Quentin Tarantino has matured as an auteur even if he's as prone as ever to creating funny-ha-ha sequences of joyous cinematic revelry just for the sport of it.
Tarantino deploys virtuosic use of character, dialogue, suspense, and surprise in each of this film's five chapters.
A tense opening sequence titled "Once upon a time in Nazi-occupied France" sets the filmmaker's darkly comic yet heavily dramatic tone with Nazi Colonel Hans Landa's (diabolically played by the incomparable Christoph Waltz who won Best Actor at Cannes for his performance),
and his small group of soldiers, visit to a remote farmhouse inhabited by dairy farmer Perrier LaPadite (Denis Menochet) and his three daughters. 
The objective is to search for Jews whom LaPadite may be hiding.
A polite battle of wits and willpower between the two adversaries plays out with a savory drama that is astounding for its layers of subtext, precise execution, and originality.
The following chapter introduces Tennessee-born Lt. Aldo Raine (played with gusto by Brad Pitt), who indoctrinates his elite squad of Nazi scalpers (Aldo is part Apache Indian) with a speech spun of richly-humored narrative gold.
The remaining chapters — each reflecting a different film genre — build on one another toward a new kind of World War II fantasy climax that is cathartic as it is bittersweet for its inevitable collateral damage.
