ECHO IN THE CANYON
This beautiful musical performance/documentary love letter to Los Angeles’s mid ‘60s Laurel Canyon music scene that gave rise to The Association, The Beach Boys, The Byrds, and The Mamas and the Papas is an addictive musical journey. Jakob Dylan proves the perfect unobtrusive guide through L.A.'s prolific utopian Laurel Canyon musical scene that existed between 1965 to 1967. I’ve watched this doc 8 times, and will gladly watch it again anytime.
Jacques Demy’s underseen L.A.-set 1969 romantic drama “Model Shop” serves as inspiration for Jakob Dylan (a revelation as the band leader for a concert with a rotating group of co-singers that include Jade Castrinos, Cat Power, Fiona Apple, Beck, Regina Spektor, and Norah Jones) to interview the musicians who created such classics as “Go Where You Wanna Go” and “Never My Love.” Tingles run up your spine.
Jakob's cool-hang interviews with the likes of pop music royalty as Stephen Stills, Brian Wilson, Tom Petty, Ringo Starr, Roger McGuinn, and Lou Adler allow for some hilarious tales told outside of school. Jakob Dylan’s subtle sense of humor get nice traction with Brian Wilson when discussing a song’s key. Jakob offers to “get out the capos.” Funny musician humor, I know, but I love it. Jakob Dylan is as unpretentious as they come
Recording sessions as historic Los Angeles recording studios where great artists have recorded countless hits segue into Jakob Dylan’s live concert celebrating Laurel Canyon’s 50-year anniversary. The briefly utopic community of musicians who gravitated to Laurel Canyon created a Niagara of poetic pop songs turning folk music into rock ‘n’ roll. This is a groovy movie about a brilliant period of music that flourished before its awe-inspiring flight came to an inevitable end. This is a really fun movie to savor. My only complaint is that they didn't feature another four or five songs.
Sidebar: Although it's never brought up in the film, the Laurel Canyon music was a direct outgrowth of Bossa Nova. Bossa's utopian romanticism came out of João Gilberto's Sinatra-inspired idea to soften samba into a more romantic ballad-based style. The early '60s period of Bossa Nova's explosive popularity in the country occurred prior to a movement of young musicians to turn up the heat on folk music and make it rock with the same attention to songwriting that Gilberto and Jobim utilized for their timeless songs. "Never My Love" meet "The Girl From Ipanema."
Groupthink doesn't live here, critical thought does.
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