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“Bohemian Rhapsody” achieves its dramatic goal of celebrating the unforgettable music of a groundbreaking rock band whose omnisexual lead singer Freddie Mercury remains a revered pop figure for many good reasons.
As with any biopic, this film’s success relies on the ability of the actor portraying the film’s subject to inhabit that person entirely. Indeed, Rami Malek carries off a spitting-image portrayal of Freddie Mercury that wins you over from his first appearance as a singer whose signature overbite allowed Mercury a greater singing range. Who knew an overbite could be so musically effective?
As the filmmakers make clear, the title of the film isn’t “Freddie Mercury.” Fans may well quibble over this film’s sanitized rendition of Mercury’s voracious appetite for sex, drugs, and rock ‘n’ roll. However, the movie displays the band’s unorthodox musical methods and interpersonal conflicts toward creating anthemic songs that you’ll be humming in your sleep for days if not weeks after seeing it.
Actor Gwilym Lee is unrecognizable in his portrayal of Queen’s guitarist Brian May. You can’t help but get a charge out of Lee’s spot-on portrayal of Queen’s charismatic guitarist. Mike Myers turns in an equally impressive act of disguise as Ray Foster, an EMI record label executive (a composite character of several EMI geniuses) who screwed up what would have been a lucrative deal with Queen had he endorsed their experimental approach to songwriting that birthed the film’s title track.
Dramatic liberties are taken. Pet peeves will be had. I wish they had used the [actual] clip of Freddie Mercury and David Bowie singing their amazing “Under Pressure” duet. Would it have been too much of a cheat to let the audience revel in that dynamic musical moment in time? It certainly could have provided some insight into why Mercury abandoned his bandmates.
Enough splitting hairs, “Bohemian Rhapsody” is a fun ride that will put a lump in your throat, a tear in your eye, and more than one terrific song in your heart. Go with it.