19 posts categorized "politics"

February 16, 2020

MADE IN SHEFFIELD

MadeThe industrial city of Sheffield, England was the birthplace for the electronic pop explosion of cool post punk bands such as "Vice Versa," "The Human League," "Heaven 17," "ABC,” and "Cabaret Voltaire."

Slick style and a rejection of cultural limitations at hand, these daring musicians created a utopian attitude of romanticized clarity and precision. 

Cabaret Voltaire

Songs pulse, heat up, and grow on an international level in a bastion of fearless creativity. Here is an essential chapter of musical history brought to relevant life and context in fun documentary.   

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In this enthusiastic, if brief documentary (it clocks in at only 52 minutes), filmmaker Eve Wood charts the lineage of musicians whose music inspired modern-day bands such as "Stereolab," "Ladytron," "Client," and "Peaches."

Made In Sheffield

Through insightful interviews with band members (such as Phil Oakey of The Human League), and rare live performance footage, "Made In Sheffield" fills an essential period that linked Punk to the British New Wave with bands intent on destroying rock music.

John-peel

Interview subjects such as the late John Peel, The Human League’s Phil Oakey and Ian Craig Marsh, and music critic Andy Gill shed light on the indispensable influence of Sheffield’s electronic music scene. This thrilling documentary is an important film for any serious music lover to learn about the origins of a time and place where musical creativity ran wild. Perhaps the best thing about this essential documentary is that it might inspire new audiences to discover this music, and perhaps be inspired to create original music of their own.

Humanleague

Not rated. 52 mins.Four Stars

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

This website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Cole Smithey on Patreon

March 28, 2019

THE BRINK

BrinkDocumentarian Alison Klayman (“Ai Weiwei: Never Sorry”) brilliantly contextualizes Steve Bannon’s bizarre racist mission within the many coded ways the right-wing fascist ideologue expresses his murderous subtext to politicians (see Nigel Farage), billionaires (see Blackwater’s Erik Prince and Guo Media’s Miles Kwok), hack journalists, sycophantic fans, television interviewers, and during personal interactions.

It says a lot about a man by those who he admires; in Bannon’s case most such icons (seemingly) have direct links to the Nazi regime. Indeed, Bannon goes out of his way to put a fine point on his love affair with Hitler’s genocide of the Jews.

Bannon

Klayman opens the film with Bannon chugging a Red Bull while going over “spots” (shorthand for Bannon’s ongoing television media propaganda campaign) over the phone with an unnamed associate.

“You talk about culture being upriver in politics; this is the way you make a statement. I’ll see you at five o’clock and I’ll feed you dinner.”

Cut to Bannon bragging about “Torchbearer,” the 2016 “documentary” he directed. Oh yes, Steve Bannon is a director and producer. Check out his IMDB page, it will give you an idea Bannon’s obsessions. Shocker, Bannon executive produced the Sean Penn written/directed “The Indian Runner.” Still, Bannon can’t bring himself to remember his film’s proper title, “The Torchbearer,” or “Torchbearers,” or …

Bannon 2

The subject brings up filming that Bannon did in Auschwitz.

“My shit in Auschwitz rocked.”

This weird, out-of-context statement reflexively begs the question, does Bannon think Hitler also “rocked” Auschwitz? Evidently so. Bannon’s profane scatological reference is the needle that punctures the mind of the listener as Bannon normalizes his audience to his objectively racist beliefs that he carefully masks behind a sleepy-eyed gauze of overt respect and appreciation the Nazi death camps (Auschwitz-Birkenau).

Visually excited, Bannon nods his head with praise.

“We leave for Birkenau. This gets to the punchline of the story. I look around and I turn around in the chair and I go, “Man, I said, this is the most haunting place I think I’ve ever been. It’s something about this. This actually is the feeling I thought I was going to feel in Auschwitz.

And he (the guide) goes, ”Oh everybody says that.” Bannon breaks into a laugh and shakes his head like a puppy.

“And I go, What are you talking about?”

And he goes, “Oh no, no, no.” He goes, “Maybe I didn’t explain it.”

“He said, “Auschwitz was a Polish cavalry college. The Germans just requisitioned it immediately. That was like the beta site (test); this was made from scratch.”

Bannon raises his finger to make the point, “German industrial design. He says, “The whole thing’s perfect.”

“I’m walking around going oh my God. It’s precision engineering to the nth degree. By Mercedes, then Krupp, and Hugo Boss. It is a (sic) institutionalized industrial compound for mass murder.”

“Here it finally hits you that — think about it, good people back in Germany were sitting at their desks drawing, and having arguments, and meetings. This thing was so planned and so engineered — down to perfection; you could see the conference meetings. You could see all the cups of coffee, and all the meetings, and all the argument. There were actually people who sat and thought through this whole thing and totally detached themselves from, you know, the moral horror of it. That’s when you realize, oh my God, humans can actually do this. Humans that are not devils, but humans that are just humans.”

Bannon 1

Bannon’s dog whistle works on a handful of signifiers that he employs 24/7. He thinks he’s doing the "Lord’s work.” He may as well have LOVE and HATE tattooed across the knuckles of his hands. His disarming Virginia accent, folky linguistic style, compulsive physical mannerisms, unshaven ruddy face, unkempt overlong hair, outlier habit of always wearing two button-down shirts (usually under a hunting field jacket), all come into sharp focus under Alison Klayman's close eye.

Bannon

Steve Bannon knowingly embodies the banality of evil. We watch Bannon weaponize words such as “Deplorables,” and “Populism and Economic Nationalism” (i.e. “military and economic patriotism which inclines us to the side of pervasive national defense.” —William Safire).

Thebrink

To view “The Brink” is to get a peek behind office doors at private meetings of right wing radicals from far and wide intent on spreading hate, greed, and brutality through political and corporate means. In order to defeat your enemy, you must know him. Alison Klayman’s brilliant documentary gives you plenty to chew on.

Not Rated. 91 mins. Five Stars

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

This website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon. Thanks a lot pal!

Cole Smithey on Patreon

February 26, 2019

THE WORLD IS NOT ENOUGH

World_is_not_enoughPierce Brosnan (Golden Eye and Tomorrow Never Dies) can do no wrong. While leading actors like Harrison Ford and Nicholas Cage recede into mere shadows of their former selves, Pierce Brosnan gleams with all the requisite savoir-faire and charisma that the longest-running film franchise in cinema history demands. 

Brosnan's third installment as Her Majesty's top secret agent 007 lives up to the lofty expectations set down by Sean Connery's initial James Bond presence with an indispensable steely nerve and Bond's signature unquenchable libido. British director Michael Apted, best known for his fantastic 7 Up documentary film series and Coal Miner's Daughter (1980), makes a surprisingly impressive debut in the super-action genre of the Broccoli family dynasty.

World

By definition a James Bond film must provide various exotic locations (in this case Bilbao, Kazakhstan, Azerbaijan and Instanbul), include mind-bending chase scenes through exceptional places, utilize slick gadgetry, have seduction scenes with audaciously beautiful women, and include an explosive ending that catapults Bond and his fille du jour into sequestered romantic bliss. The cinematic experience goes beyond guilty audience pleasure, because there's something in it for everyone. The feeling is akin to visiting characters who have become old friends in situations that continually add up to a life-affirming thrill ride. There is a deeply felt satisfaction in hearing that priceless James Bond theme music and digging into the latest spectacular pre-credit action sequence.

World-Is-Not-Enough

In The World Is Not Enough, James Bond is trying to track down an international terrorist, Renard (Robert Carlyle), who threatens to kill off lovely oil heiress Elektra King (Sophie Marceau). Elektra has already suffered as a former hostage of Renard but managed to escape before his hostage demands were met. Elektra is planning to open her own oil pipeline into Turkey after the explosive assassination of her wealthy father.

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It's a theme right out of today's news as President Clinton has just approved a similar pipeline to deliver oil from Azerbaijan and Georgia into Turkey without going through Russia or Iran. The screenwriters could not have landed on a more topical idea, and although content is never the crux of a James Bond movie, it is an added bonus that the countries visited in The World Is Not Enough are currently very active in the news.

World

Judi Dench (Shakespeare in Love) returns to nourish the series as Bond's strident boss "M," while Desmond Llewelyn returns for the 19th time as Bond's meticulous gadget guru "Q." Robert Carlyle (TrainspottingThe Full Monty) does a brilliant turn as the ruthless terrorist Renard. He's the nastiest villain to challenge Bond since Max Zorin (Christopher Walken) in A View to a Kill. Renard's character is first introduced in a meeting between Bond and M as a giant three-dimensional translucent head revealing the bullet lodged in his brain that makes it impossible for him to feel pain. It's an ingenious scene, because it makes us question whether or not this man is still alive and what kind of monster could survive such a state of being. Carlyle looks physically wrecked in his scenes while exuding an air of spontaneous combustion beneath his misshapen and sullen eyes.

Worldisnt

The World Is Not Enough keeps the stakes high for the James Bond franchise by paying closer attention to character development and interaction than recent films in the series. M proves herself to not be a perfect judge of character, and the beautiful Princess Elektra has a little "Stockholm Syndrome" stuck in the front of her mind to give the plot some artful double-crossing. Denise Richards may not be the most believable nuclear weapons expert as Dr. Christmas Jones, but she is the most comely.

The-world-is-not-enough

Michael Apted more than hits his directorial marks, and at two hours eight minutes, The World Is Not Enough is, pound for explosion pound, a great return on your entertainment dollar.

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Rated PG-13. 128 mins.Four Stars

COLE SMITHEY

Groupthink doesn't live here, critical thought does.

This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon. Thanks a lot pal!

Cole Smithey on Patreon

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