John Stockwell slams Times on Osama film

by

Seal-team-six

By KEVIN CIRILLI | 10/25/12 8:26 PM EDT

The director of an upcoming film about the killing of Osama bin Laden – airing two days before Election Day – is blasting The New York Times for reporting that the movie “may step toward the risk zone” by associating President Barack Obama with any possible anti-Muslim backlash against the U.S.

“SEAL Team Six: The Raid on Osama bin Laden,” about the May 2011 killing of bin Laden, will premiere Nov. 4 on National Geographic Channel and is backed by movie mogul Harvey Weinstein, an Obama donor who purchased the film rights in May for $2.5 million, The New York Times reported Tuesday. It is is directed by John Stockwell.

According to The Times, the film was “recut” to give Obama more prominence, prompting conservatives to criticize the film as political propaganda for Obama.

The Times also reported that “beyond the political issues, the film may carry the risk of associating Mr. Obama with any backlash in a Muslim world already inflamed by the YouTube trailer for [‘The Innocence of Muslims.’]” Republicans have criticized the Obama administration for linking “The Innocence of Muslims” to last month’s attacks at U.S. diplomatic posts overseas, including one in Benghazi, Libya, that left ambassador Christopher Stevens and three other Americans dead.

Times reporters Michael Cieply and Brian Stelter, who obtained a copy of the film, wrote: “Nothing in ‘SEAL Team Six’ recalls the anti-Muslim tones of that film. But the new film’s portrayals of the jeopardy to Muslim children during the assault on Bin Laden’s compound, and its graphic references to — but not portrayals of — torture in the war on terror may step toward the risk zone.”

In a statement to POLITICO, Stockwell blasted the statements as “nonsensical.”

“The insinuation by The New York Times that our film ‘SEAL Team Six,’ contains scenes that might be incendiary to the Muslim world, because of the ‘jeopardy to Muslim children during the assault on Osama bin Laden’s compound’ is nonsensical and took us all by surprise – as we went to great lengths to highlight the care and the control that the SEALs showed during the chaos of the raid – not to harm any women and children,” Stockwell said in the statement. “This film is dedicated to the men and women of the armed forces and intelligence community who sacrifice, for us, everyday. We have tried to portray them accurately and with respect.”

Contacted by POLITICO, The New York Times said it was looking into the matter and could not provide an immediate comment.

Stockwell released clips from the film to POLITICO to illustrate his point.

In one 26-second clip, soldiers are seen taking precautions in helping children be safely removed from bin Laden’s compound. In the other 28-second clip, a skipper played by actor Robert Knepper tells a soldier who shot a civilian target during a training session: “We get our guy and leave dead women and kids this mission is a failure.”

National Geographic Channels CEO David Lyle on Thursday denied allegations that the film’s release was politically timed to The Associated Press.

“I think the end titles run longer than Obama’s time on screen,” Lyle told The AP. “People that haven’t seen the movie have decided that it’s a political event. Believe me, in 85 million homes, a movie from National Geographic is not going to change the outcome of the election in a country of 300 million.”



Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Patreon
FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up