The Cannes 2006 Film Festival

by

Cannes Anticipates A Latin Groove With Loads of Stars


By Cole Smithey

Cannes2006_home_1

The fiery French Riviera sun will glisten down on such elite members of cinema aristocracy as Tom Hanks, Audrey Tautou, Jean Reno, Penelope Cruz, Cillian Murphy, Kirsten Dunst, Judy Davis, Asia Argento, Marianne Faithfull, Steve Coogan, Cate Blanchett, Gael García Bernal, The Rock, Gérard Depardieu, Fanny Ardant, Bruce Willis, Nick Nolte, Juliette Binoche, Willem Dafoe, Ben Gazzara, Bob Hoskins, Maggie Gyllenhaal, Ludivine Sagnier, Gena Rowlands, Hugh Jackman, Halle Berry, Ian McKellen, and if Angelina has her baby in time, Brad Pitt will share his latest pair of sunglasses with the throng of paparazzi.

Every night is red carpet night during the 11 nights of the Cannes Film Festival (May 17 – 28) and amid the screaming paparazzi, falling celebrity gowns, and outrageous quotes are thousands of compelling films from all over the world. For joie de vivre in the flesh, Cannes is it.


Palme_dor

For the first time in its 59 years, the films in competition for Cannes’ coveted Palme d’ Or award are of Latin decent.


Amodovar

The ubiquitous Pedro Almodovar brings his new film "Volver," a cross-generational story about the culture of death in Almodovar’s native region of La Mancha, Spain. "Three generations of women survive easterly wind, fire, madness, superstition and death through goodness, lies and an unlimited vitality." Penélope Cruz and Carmen Maura star in this ebullient movie about the essence of Spanish culture.


Cannes6_1

Horror master Guillermo Del Toro ("The Devil’s Backbone") wrote, produced and directed "Pan’s Labyrinth," a wartime satire set against a fascist regime in 1944 rural Spain where a 12-year-old girl named Ofelia creates a fantasy world in order to cope with the harsh realities around her. It promises to be a visual feast with a powerful narrative punch.


Argentinean director Israel Adrian Caetano (originally from Uruguay) finds his place in competition for the golden palm with "Cronica de Una Fuga," a fact-based film about a group of civilians taken prisoner in 1977 by a group of Argentine government military goons.

Portugal gets a voice in Pedro Costa’s "Youth On The March" ("Juventude Em Marcha") about a group of dislocated aging people in the Cap-Verdian area of Fontainhas.


Cannes8

Mexican auteur Alejandro González Inarritu ("Amores perros," "21 Grams") finishes his trilogy with a climatic cinematic tapestry. "Babel" connects the lives of four separate groups of strangers on three continents. Brad Pitt and Cate Blanchett star as an American couple on a doomed vacation. Gael Garcia Bernal also stars.


There are two films from the UK in competition for the Palme d’ Or. Distinguished leftist director Ken Loach delivers "The Wind That Shakes The Barley," about a group of Irish workers in 1919 that form volunteer guerilla armies to oppose the merciless ‘Black and Tan’ squads sent from Britain to stop Ireland’s bid for independence. Cillian Murphy and Liam Cunningham star in this heartfelt and volatile film.

"Red Road" is Oscar winner Andrea Arnold’s ("Wasp") character-driven film about Jackie a solitary CCTV operator for Glasgow council who sees a man from her past in her monitors, and is compelled to confront him.


Rounding out the 19 films in competition is: "Marie-Antoinette" (by Sofia Coppola), "Indigenes" (by Rachid Bouchareb), "La Raison Du Plus Faible" (by Lucas Belvaux), "Ceylan Iklimler" (by Nuri Bilge), "Flandres" (by Bruno Dumonts), "Selon Charlie" (by Nicole Garcia), "Quand J’etais Chanteur" (by Xavier Giannoli), "Laitakaupungin Valot" (by Aki Kaurismaki), "Southland Tales" (by Richard Kelly), and "Fast Food Nation" (by Richard Linklater).


Presiding over the Plame d’ Or jury is China’s esteemed director Wong Kar Wai. Seated on this year’s jury is English actor/director Tim Roth, Italian actress Monica Bellucci, English actress Helena Bonham Carter, Argentinean director Lucrecia Martel, Chinese actress Zhang Ziyi, American actor Samuel L. Jackson, French director Patrice Leconte, and Palestinian director Elia Suleiman.


Marches_rouges2_1

Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

Get cool rewards when you click on the button to pledge your support through Patreon.

Thanks a lot acorns!

Your kind generosity keeps the reviews coming!

Patreon
FEATURED VIDEO
Smart New Media Custom Videos
Cole Smithey’s Movie Week
COLE SMITHEY’S CLASSIC CINEMA
La Grande Bouffe
Rotten Tomatoes

0 STAR REVIEWS
1 STAR REVIEWS
2 STAR REVIEWS
3 STAR REVIEWS
4 STAR REVIEWS
5 STAR REVIEWS
5th & Park Walking Tour
92NY
AAN
AER Music
AFI Silver Theatre & Cultural Center
AFRICAN AMERICAN CINEMA REVIEWS
AGITPROP REVIEWS
Alhambra Guitarras
Andy Singer
Angelika Film Center
Anthology Film Archives
Anti-War
Archer Aviation
ARCHITECTURAL STYLES OF CARNEGIE HILL WALKING TOUR
Argo Pictures
Barbuto
BDSM REVIEWS
Bellisimo Hats
Bemelmans Bar At The Carlyle
Big Bad Voodoo Daddy
Big Sur Kate
BIOPIC REVIEWS
BIRDLAND
Birdsall House Craft Beer Gastropub
BLACK AND WHITE REVIEWS
Bob Gruen
BOSSA NOVA
BRITISH CINEMA REVIEWS
Buzzcocks
Calton Cases
CANNES FESTIVAL REVIEWS
Carnegie Hill Concerts
Carnegie Hill Walking Tour
Catraio Craft Beer Shop
CHILDRENS CINEMA REVIEWS
CHINESE CINEMA REVIEWS
Church of Heavenly Rest
Cibo Ristorante Italiano
Cinémathèque Française ‘Henri’ Streaming
CLASSIC CINEMA REVIEWS
Cole’s Patreon Page
Cooper Hewitt Smithsonian Design Museum
COURTROOM DRAMA REVIEWS
COZY COLE
CozyColeSoloBossaNovaGuitar
CRITERION CHANNEL
Criterion Collection
CRITERION REVIEWS
Criterion24/7
Criterioncast
CULT FILM REVIEWS
DANISH CINEMA REVIEWS
EROTIC CINEMA REVIEWS
DOCUMENTARY REVIEWS
DYSTOPIAN CINEMA REVIEWS
FRENCH CINEMA REVIEWS
GAMBLING MOVIE REVIEWS
HORROR FILM REVIEWS
HUNGARIAN CINEMA REVIEWS
INDEPENDENT CINEMA REVIEWS
JAPANESE CINEMA REVIEWS
KOREAN CINEMA REVIEWS
LADY BIRD REVISITED
LGBTQ REVIEWS
LITERARY ADAPTATION REVIEWS
MARTIAL ARTS REVIEWS
MEXICAN CINEMA REVIEWS
Museum Mile Walking Tour
NEO-NOIR REVIEWS
NEW GERMAN CINEMA REVIEWS
FILM NOIR REVIEWS
OSCARS MOVIE REVIEWS
POLITICAL SATIRE REVIEWS
PORN REVIEWS
PSYCHOLOGICAL THRILLER REVIEWS
PUNK MOVIE REVIEWS
ROMANTIC COMEDY REVIEWS
SCREWBALL COMEDY REVIEWS
SEX MOVIE REVIEWS
SEXPLOITATION MOVIE REVIEWS
SHAKESPEARE CINEMA REVIEWS
SHOCKTOBER! REVIEWS
SILENT MOVIE REVIEWS
SOCIAL SATIRE REVIEWS
SPORTS COMEDY REVIEWS
SPORTS DRAMA REVIEWS
SURFING MOVIE REVIEWS
TRANSGRESSIVE CINEMA REVIEWS
WOMEN FILMMAKER REVIEWS
WOMENS CINEMA REVIEWS
VIDEO ESSAYS

keyboard_arrow_up