THE SHALLOWS

by

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Here is a good old-fashioned suspense thriller about a strong-willed young woman and a big mean shark. Blake Lively shows off her acting chops in this genre picture that belongs all to her. It’s a popcorn movie make for gigantic drive-in movie screens.

Feeding on a whale carcass gets old after a few days for a mammoth shark, especially when there’s tasty human flesh around to supplement the entree.

Jaume Collet-Serra’s workmanlike direction is adequate. He still needs to learn a few lessons from Hitchcock and Friedkin, but the raw suspense he creates works well enough.

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Everything is a little low-fidelity in a gaudy exploitation way. The musical score is no bueno. What can you do?

There’s no point mentioning plot details of screenwriter Anthony Jaswinski’s lean, and implausible, script. Some of the CGI is lacking, and sure I could nitpick about a giant unrealistic looking prop, but the shark is plenty convincing when you’re staring down its gullet on the big screen.

ColeSmithey.com

The film is paced like a Swiss watch, and Lively’s gutty performance as Nancy, a surfer and med school student, makes it tic. A wounded seagull friend that accompanies Nancy during her tiny-island waiting game with the shark, is a nice poetic touch if not much else. It’s still not as cheesy as the cell phone conversation Nancy has with her dad about her future. Such is the sentimental white bread that bookends the action.

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Yes, there is one moment that will shock you out of your chair regardless of how many scary movies you’ve seen. If that’s not good enough to send you after a cheap thrill at the movies, I don’t know what is.

Rated PG-13. 87 mins.

3 Stars

Cozy Cole

Welcome!

Groupthink doesn’t live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel.

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Thanks a lot acorns!

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