

Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Patreon
FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up