THE WILD

Obvious plot similarities to Dreamworks’ animated kid’s movie “Madagascar” haunts this superior Disney-produced CG animated story about a group of New York Zoo animals who go for an unexpected boat trip to an African jungle. Samson the lion (voiced by Kiefer Sutherland), convinces his lion cub son Ryan (Greg Cipes), and the rest of the zoo animals, of his mythic experiences in the wild with inspired tall tales.

The king of the zoo wears his mighty roar like a badge of honor that little Ryan can barely hope to emulate with his slight whimper of howl. When the forlorn Ryan steals away from the zoo in a shipping container, Samson and his best friend, a squirrel named Benny (Jim Belushi), are joined by Nigel the koala bear, Bridget the giraffe, and Larry the goofy anaconda, to rescue Ryan from the wilds of Africa.

The animation for “The Wild” has a more intricate look than “Madagascar” thanks to director Steve “Spaz” Williams’s CG process that he developed working on films like “The Mask,” “The Abyss,” “Jurassic Park,” and “Terminator 2: Judgement Day.”

However, it’s the unique chemistry of vocal performances by Kiefer Sutherland, Greg Cipes, Jim Belushi, Eddie Izzard (Nigel), Janeane Garofalo (Bridget), Richard Kind (Larry), and William Shatner (as a bloodthirsty wildebeest) that harmonizes the movie. Where “Madagascar” suffered from vocal interpretations that frequently clashed, “The Wild” carries a dulcet and dynamic accord that plays like well-practiced orchestra.

Eddie Izzard brings an understated flair to his role as Nigel, the egocentric British koala bear. Much of the plot turns on Nigel’s character. A tribe of African wildebeests believe Nigel to be a deity similar to the stuffed koala bear they pray to. The strained relationship between Samson and Ryan resonates against the unresolved romantic connection between Bridget the giraffe and her romantic admirer Benny the squirrel.

Bridget disdains Benny because of his petite size, but that doesn’t prevent the little guy from trying his heart out to win her over. In the same way that Ryan seeks respect from his father for his effort to roar like a big lion, so too does Benny crave props for his sincere affection for Bridget.

Jim Belushi creates a transparent vocal characterization for Benny that zings with just the right pitch of youthful exuberance. For her part, Janeane Garofalo practically sings Bridget’s voice to outline her character’s condescension that eventually turns warmer.

“The Wild” carries “Madagascar’s” themes of animals “going wild.” A lion releases his pent-up primal roar to get in touch with his true nature. And yet, there’s more emotional closeness and paternal significance attached to the animal characters here. The music, scored by Alan Silvestri (“Who Framed Roger Rabbit?”), contributes to the aural textures of the story better than Madagascar’s sometimes jarring score did. Big Bad Voodoo Daddy, Eric Idle, Lifehouse, and Everlife contribute songs that nestle into the movie rather than calling inordinate attention to themselves.

There’s also an obvious “Finding Nemo” aspect to “The Wild” wherein a father embarks on a desperate mission to regain his son. To that end “The Wild” goes further in fleshing out aspects of the father’s past that inform his treatment of his son. A flashback sequence illustrates the way Samson’s circus-lion father inflicted emotional scars on him that are healed by his reconciliation with Ryan. “The Wild” is a thematically inspired animated children’s movie that shuns the typical kiddie toilet humor of the genre. It should stand up well to many repeated viewings.

Rated G. 85 mins.